He Rides His Loud October Sky

Matilda told such Dreadful Lies,
It made one Gasp and Stretch one’s Eyes;
Her Aunt, who, from her Earliest Youth,
Had kept a Strict Regard for Truth,
Attempted to Believe Matilda:
The effort very nearly killed her…

Hilaire Belloc, ‘Matilda, Who told Lies, and was Burned to Death’

It is Autumn, dear listener, and we are mindful of mellow days, of copper and iron-red foliage, and lingering warmth in the evenings. We welcome the light bluster of October storms, the sly ripening of the last Summer fruits and the coming of the medlars – medlar jelly is a great favourite here; we stare in awe at the changing seasons in the garden, and we wonder why we have twenty three thousand green tomatoes, none of them big enough to be worth frying.

We also note that Americans call this period Fall, which is what we do constantly when we are out with the dogs and dragged in haste across slippery leaves.

And then we remembered that we were supposed to do something for the annual October Frights Blog Hop, in which an unruly gang of horror and supernatural writers join together to promote each other’s web-sites and works. As we did so, we recalled an odd piece of verse drawn on in Robert Westall’s novel The Scarecrows (1981):

He rides his loud October sky:

He does not die. He does not die.

The Scarecrows is a fine and disturbing book, ostensibly a young adult novel, but surely evocative for all ages. A teenager broods on his mother’s new relationship, and his dead father, whilst dark spirits feed on his emotions and the scarecrows gather around his home. If you haven’t read it, you should, either as a Jamesian tale of subtle scares, or as a psychological exploration of need.

SIDENOTE: As we don’t have a copy of The Scarecrows to hand, it’s also possible that this specific quote is from another young adult supernatural book we read in the seventies or eighties altogether, so no point in sueing us. How’s that for honesty? We think it was in this one by Westall.

From what we remember, the verse can be read as referring to the young man’s father, who was killed in Aden – and ‘He shall not die’ is the boy’s earnest grip on the memory of his father.  But where do these lines come from?

They are, in fact, the words of Hilaire Belloc (1870-1953), who is well known as the author of the collection Cautionary Tales (1907). More people will probably have read ‘Matilda, Who told Lies, and was Burned to Death,’ than any of Belloc’s other works. Although various artists produced later illustrations for Cautionary Tales, the original was illustrated by Belloc’s friend B.T.B. – Basil Templeton Blackwood. The collection is in the public domain in the States, but under copyright in the UK (and possibly a few other places).

However, keeping to our October theme, the lines quoted by Westall come from an interesting book entitled The Four Men: A Farrago (1911), issued seventy years before the publication of The Scarecrows.

hilaire belloc
courtesy of boydbooks.com – rare and used books

 

The Four Men is a hymn to the county of Sussex and its old ways – Belloc lived in a house called King’s Land at Shipley, West Sussex from 1906 until shortly before he died. The entire book takes place over a five day journey, one rather appropriate to our October whims and the Halloween which is coming, as the journey through Sussex lasts from 29 October to 2 November (All Souls’ Day).

It contains musings on the countryside, pieces of lore, and philosophical reflections, including verse and the odd tale, such as the fate of men who are drawn into Fairy Mounds (curiously, in Sussex dialect, the fairies are known as ‘pharisees’).

“They bring him a sack, and he stuffs it full of the gold pieces, full to the neck, and he shoulders it and makes to thank them, when, quite suddenly, he finds he is no longer in that hall, but on the open heath at early morning with no one about, and in an air quite miserably cold. Then that man, shivering and wondering whether ever he saw the Little People or no, says to himself, ‘At least I have my gold.’

“But when he goes to take the sack up again he finds it very light, and pouring out from it upon the ground he gets, instead of the gold they gave him, nothing but dead leaves; the round dead leaves and brown of the beech, and of the hornbeam, for it is of this sort that they mint the fairy gold.”

The novel is, in effect, a conversation between Belloc (‘Myself’) and three other characters with whom he travels – the Grizzlebeard, the Sailor and the Poet, each contributing their own viewpoint. These may be part of his own psyche – though Belloc also said that the three parts may also be seen as supernatural beings.

“(They), looking sadly at me, stood silent also for about the time in which a man can say good-bye with reverence. Then they all three turned about and went rapidly and with a purpose up the village street. I watched them, straining my sad eyes, but in a moment the mist received them and they had disappeared.”

And as ‘Myself’ muses about his life, and Sussex, at the end of the book, he delivers lines on what endures if a person is truly rooted in the land and landscape:

He rides his loud October sky:

He does not die. He does not die.

