Tag Archives: horror

Castle Rock, Ramsey Campbell & Other Strange Places

A diversion into the lands of horror, intended to praise Ramsey Campbell, mention Stephen King’s new ‘Castle Rock’ book with Richard Chizmar, Gwendy’s Button Box, and stop Edward M Erdelac fishing in our pond as he brings out his collection Angler in Darkness. We  include an exclusive excerpt from one of Ed’s tales as we stumble through strange places, so it’s a miscellany of wonders today…

There is a strong precedent for the re-imagining of geography in weird and horror fiction, sliding the real and invented together in to create a place that may just be – but isn’t. Irreverent writers like John Linwood Grant do it, developing long and unnecessary strands of an alternative Yorkshire Wolds, but real authors do it properly.

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We need hardly go into H P Lovecraft’s whip-poor-will haunted New England – Innsmouth, Arkham and Dunwich, amongst other places – but almost as famous is the psychogeographic strangeness of Ramsey Campbell, mentioned on greydogtales before.

Arkham abandoned, Brichester embraced…

Campbell’s alternate Severn Valley is a counterpart to the doom-laden New England of H P Lovecraft, and is just one fascinating aspect of his work (we won’t say weird fiction, in honour of his recent statement “I write horror,” which wrecked many a mediocre journalistic analysis).

The term Severn Valley Mythos has even been bandied around. There will come a time, we imagine, when “Campbell Country” will be a major tourist attraction, and a TV series will show two loveable veterinarians with their arms stuck up eldritch posteriors, with hilarious consequences. We might be wrong about that last bit, of course.

The imaginary Cotswolds town of Temphill first appeared in The Church in High Street, which was also his first published story (Dark Mind, Dark Heart anthology, Arkham 1962).

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In it, he refers to “worship of trans-spatial beings still practiced in such towns as Camside, Brichester, Severnford, Goatswood, and Temphill…”. These names, especially that of Brichester, recur in many tales. We said a few other things about the subject here:

http://greydogtales.com/blog/h-p-lovecraft-and-the-brichester-chronicles

We mustn’t repeat ourselves too much . But we will remind folk that it was August Derleth’s nudging in the Sixties which encouraged Campbell to  break free of the traditional Lovecraft locations (and pastiche work), to work on his own geography. Our earlier musings also skirted Goatswood, where hooded figures worship the Black Goat of the Woods, and said it had a tinge of Innsmouth (albeit not the wet bits).

There is another strong Campbellian contender for the Innsmouth Award, more familiar to many holidaying Brits. Campbell’s novella The Last Revelation of Gla’aki (2013) is set in the remote British seaside town of Gulshaw (“a long drive from Brichester).

Others have tried to pin Gulshaw down, but the consensus is that it lies somewhere on the Northwest coast around Morecambe. As we grew up in such places on the Northeast coast, we can assure you that anyone who has visited decaying British seaside towns has truly experienced horror. It’s one of the reasons we live well inland, near the Dales.

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HPL’s Miskatonic University also has its counterpart in Brichester University, and it is an archivist from this establishment, Leonard Fairman, who travels to Gulshaw, in search of the set of books collectively titled The Revelations of Gla’aki (there are variously eleven or twelve volumes).

Afficionadoes might even remember that Taylor, the protagonist of ‘The Mine on Yuggoth’ (originally known in a longer version as ‘The Tower on Yuggoth’), encounters The Revelations of Gla’aki, borrowing a copy from another cultist. After the volumes become unavailable, he eventually consults an old, half-deaf farmer who lives “off the Goatswood Road”, in his pursuit of the Mi Go, those fungus/crustacean denizens of Yuggoth. It’s a metal shortage thing, is all we’ll say.

There have been attempts at cartography for this alternate Severn Valley, and Chaosium even developed RPG scenarios, but we prefer to leave much to the imagination.

