The Writer on the Borderland 2.5

The worst Carnacki adaptation ever, some fabulous artwork from Sebastian Cabrol, strange links, and a warning from history. The William Hope Hodgson festival continues, still astonishingly in full swing. Who’d have thought the old fellow had so much in him?

My prize find for this post is the Pepsi-Cola Playhouse adaptation of Hodgson’s Carnacki story, The Whistling Room. Yep, Pepsi-Cola. I could tell you now what they’ve done with the character of Carnacki, and with the entire plot, but it really is better if you watch it yourself.

Cracking stuff. Back to links in a minute, but first I’d like to share some more illustrations by the talented Sebastian Cabrol, kindly supplied by Hermida Editores. We showed you the cover last week. These are the interior illos, and I love them, all from Hermida’s Spanish edition of The House on the Borderland, coming this November.

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Hermida Editores

Writer on the Borderland 2: The Voice of Horror ran out of room, so here are some of the items which wouldn’t fit in. We will be running an interview with Willie Meikle in a few days, and I mentioned the audio of his Treason and Plot before. Morgan Scorpion, our featured interviewee last week, has also recorded another of his Carnacki stories, The Hellfire Mirror:

A range of Meikle stories are available on audio as well. No more Carnacki as yet, but it can only be a matter of time. The full list can be found by clicking on the link below:

William Meikle audiobooks

In addition to Pepsi-Cola, others have sought to adapt or interpret Hodgson. It’s not a long list. One more now, the rest next time.  Today’s mention goes to the rather miscast version of the story The Horse of the Invisible, produced as part of the Rivals of Sherlock Holmes British television series. It’s not an awful adaptation, but somehow Donald Pleasence just doesn’t work as Carnacki. Some of the non-Hodgson episodes are quite fun, though.

Rivals of Sherlock Holmes on DVD

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Clearly to rectify this failing, Eibon la Furies, an English metal band described as “a fusion of avant-garde black metal, dark rock and occult spiritual darkness” recorded their own musical version of The Horse of the Invisible. Here’s the link to a live version. If I were younger and had stronger eardrums, I could probably tell you what it sounds like.

Tune in for some more audiovisual and musical interpretations in a later mid-week post.

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Our final item has been retrieved from the microfiche records of a London newspaper, and extracted for your perusal.

gazette

14th September 1907

A REQUEST FROM THE EDITOR

We regret to announce the disappearance of Arthur Gordon Smith. Mr Smith, one of this paper’s most promising young journalists, was last seen undertaking enquiries in the area of the Embankment two days ago. Whilst we still hope for his safe return, we have to add that his overcoat and water-damaged notebook were discovered only this morning by a police constable, not far from Cheyne Walk.
We have decided therefore to publish this partial interview, reconstructed from the Pitman shorthand entries in Smith’s notebook, and ask that the gentlemen named therein contact either the Chelsea Constabulary or ourselves at their earliest convenience.

(unreadable) for some years.

Dodgson: You keep calling them stories. They are, however, records of actual events. I have no reason to doubt Carnacki’s veracity.

S (Smith): Yet certain details are surely beyond belief, such as the concept of monstrosities beyond this world?

Arkright: Only for those unimaginative milksops who sit together in darkened parlours, those who prefer to hear about their late aunt’s inheritance, or want to know if their cat is happy in Heaven. The serious student of psychic…

The older man makes choking noises, and is assisted by Taylor. Unwell?

Dodgson: We are heading to our beds, sir. If you have nothing sensible to ask…

S: Gentlemen, you will concede that there are many fakes and scoundrels in this new century, so-called psychical researchers who gull the innocent, be it over monstrous hauntings or their dead cat’s welfare?

Dodgson: To a point. Carnacki, however, is scrupulous in considering the possibility that mundane causes might be at the root of the matter. Most scrupulous. In the Reston fraud case recently, for example, he proved conclusively that no abnormal element was responsible.

Taylor: And he exposed the real criminals, eh? Remember that.

S: So are you gentlemen, as his intimates, also involved in these investigations?

Dodgson: Dr Arkright has considerable academic knowledge of the more obscure monographs and papers relevant to the field. Taylor and I make no such claims, and have no role in Carnacki’s cases.

S: Doctor Arkright? A medical man then, sir?

Arkright: Philology, you damnable pup, and if (unreadable)

(unreadable)

(unreadable) psychical gifts at all yourselves?

