{"id":6792,"date":"2020-11-28T14:30:32","date_gmt":"2020-11-28T14:30:32","guid":{"rendered":"http:\/\/greydogtales.com\/blog\/?p=6792"},"modified":"2020-11-28T14:30:32","modified_gmt":"2020-11-28T14:30:32","slug":"still-shouting-killing-revelling-and-repeating","status":"publish","type":"post","link":"http:\/\/greydogtales.com\/blog\/still-shouting-killing-revelling-and-repeating\/","title":{"rendered":"STILL SHOUTING, KILLING, REVELLING AND REPEATING"},"content":{"rendered":"

I\u2019ve said before that I would probably never have written any Lovecraftian or Mythosian stories had I not come across Scott R Jones<\/strong>\u2019 Martian Migraine Press in 2015, and read his own book When the Stars Are Right<\/em>. After that, I was intrigued \u2013 and tempted. In 2016 Scott accepted the first such tale I ever wrote, without any idea of who I was, and the whole thing sort of ambled on from there.<\/p>\n

So it seems fitting that we have another first today, the only time we\u2019ve covered the same book twice on the website in any detail \u2013 the absolutely excellent Shout, Kill, Revel, Repeat<\/em> by Jones, reviewed this time by guest author Justin Burnett<\/strong> of Silent Motorist Media…<\/p>\n

(Our own perspective on <\/em>Shout, Kill, Revel, Repeat was posted in July: <\/em><\/strong>http:\/\/greydogtales.com\/blog\/shout-kill-revel-repeat-what-would-scott-r-jones-do\/<\/em><\/strong> )<\/strong><\/em><\/span><\/a><\/p>\n

\"\"<\/a>
\nShout, Kill, Revel, Repeat: a Review<\/h2>\n

by Justin A. Burnett<\/h4>\n

 <\/p>\n

\u201cHe\u2019s good, this Huxley of the Old Ones, this Prophet of Diabolical Singularity. Reading Jones is like slipping into a dream…\u201d<\/em><\/span><\/h3>\n

Lovecraftian fiction has me bent two ways. On the one hand, it implies a wearied narrative structure: Protag stumbles across an esoteric mystery purloined craftily amidst the mundane and generally indicated only by the presence of quirky characters with fishy auras. Protag teases the edges of said mystery until either her mind or existence (often both) unravels. That\u2019s my uncharitable bent.<\/p>\n

But then, if the rows of Lovecraftian anthologies and collections on my bookshelf indicate a Hyde to my over-critical Jekyll, it\u2019s because Lovecraftian fiction is simultaneously rich with variety within its formal structures and prone to opening chasms of the heart resembling its concurrent space and time variety.<\/p>\n

But let\u2019s not mention Lovecraft more than necessary, or you\u2019ll get the wrong idea. For Lovecraftian, Scott R. Jones is not. He prefers the term R\u2019lyehian<\/i>. If he means operating within the Lovecraftian Mythos (at its widest) sans the absurdity of treating it with Roman dogmatism, then call the distinction apt.<\/p>\n

It\u2019s also a worthy starting point in considering Jones\u2019 2020 collection, Shout, Kill, Revel, Repeat. <\/i>I\u2019m far<\/i> from a Lovecraft expert (much <\/i>less so than Jones himself), so trying to trace each iteration of the Mythos winding through this collection is useless. It\u2019s also beside the point. It\u2019s nice to recognize bits of Ramsey Campbell and Frank Belknap Long along the way, but what\u2019s nicer is watching Jones \u201cabuse\u201d the tradition.<\/p>\n

I\u2019ve always wanted to read a Lovecraftian collection set after <\/i>the end. What\u2019s it like, writhing in the tentacles of the novus ordo seclorum? <\/i>When the sun sets forever and the fungus fills the horizon with impossible colors, what then? SKRP is the sharp edge designed for this very itch.<\/p>\n

Many of Jones\u2019 strongest stories reside in this rough, gore-drenched landscape of the weirder-than-weird apocalypse. There are plenty orifical portals to close, crippled sanities to maintain, and all the mind-bending tech you could possibly want to get the doing done. It\u2019s a playground, really. A happy place for deranged imaginations prone to stretching the extremes inherent in weird fiction to snapping.<\/p>\n

And Jones wields a prose to match, an angular, jarring thing that doesn\u2019t coddle the reader with downy description. It\u2019s overloaded with a universe that only Jones knows fully, bursting at the seams in places where you can glimpse the hallucinogenic machines of world-building beyond. It\u2019s sharp. Hostile. But this is a fiction collection, not a pillow.<\/p>\n

I can barely pick favorites. ‘The Abraxas Protocol’ is as crazy as a werewolf tale can get. In fact, forget werewolves. Remember how I keep bringing up (however reluctantly and loaded with disclaimers) Lovecraft? Well\u2026<\/p>\n

And what about ‘The Amnesiac\u2019s Lament’, smacking of VanderMeer\u2019s Dead Astronauts <\/i>in the best of ways, blending mind and matter in a way that injures the very notion of Point of View?<\/p>\n