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(Incidentally, Andy Sawyer argues in Ramsey Campbell: Critical Essays on the Modern Master of Horror (2014), that Brichester is Liverpool, or based on echoes of Campbell’s childhood Liverpool. The truth is probably that many disparate memories feed the final geography of fiction)

Our trivia aside, the real point here is that Campbell is a damned good writer, and knows what he is doing. Instead of mapping weak versions of another literary world, which perhaps Derleth feared might occur those many years ago, there is a genuine frisson to Campbell’s work in the ‘Severn Valley Mythos’. His England is not so far from our own…


Castle Rock Rebuilt

Keeping to our theme, Stephen King, who comes from Maine, also does The Geography Thing. He created a trinity of fictional towns – Castle Rock, Derry and Jerusalem’s Lot, as central settings for a lot of his writing (not to mention Chamberlain, Haven and others). Castle Rock is mentioned (or is a key feature) in over thirty King stories or adaptations – Needful Things (1991) being our personal favourite. So we’re curious to see what comes of a recent return to a setting which is quite familiar to many readers.

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This is a mysterious and poignant return, as well, because didn’t the town pretty much explode at the end of Needful Things? And wasn’t that marketed at the time as “The Last Castle Rock Story”? As this is one of those things we haven’t had time to read, we’ll set the scene and you can explore at your leisure…

Earlier this year, Cemetery Dance Publications published hardcover and eBook editions of Gwendy’s Button Box by Stephen King and Richard Chizmar. The novella is the first-ever collaboration between these two long-time friends and award-winning authors.

“It was a pleasure to work with Rich Chizmar one-on-one after all these years,” Stephen King said. “I had a story I couldn’t finish, and he showed me the way home with style and panache. It was a good time, and I think readers will have a good time reading it. If they are left with questions, and maybe have a few arguments, all the better.”

“Steve and I have corresponded about books and movies and life for twenty years now,” said Richard Chizmar, “I’m a huge admirer of both his work and the man himself. Writing Gwendy’s Button Box with Steve was truly a dream come true for me.”

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richard chizmar

“Steve sent me the first chunk of a short story,” Chizmar explained. “I added quite a bit and sent it back to him. He did a pass, then bounced it back to me for another pass. Then, we did the same thing all over again – one more draft each. Next thing you know, we had a full-length novella on our hands. We took a free hand in rewriting each other and adding new ideas and characters.”

Gwendy’s Button Box is the coming-of-age story of twelve-year-old Gwendy Peterson, who spends the summer of 1974 running the “Suicide Stairs” that connect Castle Rock to the Castle View Recreational Park. One day, while she catches her breath at the top of the stairs, a stranger calls to Gwendy. On a bench in the shade sits a man in black jeans, a black coat, and a white shirt unbuttoned at the top. On his head is a small neat black hat. The time will come when Gwendy has nightmares about that hat…

Gwendy’s Button Box is now available through Cemetery Dance Publications and all major booksellers, and an audio version was released recently by Simon & Schuster.

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And you can find more info by visiting the publisher:

http://www.CemeteryDance.com


Man versus Fish

Finally, author Edward M Erdelac, author of Monstrumfuhrer, Andersonville and much, much more, is about to have his first short story collection published, Angler In Darkness.

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Ed kindly provided us with an excerpt from one of the stories within, which we present with pleasure. This time we’re re-imagining the landscape of the Old West – not Morecambe, but the States. Here’s part of  ‘Bigfoot Walsh’, a weird western story about a group of Texas Rangers investigating a string of savage murders in the Texas hill country, who are joined by a unique scout singularly suited to the task….

The monstrously tall stranger was possibly one of the ugliest individuals I’d ever seen. I had encountered many of the old trapper types in my travels, and in my service with the First Texas Rifles. As unacquainted as many of those men had been with the razor and soap, I had never encountered so prodigiously hairy and filthy looking a man as this. The whiskers on the sides of his face crept up nearly to his nose and halfway up his cheekbones. They were so abundant on the backs of his overlarge hands as to appear almost lustrous, dirty blonde in hue.

I had seen a person with this rare condition before in a traveling Mexican circus in Austin, but combined with his immense size (he was perhaps over seven feet and could look Captain Shockley in the eye even seated as he was atop his horse) the overall effect was startling. The stranger looked like some sort of prehistoric throwback, more ape than man. The small, bright blue eyes that peered out of the face did so from the shadow of a thick, nearly simian suborbital ridge. The skin of his chin, which was clean shaven, was slightly mottled as if with some birthmark or disorder of the pigment.

His patched blanket coat was hand-stitched with yellow thread, and he wore a coil of stiff rope over his shoulder. A brace of big horse pistols was belted around his waist, and he carried a stubby big bore rifle with a skeletal iron stock, the make of which I had never seen before. His shirt and trousers appeared to be homespun, and his feet were covered in great hairy hide boots, so near to the color of his body hair that he almost appeared to be barefoot.