Dodgson: Carnacki does not claim ‘psychical gifts’, as you call them. He is a methodical investigator with an understanding of the abnormal. And no. Taylor, Jessop and I are merely friends of his. We do not dabble in occult matters ourselves.

S: Would you ever consider doing so?

Dodgson: Absolutely not. I have seen enough to —

S: When you and Mr Taylor were based in the Cape Colony during the war? I understand you both saw action at Paardeburg, under Kitchener, and that there were certain events with the Boers…

Taylor reddens, looks to approach me. Dodgson gestures him back.

Dodgson: I think we are finished here.

Dodgson suddenly very abrupt. Must look into D’s time in Cape Colony further.

Arkright: Have you nothing better to do, you and those other meddlers from the rags?

S: Excuse me, Dr Arkright. I am an accredited reporter. And, as it happens, I am this very night embarking upon the Herald & Gazette’s own investigation into the Deptford Assassin himself.

Arkright and Taylor turn away, suddenly. Dodgson shakes his head.

Dodgson: Then I pray, sir, for your own sake, that you do not discover anything. Goodnight.

They leave. Note to self – file interview in morning, send request to clippings service re Arkright background, Paardeburg (unreadable)

This is the end of Arthur Gordon Smith’s notes. Anyone with information on Mr Smith’s whereabouts is welcome to contact the Herald & Gazette by telephone on Chelsea 102, or call in at our offices.

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From the same organ, box at bottom of Page Seven

16th September 1907

The Herald & Gazette has decided to postpone its coverage of certain recent murders as a mark of respect for Mr Arthur Smith, an unaffiliated freelance reporter who occasionally submitted to this paper. Mr Smith’s body was recovered from the Thames late last night, and the matter is in the hands of the constabulary.

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Coming next, Hodgson – The Inheritors, where we explore those noble authors who have continued or re-interpreted WHH’s themes and characters. Goodnight, and remember, there is no monstrous Hogge from the Outer Circles snuffling under your bed. Probably.

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Lurcher v Squirrel: The Battle of Dork’s Drift

For one day only, a lurcher post to break up the horror!

Autumn, then. Yes, it’s that wondrous mellow season when enough leaves fall off the trees to make every longdog and lurcher aware of their ancient foe. Camouflage lost, the plume-tailed rats from Hell descend to wreak havoc…

The squirrels claim, of course, that they’re quietly collecting nuts and other goodies for the long winter ahead. They’re not. Having had lurchers for many years, I know only too well that the squirrel army is beginning its winter campaign.

The little cute ones appear first, munching on an acorn. People go, aw, that’s so sweet. The grizzled squirrel elders, perched high above, observe our every movement. It’s the film Zulu all over again:

Lieutenant Linseed Grant: Adendorff, what’s wrong with them? Why don’t they fight?
Adendorff: They’re counting your londgogs.
Lieutenant Twiglet (too old for active service): *What?*
Adendorff: Can’t you see that old boy up in the tree? He’s counting your longdogs. Testing your biting power with the lives of his warriors.

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“Come on then, I can take you!”

Our response is initially muted. A start of Chilli’s head and stretch of her neck, the famous longdog ‘point’ as she stiffens in the face of the enemy, ready to charge. Django trips over his paws, notices an interesting snail and finds part of a Greggs pastie. He is brought into line by the alpha, told that there are no conscientious objectors in this war.

Lieutenant Twiglet sits down and refuses to go on. She isn’t against the fight, but she’s 93, her bum hurts and she hasn’t had a cup of tea for hours. Adendorff, who is only there in the tortured mind of J Linseed Grant (Officer Commanding, Dork’s Drift), decides to be someone else’s imaginary friend and disappears.

Chilli prepares herself.

She is, to be frank, a distinct improvement on our late lurcher Jade, who was incapable of planned action or wise restraint. I once let a friend walk Jade with me in autumn. Once.

“She’s fine, but you’ll have to watch out for squirrels. She really will go mental.”

Friend nods knowingly, confident in his dog-experience. “No problem.” he says.

Ten minutes later, friend is hauling desperately on a heavy leash, rope burns on his hands and his heels dug into the turf. At the other end is 30 plus kilos of Bedlington x greyhound x wolfhound, shrieking insanely and incessantly at the top of her voice and in the process of clawing apart a 200 year old sycamore. One small squirrel sits at the top, quietly enjoying the scene.

“I didn’t realise.” sobs friend, handing me the lead afterwards. “I thought you were joking!”

He took Twiglet the next time.