There\u2019s even a story about coffee.<\/p>\n

Yes, Jones wields quite the sense of humor between the permeable boundaries of his multiple dimensions. Nevertheless, you won\u2019t escape his darkness, the sense of a universe bent ever to violence against its involuntary inhabitants. If there\u2019s a challenge to reading this collection, it\u2019s the sting of his worldview.<\/p>\n

But let me avoid another possible mischaracterization: Jones is not without tenderness. ‘Book of Hours’ is a heartbreaker about a couple who would do anything to bring back their dead boy. And they do it\u2026 every bloody thing. What they find, as you\u2019d expect, isn\u2019t what they sought. In this one, like others in the collection, transcendence looms in the burning horizon, a dark one filled with agonies and joys, but transcendence nonetheless.<\/p>\n

Joel Lane, in This Spectacular Darkness<\/em>, makes a useful distinction between \u201contological horror\u201d and \u201cexistential horror.\u201d The former is anti-humanistic, Lovecraftian, centered around the erasure of humanity. The latter, associated with popular writers like Stephen King, is interested in utilizing horror to examine the human dimension: loss, desire, those truly <\/i>squishy terrors that terrified Lovecraft. Jones writes himself into the borderlands of this divide. The human is never far, particularly insofar as she seeks the perennial need lying buried beneath the mask of the given: escape, atonement, whatever-you-call-it.<\/p>\n

He\u2019s good, this Huxley of the Old Ones, this Prophet of Diabolical Singularity. Reading Jones is like slipping into a dream: It\u2019s strange, horrifying, and you awake with a fresh new vocabulary of ideas and images you wouldn\u2019t have found in the dreary daytime. Not many writers can do that. It\u2019s no surprise that Ramsey Campbell calls him \u201ca genuine master of horror.\u201d<\/p>\n

I heartily <\/i>recommend Shout, Kill, Revel, Repeat. <\/i>Indeed, I\u2019m looking forward to a re-read.<\/p>\n

\n
\n

Justin’s Silent Motorist Media small press can be found here:<\/p>\n

https:\/\/silentmotorist.media<\/a><\/p>\n

And SMM\u2019s latest book is The Nightside Codex<\/em>, which we hope to finish and review here soon:<\/p>\n

\"\"<\/a>the nightside codex – amazon<\/a><\/p>\n

\n
\n

A selection of John Linwood Grant\u2019s Lovecraftian fiction will be included in his second collection, <\/strong><\/em>Where All is Night, and Starless<\/strong>, due out mid-2021 from Trepidatio\/JournalStone.<\/strong><\/em><\/h4>\n","protected":false},"excerpt":{"rendered":"

I\u2019ve said before that I would probably never have written any Lovecraftian or Mythosian stories had I not come across Scott R Jones\u2019 Martian Migraine Press in 2015, and read his own book When the Stars Are Right. After that, I was intrigued \u2013 and tempted. In 2016 Scott accepted the first such tale I … Continue reading STILL SHOUTING, KILLING, REVELLING AND REPEATING<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"iawp_total_views":2,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-6792","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nSTILL SHOUTING, KILLING, REVELLING AND REPEATING - greydogtales<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/greydogtales.com\/blog\/still-shouting-killing-revelling-and-repeating\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"STILL SHOUTING, KILLING, REVELLING AND REPEATING - greydogtales\" \/>\n<meta property=\"og:description\" content=\"I\u2019ve said before that I would probably never have written any Lovecraftian or Mythosian stories had I not come across Scott R Jones\u2019 Martian Migraine Press in 2015, and read his own book When the Stars Are Right. 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The Will\u2019ven\u2019t Bin, just out from IFD Publishing (15th October), joins his other intriguing historically-set works, this time with a Young Adult focus and science\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"alan m clark","src":"https:\/\/i0.wp.com\/greydogtales.com\/blog\/wp-content\/uploads\/2025\/11\/EbookCover_TheWillventBin_small-200x300.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2610,"url":"http:\/\/greydogtales.com\/blog\/shades-of-sherlock-holmes-pastiche-paranormal-or-piffle\/","url_meta":{"origin":6792,"position":1},"title":"Shades of Sherlock Holmes: Pastiche, Paranormal or Piffle?","author":"greydogtales","date":"August 17, 2016","format":false,"excerpt":"In which we consider the Holmes pastiche, for better or for worse... 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What else is there left for mere man?\u201d Today we get lost in Scotland and its folklore with Shiela Crerar, follow a plucky young woman's psychic endeavours,\u2026","rel":"","context":"In \"classic horror\"","block_context":{"text":"classic horror","link":"http:\/\/greydogtales.com\/blog\/tag\/classic-horror\/"},"img":{"alt_text":"shiela crerar","src":"https:\/\/i0.wp.com\/greydogtales.com\/blog\/wp-content\/uploads\/2017\/07\/doll-626790_960_720-300x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4071,"url":"http:\/\/greydogtales.com\/blog\/fables-disappearances-untethered-tales-gwendolyn-kiste\/","url_meta":{"origin":6792,"position":3},"title":"Fables and Disappearances: The Untethered Tales of Gwendolyn Kiste","author":"greydogtales","date":"May 29, 2017","format":false,"excerpt":"Today, dear listener, we have loss and identity; clarity and hope; the core of writing, style, Angela Carter and some dark, magical stories. 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