“Leather it, boys,” said Captain Shockley. “This man’s one of ours.’ ‘Lo, Bigfoot.”

“Captain Shockley,” said the hairy stranger, in a voice surprisingly as articulate as it was deep.

He smiled, showing big teeth like white marble tombstones, the canines slightly pronounced.

Tackett rode up alongside his captain and ogled the new man openly.

“Thought you were riding with Hays over in Bexar County,” said Shockley.

“He gave me leave to go after this one. They attacked Waverly’s stage stop, killed Ben Waverly.”

“Take anything?”

“Just the Santee woman he kept around to sweep up.”

“They killed a couple Mormons out by Zodiac,” said Captain Shockley. “We figure it was Comanches.”

“I don’t think so,” said Bigfoot. “No arrows anywhere about the place.”

“Any bodies?” said Tackett.

“No sign of ‘em,” said Bigfoot.

“They got a long hard ride to Old Mexico with captives,” said Shockley.

“They’re not headed to Old Mexico,” said Bigfoot.

“Where else they gonna sell ‘em?” Tackett said.

“I don’t believe they intend to sell ‘em.”

“What then?”

“Come over here and lemme show you something.”

In a while the large man had led us behind the cabin, and there we found a dead horse, the meat ripped from its rump, most of the guts scooped out, and the tongue pulled out of its head, which had been wrenched completely around on its strong neck.

“What do you make of that?” Bigfoot asked.

“They butchered the Mormon horse too,” said Shockley, sliding off his mount. He got down slowly on one knee and squinted at the carcass.

“And the stage stop team. Well, not so much butchered as ripped apart,” said Bigfoot.

“Comanches have been known to eat horses,” Tackett said.

“Yeah but they’ll use a knife,” said Shockley, “not twist their damn heads around. These look like the meat’s been pulled off the bones. What do you say, Doc?”

I examined the horses. They were in wretched condition. The remaining ligaments hanging from the bones did indeed look torn. But who had the strength to pull muscle from bone?

“There are marks of teeth on the bones,” I said, “and the intestines have been gnawed.”

“Well if we ain’t talkin’ about Comanches, what are we talkin’ about?” Tackett asked.

Bigfoot rubbed his discolored chin, then looked away and shrugged.

“I ain’t sayin’ yet.”

###

Angler in Darkness, which we rather fancy, is available for pre-order now, and will be released on 1st August. Eighteen strange stories await you:

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angler in darkness uk

angler in darkness us


And we must run away, to have a few days off with the dogs. Back next week, dear listener, with more oddities. If you want to know what and when, just sign up for free by email (top left)…

 

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Lizzie Borden – Skipping the Dark Fantastic

Firstly, it was a hatchet not an axe, and no, Ms Borden did not deliver a series of eighty one deadly blows to her parents, despite what it says in the skipping rhyme. If she did it at all. Today we interview Christine Verstraete, author of Lizzie Borden, Zombie Hunter, sidestep into a couple of aspects of the Borden case itself, and generally do what we do. Oh, and we mention the forthcoming film as well.

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So who’s the focus here? Lizzie Andrew Borden (1860 – 1927) became rather too famous for her own liking after being tried and acquitted for the murders of her father and stepmother in Fall River, Massachusetts, in 1892. She may well have committed the crime, but the technical evidence was circumstantial, and there were other suspects. These included a local labourer, the Irish maid Bridget Sullivan, a suggested illegitimate son of Andrew Borden, and Lizzie’s maternal uncle. None of them, however, fitted the bill as well as Lizzie herself.

Lizzie Borden

Her father Andrew Borden was a rich man, but miserly and not always popular in the town. The Bordens had been landowners in the area for a very long time:

“In 1703, Benjamin Church, a prominent veteran of King Philip’s War, established a sawmill, a gristmill and a fulling mill on the Quequechan River. In 1714, Church sold his land, including the water rights, to Richard Borden of Tiverton and his brother Joseph. (This transaction would prove to be extremely valuable 100 years later, helping to establish the Borden family as the leaders in the development of Fall River’s textile industry.)” (Wiki)

His cheapskate ways and his second marriage, after the death of Sarah Borden, the mother of his children, caused friction. There were reasons for the Borden sisters, Lizzie and Emma, to dislike their step-mother Abby, whose family seemed to be benefiting over-much from money which should have eventually come to them. Widely covered in the press at the time, the case became one for considerable debate, especially in terms of sexuality and gender politics.