October is when the larger warrior squirrels begin to emerge, bold and not so cute. They have already scared off the neighbourhood cats, stripped down the few walnuts we had waited ten years for, and generally ruined my pickling plans. I thought that when my partner and I saw a squirrel carting a large banana around, way back, that we’d seen how far they would go, but no, this year they have assaulted the fig tree. My beloved fig tree!

“Look, I can grow figs in Yorkshire.” says I. “Look, the squirrels are eating them all.” says my best beloved.

figsquirrel
Squirrel scout tests local supplies

So today I took our two best troops into the woods and let them loose. It was a sort of reconnoitre, testing the enemy strength in return. Just how many prime warrior squirrels do they have up there? It didn’t do much good, of course, because even Chilli can’t get eighty foot up an oak, no matter how hard she tries. But she did try, and she scared the little buggers, at least. Unlike dear old Jade, she gives a sharp bark and then gets down to it with agility and cunning. Good dog.

Django found a discarded packet of crisps, and peed on a birch tree.

I don’t think we’re going to win.

Back to the weird and wonderful world of October Horror in a couple of days; more longdogs after everyone is scared enough…

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Sandra’s First Pony: A Fragment

I did think that I’d finished the October Frights blog-hop, but it seems not. After many requests from the general public (and certain ‘suggestions’ to my solicitor), I am able to release just a fragment from the scorched manuscript draft of my banned work Sandra’s First Pony. Fortunately this is not the version with the dripping skin…

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The evening sun slumped on the horizon, lighting the high moors with all the vigour of a badly-poached egg. It was going to rain as well, despite what the barometer at home had said.

That’s not going to help, thought Sandra. She knew that every delve and hillock of this God-forsaken landscape held one or more of her foul adversaries. Such long shadows were their comfort, their slippers, pipe and fireside…

She smoothed a faint crease from her jodphurs, and reloaded the pump-action shot-gun.

“Well, Mr Bubbles, this is jolly annoying. I’m out of cheese and ham sandwiches, the dog’s run off and we only have seventeen cartridges left. What are we going to do, boy?”

The pony stared at her. His mane still shone, despite the incompetent light, and the ribbons from his big red rosette flapped in the growing wind. Second Place in the Ripon and District Pony Show. Second Place! Primordial evil wasn’t going to take that away from him.

He turned his head and saw the first glistening figures began to crawl from their hiding places. There was only one possible response. He scraped one front hoof against another, checking that there was still an edge on them.

“Kill.” said Mr Bubbles. “Kill them all!”

I think we’ve all been there, haven’t we, listeners?

The Writer on the Borderland 2: The Voice of Horror

An absolutely packed post this time,  with many wonders of the airwaves for you to try out. Yes, your minds will reel, your ears will bleed, as we look at William Hope Hodgson and audio horror, plus even some pieces of weird Hodgson-inspired music as well…

(Note to consumers: greydogtales.com accepts no legal responsibility for sanguinary orifices or other side-effects of engaging with this blog. Your blood pressure may go up or down.)

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I’m always looking out for tracks and readings which bring a shiver to the spine. I collect, in a haphazard manner, audio horror. To be more precise, I collect audio unease. It doesn’t have to be that horrifying, but it has to make the back of your neck feel suddenly cold. Some of the links below certainly do that.

The Voice of Horror has many delights. We’re missing Wayne June this week, sadly, which we hope is only temporary, but we are delighted to have been joined by Morgan Scorpion, who has narrated a whole host of WHH and H P Lovecraft stories, amongst other pieces. Read her interview later in this article. And so to that question which people ask me constantly:

“Mr Linseed Grant, sir,” they ask, “You must tell us, you must. Will your legendary and terrifying tale Sandra’s First Pony ever be released as an audiobook?”

“No,” I answer, a sad catch in my voice. “The Office of the Public Prosecutor has forbidden it. However, I do have loads of William Hope Hodgson sounds which you can enjoy instead.”

You should be able to access all of the following, in various states of commerciality and interpretation. If I’m wrong on any of the details or links, then I wouldn’t be at all surprised. I’m a writer, damn it Jim, not an archivist!

  1. Ghost Pirates (novel)
  2. The House on the Borderland (novel)
  3. Boats of the Glen Carrig (novel)
  4. The Night Land (novel)
  5. Carnacki the Ghostfinder (collection)
  6. The Voice in the Night (short)
  7. A Tropical Horror (short)
  8. The Derelict (short)
  9. The Stone Ship (short)
  10. The Thing in the Weeds (short)
  11. Captain Dan Danblasten (short)
  12. Inhabitants of the Middle Islet (short)

And for you alone, dear listener, dozens of greydogtales staff have worked night and day to provide you with more details and direct links. Don’t forget that if you want to know when our next WHH blog articles are out, you can always subscribe! We’re just an e-mail address away (that’s not a threat, honest)…

Librivox, the free audio provider for public-domain works, is a good source, as Librivox provides the first seven in the list above straight away, and for nothing. Some Carnacki stories have also been recorded separately.

Hope Hodgson on Librivox

Of the non-Librivox recordings, The House on the Borderland is the choice pick. The incomparable Wayne June has produced an excellent version, which we recommend highly:

The House on the Borderland

hob1

Wayne, of course, has narrated some fantastic Lovecraft tales as well, and his The Dark Worlds of H P Lovecraft readings are superb. You are, quite simply, missing out if you’ve not heard them.

I also thoroughly enjoyed Jim Norton‘s four part version of HoB, available on Youtube:

Or if you want a real marathon, you could check out the 18 hour (!) full audiobook of The Night Land from Dreamscape, read by Drew Ariana:

The Night Land

The Voice in the Night short story is also available in a number of versions. This is the Paul Wright version on Youtube:

And here’s another version from Pseudopod podcasts:

The Voice in the Night

It’s a shame that more Hodgson short stories haven’t been recorded yet. A Tropical Horror has been adapted by Julia Hoverson to provide a spiffing dramatised version which can be found here:

A Tropical Horror

ATropicalHorror700

The Derelict, a great story, is available as an audio performance by experienced narrator William Dufris and Mind’s Eye Productions:

The Derelict

And The Stone Ship was produced in 1980 as part of Nightfall, that wonderful old radio series (it’s worth trying other Nightfall episodes, too):

The Stone Ship

Nightfallheader

The Thing in the Weeds is available via The Classic Tales podcast from Audio Boom. Another short, creepy one:

The Thing in the Weeds

Captain Dan Danblasten, not horror, is a Tales from the Potts House podcast (also has a podcast of The Voice in the Night):

Captain Dan Danblasten

And the last short, Inhabitants of the Middle Islet… OK, I cheated here. There is an audio version of this story, but it’s in French. I quite enjoyed it, but then I only understood about half of it. French speakers may be able to report back to greydogtales.

Inhabitants of the Middle Islet

In the process of checking sources, I also came across a great podcast site which was new to me, Tales to Terrify.

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Not only do they have all sorts of audio goodies, but they have a double podcast perfect for our WHH month – The Horse of the Invisible paired with Willie Meikle‘s Treason and Plot. Willie is, of course, featured in an interview in next weeks Hodgson – The Inheritors, so this is a great link. The host is the late Larry Santoro, who gives a detailed introduction to Hodgson (before you ask, the WHH death details given are corrected on the site) and the narration is by Robert Neufeld:

Horse of the Invisible/Treason & Plot

I think you’ll enjoy both of those.

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This Hodgson blog-fest is a collaborative venture, and so our interview this week is with Morgan Scorpion, a stalwart of Librivox but more importantly for our purposes, also a lover of the weird. Morgan has narrated at least fifteen Lovecraft stories, for example, and covered many other examples of ghostly and strange fiction. Rather than rattle on, I’ll let Morgan have her say:

morganpic

greydog: Welcome, Morgan, and many thanks for contributing to this week’s  section. I understand that you began narrating stories for Librivox because you were already a fan of their free audio?

Morgan: That’s true, I love audiobooks and couldn’t resist free ones. After listening to about 70 free audiobooks I began to feel I owed them something in return, so I decided to record a few chapters until I felt I had repaid them, only I discovered I enjoyed doing them. It’s good to feel useful.

greydog: I have to ask, given this month’s theme – what do you think about William Hope Hodgson’s writings on a personal level, as a reader? Or are they relatively new to you?

Morgan: I have enjoyed WHH’s stories since I was about eleven, on a personal level, I find them deliciously horrible, especially when fungi are involved. He has a great sense of the grotesque.

greydog:  Yes, the grotesque and the unknowable. Which links nicely for us, as you’ve also recorded a heck of a lot of H P Lovecraft for Librivox. Can you tell us which piece of his stands out for you?