Eileen McNamara, of Brown University, argues that incest could have played a role, citing the extreme violence of the attacks—the first few blows were sufficient to kill each of the Bordens. She conjectures that if Lizzie or Emma were subject to abuse by their father, it would explain the apparent frenzy.

Lizzie Borden took an axe

And gave her mother forty whacks.

When she saw what she had done,

She gave her father forty-one.

As we love a good complicated mystery, it’s probably worth mentioning that veteran author Ed McBain even covered the case with his own theory, involving a lesbian relationship between Lizzie Borden and the maid Bridget.

And Rafia Zakaria, writing in The Guardian earlier this year, discussed various interpretations subsequently put upon the Lizzie Borden affair:

“Where people had previously fixated on the binaries of guilt or innocence in Borden’s case, radical feminists focused on oppression and liberation. Lizzie was expiated – whether or not she was innocent.

“Where Lizzie’s contemporaries speculated about her criminality, and radical feminists about her oppression, this century just seems to enjoy the opportunity for kitsch and gore. In 2016, for instance, CA Verstraete suggested that Borden may have killed her parents because they were already dead, in her novel Lizzie Borden, Zombie Hunter.”

https://www.theguardian.com/books/booksblog/2017/may/11/the-lizzie-borden-industry-wont-die-but-its-feminism-has

Not that feminism and gore need to be exclusive of each other in horror literature. Anyway, we’ll come to C A Verstraete in a second, as promised. We will add first that, in addition to written fictional, factual and even factional pieces on Lizzie Borden, the film industry had been there too, most recently in the TV movie Lizzie Borden Took an Ax (2014). Christina Ricci, who starred as Lizzie, described this version as “self-aware, campy, and tongue-in-cheek”.

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Now there’s a new, far more serious film on its way, due late 2017, which is said to treat the matter more as a dark psychological drama, with a touch of the Gothic. As Lizzie features Chloë Sevigny as Lizzie Borden and Kristen Stewart as Bridget Sullivan, it seems likely that this version will explore the relationship between the two women in some depth. We expect a lot of intense staring.

Lizzie, coming 2017
Lizzie, coming 2017

But it’s interview time. Let’s go to someone who has put a very different twist on Lizzie Borden, and ask a few questions…

An Interview with Christine Verstraete

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greydog: Christine, welcome to greydogtales. Maybe you could start by telling us how the idea of Lizzie Borden, Zombie Hunter came to you. Flash inspiration, something you read, or a long, slow germination?

christine: Thanks for letting me stop by your blog! I’ve always been fascinated by the story of Lizzie Borden. And after looking at the autopsy photos and records, I realized another theory could be offered for why the victims had been so viciously killed – and repeatedly hit in the head… they’d turned into zombies. It made perfect sense.

greydog: It’s more persuasive than some of the other theories we’ve read. So, we’re back in 1892. What do you find are the challenges of writing period fiction? Did you seek a late Victorian ‘voice’, or did you opt for a more contemporary style?

christine: It’s pretty hard, and hard on the reader, I think, to stick with formal English, so I tried to use modern English but without modern words. I stuck in references to the time period as I could, but some of Lizzie’s actions were a bit more modern, perhaps. Of course, Victorian life wasn’t as staid behind closed doors as we think, so some of her actions could be possible. After all, it’s not everyday you’re facing the gallows—and fighting zombies. Kind of changes your perspective, I’d say.