Morgan: With Lovecraft, almost all of it stands out. My love for his writing is pretty much hero worship, and I couldn’t chose a favourite of his without pointing out that a different tale would be my favourite next week. So it would be a choice between The Music of Erich Zann, The Dunwich Horror, The Case of Charles Dexter Ward, The Rats in the Walls, or maybe…

greydog: I suppose the end result is more important to most greydogtales readers than the process, but I always ask recording artists this – do you mull over the piece first for a while and make notes to yourself, or do you throw yourself straight into the recording?

Morgan: I rarely record a story without having read it first, often several times. So although when it comes to recording, I just pick it up and read it without any notes or mental preparation. I make lots of mistakes while recording, and edit them out afterwards, I’d be terrible if I had to read out loud to an audience. Reading a story out loud is a very different experience from reading it silently to yourself, so no matter how many notes I made in advance, I doubt they’d be much use to me when it came to vocalising it.

greydog: So who is your own favourite narrator in this field?

Morgan: Vincent Price! He recorded lots of Poe, alas no Lovecraft, and you may find some online if you look. Roddy McDowall has also done a couple of horror tales by Lovecraft, and who could top Christopher Lee! I wish they had been able to do more. Of course there’s Jeffrey Combs, whose recording of Herbert West, Reanimator is wonderful. I also wish John Lithgow would record some horror tales. In a different genre, I love the audiobooks of Elizabeth Klett, so far she has done no horror that I know of, but she has recorded Edith Wharton, and done it perfectly.

greydog: Ah, the wonderful Vincent – great choice! And is there anything in the weird/occult domain that you’ve not narrated yet but which you really want to have a crack at?

Morgan: So many! In time I want to do more Lovecraft, more Poe, more E F Benson and more M R James. And there are so many that are in are in the public domain that I have been unable to get permission for, namely J B Priestley’s The Grey Ones, Anthony Boucher’s They Bite, Shirley Jackson’s We Have Always Lived at the Castle, oh and quite a few things by Thomas Ligotti or Ramsey Campbell. I’d also love to record Agatha Christie’s The Seance. Quite the nastiest short story imaginable, but I have no hope of being allowed to do that!

greydog: We should surround the Agatha Christie Estate with villagers and burning torches, demanding it. But to finish for now, a deliberately unfair question – what’s your favourite horror story of all time?

Morgan: I’d have to refer you to answer number three for that, but must also name Poe’s Masque of the Red Death, M R James’ An Evening’s Entertainment, T E D Klein’s The Events at Poroth Farm, Michael Shea’s The Autopsy and R Chetwynd Hayes The Day Father Brought Something Home.

greydog: Thank you, Morgan Scorpion, and we look forward to your next recording! In the meantime you can hear Morgan in action across a number of genres by following either of these links:

Morgan Scorpion on YouTube

Morgan’s Librivox Page

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As we near the end of this week’s offerings, here’s a couple of extras, to show how much I care about my listeners. Hodgson and Lovecraft have inspired a number of musicians, so let’s check out two entirely different pieces of work.

The first, which I must admit I loved, is Jon Brook‘s Cafe Kaput album Music for Thomas Carnacki.

“Utilising banks of oscillators, tape edits and analogue delays, Brooks created themes, cues and abstracts to depict the dark Edwardian setting of the story”.

Do call in and have a listen – it’s very atmospheric:

Music for Thomas Carnacki

If that’s not to your taste, then you might prefer The Boats of the Glen Carrig by ‘funeral doom’ metal group Ahab, who take inspiration from a number of maritime sources in their albums. I’m not up on Ahab, so you’ll have to find out for yourself. I’m a Metallica fan, but not sure what ‘funeral doom’ heavy metal is, so don’t ask me. The link takes you to a review and samples from the album.

Ahab-The-Boats-of-the-Glen-Carrig
William Hope Hodgson does metal!

Ahab: Boats of the Glen Carrig

And that’s almost as much ear-bending as anyone can take in one post. As Morgan mentioned Vincent Price, who could charm the birds from the trees (or just knock them off their perches), I had to add one last recent find, nothing to do with WHH but new to me:

Vincent Price: A Hornbook for Witches – Stories and Poems for Halloween. This a recording from the 1976 Caedmon LP:

Love that voice.

Please join us in a few days for some audiovisual treats, and then Hodgson -The Inheritors, in which we present a two part look at those who have grasped the torch and lifted it high again, commencing with an interview with the prolific and excellent Willie Meikle. Asbestos gloves will be available at the door…

Don’t forget, by the way, we’re heading into the last day of the October Frights blog-hop. And here’s the list for the last time. Have a browse while you can…

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