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greydog: You obviously researched the actual case. Did you get any feeling as to what actually happened, and if the real Elizabeth Borden did kill her parents?

christine: I did a lot of reading on the crimes, the news of the day, and of the inquest and trial transcripts. Though she is guilty, in a sense, in my version of events, I still can’t quite decide whether she did it or not. It certainly seems that way, but there’s no real evidence or proof. It’s all circumstantial…

greydog: Do you think there’s a ‘statute of limitations’ issue when drawing on real-life killings? Characters like The Ripper and Lizzie Borden belong to a time which seems distant enough for many writers, but is there a stage at which it becomes inappropriate to ‘go there’ for purely fictional purposes?

christine: I think once a crime is at least 100 years old, it does put it into a different time frame. It’s of the past century and open to more interpretation. Some crimes like say, the Black Dahlia murder while just as sensational, still seem too close in time. But maybe it’s more a feeling of a crime being more open to interpretation and fictional treatments once it’s at least a generation or more away.

greydog: Pride and Prejudice and Zombies, the Jane Austen/zombie reworking by Seth Grahame-Smith, was a more parodic take, really. Is your Lizzie Borden, Zombie Hunter played straight?

christine: As straight as putting zombies in anything can be realistic, I suppose. But I did write it as if it is a real-life event. It’s the reason for the murders, and fits around the changes in Lizzie’s world with the real-life trial and a few other events in her life. I felt it important to not ignore the important and real parts in her life as that is what most people know about who Lizzie Borden is and was.

greydog: You also wrote GIRL Z: My Life as a Teenage Zombie, a contemporary piece. This is more of a Young Adult take, isn’t it?

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christine: Yes, I wanted to try something different by showing a teen’s view and how her life changes when she turns part-zombie. So it’s ‘angsty’, and humorous, and full of quirks, and well, no, she doesn’t eat “that.”

greydog: The zombie theme runs and runs, much to our surprise. What do you see as its fascination?

christine: It has to be a contrast, a way of coping, to all the real-life horrors maybe? There’s so much going in on in our world today, so what better way to personify those things than with zombies? They’re the monsters in our life that can be seen and hopefully controlled when all else seems, and is, out of our control.

greydog: And what’s next from your pen? Is there more Borden to come?

christine: I loved writing about Lizzie and don’t want to give her up just yet. Coming out soon is The Haunting of Dr. Bowen, A Mystery in Lizzie Borden’s Fall River. This is a supernatural-flavored mystery novella set in Lizzie’s hometown, and told from the point of view of her doctor and neighbour. I also have been writing some short mysteries with her as the investigator. Then, of course, I have some ideas for a follow-up to Lizzie Borden, Zombie Hunter.

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It’s a fun, scary world that I’m enjoying writing about and others seem to enjoy reading about, so, I’m happy and want to keep the readers happy, too!

greydog: Good luck with your continued explorations, and thanks for calling in.

Lizzie Borden, Zombie Hunter is on offer until the 15th July.


About Lizzie Borden, Zombie Hunter:

Every family has its secrets…

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One hot August morning in 1892, Lizzie Borden picked up an axe and murdered her father and stepmother. Newspapers claim she did it for the oldest of reasons: family conflicts, jealousy and greed. But what if her parents were already dead? What if Lizzie slaughtered them because they’d become… zombies?

Amazon: http://getbook.at/LizzieBordenZombieHunter

Website: http://cverstraete.com

Blog: http://girlzombieauthors.blogspot.com


Over the next few days on greydogtales – The lurchers go to the seaside, and some more William Hope Hodgson scares. If you want to be warned which is which, subscribe for free via the top left hand corner…

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Lovecraft for the Young, Strange Poetries & Job-Hunt Horror

Did you realise how much is happening in weird, horror and speculative fiction these days? It’s madness! So here’s a brief round-up of some books, a comic and campaigns. Folk horror poetics and photography in North from Phil Breach and Tim Turnbull; a neat Lovecraft comic for the younger folk written by Brandon Barrows; Letters of Decline, a short themed anthology on horror and the job interview, and the anthology Between Twilight and Dawn.

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Continue reading Lovecraft for the Young, Strange Poetries & Job-Hunt Horror

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Adam Nevill: Under a Watchful Eye (on Venus)

Again with the troubling questions. Is author Adam Nevill secretly part of a warped cult, here to dissuade us from taking out-of-body adventures? Does he hold hidden knowledge, transmitted to him telepathically by an ancient Tibetan horror fan? Or is he a guy who writes stuff, like any mortal shell? One day we hope to interview him and find out (though possibly not, after he’s read this)…

adam nevill, photographed at work
adam nevill, photographed at work

Yes, Adam Nevill’s latest novel, Under a Watchful Eye, is out now. We’ll say more about it later, but first we must consider the silver cord – and Venus. Continue reading Adam Nevill: Under a Watchful Eye (on Venus)

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