 

There are various editions of The Four Men, including an online facsimile (but again, remember copyright, as Belloc only died in 1953).  If you do hunt around for a physical copy, be sure that you find a decent reproduction of the original. As with many other period books, not all reprints are faithful.

We shall leave you there, and go back to being hauled through the sodden – if attractively coloured – leaves by over-eager lurchers…



October Frights Blog Hop Link List

Remember to hop on over to check out the other participants offerings as well.

Are You Afraid of the Dark?

The Word Whisperer

Hawk’s Happenings

Carmilla Voiez Blog

M’habla’s!

CURIOSITIES

Frighten Me

Winnie Jean Howard

Always Another Chapter

Balancing Act

James P. McDonald

greydogtales

And there are details of some neat books by these authors over at Story Origin – a wide range of dark fiction, horror, odd stuff and more. Why not click below and see if there’s anything you fancy…

october frights books at story origin

 

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The Many Myths of Brandon Barrows

The writing game can be a perverse lottery. Yes, craft and imagination are important, but we are not entirely convinced that talent always wins through. So much is down to chance – being noticed at the right moment by the right critic or agent, catching a marketing trend, accidentally get a media mention because of something else, and so on. Writers can work long hours for months and earn absolutely nothing. Nada. We ruminate thusly because over the years we have run many author interviews based not on material success, but on whether or not their work was unusual or interesting. Today, Duane Pesice interviews author Brandon Barrows, a craftsman who should probably be better known…

brandon barrows

We first encountered Brandon Barrows through his short collection The Castle-Town Tragedy (Dunhams Manor, 2015), which contains an excellent set of three stories concerning Carnacki the Ghost Finder, the occult detective created by William Hope Hodgson. These are indeed Carnacki tales, but they are slipped a little more towards modern sensibilities, avoiding too many archaic twists of style, and this works well. We thoroughly enjoyed them – and a further Carnacki story appeared in Occult Detective Quarterly #2.

Going backwards, we read his collection of weird fiction The Altar in the Hills (Raven Warren Studios, 2014), which also satisfied – a range of much shorter pieces which draw strongly on themes from H P Lovecraft. Brandon subsequently scripted a comics series – Mythos: Lovecraft’s Worlds (Calibre Comics) – and worked with artist Hugo Petrus, adapting such HPL stories as ‘Pickman’s Model’, ‘The Strange High House in the Mist’ and ‘The Curse of Yig’. All four issues are now available as a graphic novel.

After these, the author’s deep love for crime fiction and noir brought him to his novel This Rough Old World (Ulthar Press, 2018):

“Los Angeles, 1968, a time of radical change – for everyone but part-time private-eye Tom Ahearn, who’s stuck in a rut of routine and self-pity. When Charlie, a hippy of the lowest order, offers a quick buck for what seems like an easy job, Tom dives head-first into a world of casual sex, drugs, music and the occult. He’ll find himself rubbing shoulders with drugged-up hippies, young Republicans itching for war and slumming socialites bent on nothing less than completely reshaping the cosmos – all while unknowingly witnessing the nascence of one of the twentieth century’s most notorious evils.”

This is both a classic gritty private-eye novel and a piece of weird fiction, with an unexpected twist at the end.

Recent short works have also seen Brandon Barrows draw on one of his other interests, manga and the folklore of the Far East, a world of shadowy spirits and possessions, of oni and yokai, featuring Azuma Kuromori, a Japanese spiritual investigator. Here’s an extract from ‘Shadow’s Angle’ (ODQ#5):

Two in the afternoon and Sasai hadn’t tried to kill anyone yet. At least there was that. I didn’t know for a fact that he would try, but it was something to be prepared for. I had no idea what he was capable of. I doubted Sasai did himself, the way things had been the last couple of days. But even in the sparse mid-afternoon crowd of an average weekday in relatively sleepy Hatagaya, he wouldn’t try anything in the middle of the street. I hoped, anyway. That was the kind of trouble nobody needed.

There was already plenty of it, simmering, waiting—for what I didn’t know. I needed to keep it from boiling over.

I’d followed Yuta Sasai, at a discreet distance, for the better part of two days, and in that time I’d seen him devour with his eyes every inch of every woman and girl his path crossed, age no issue to his roaming gaze. Sexual harassment wasn’t his only sin, though. Yesterday, I’d seen him do some fast-talking and sleight of hand to grift a street vendor out of both wares and cash, only to toss his gains in a trash-bin on the next block. And, earlier that morning, he’d used some trick at a Suica machine to load his card with more than the system thought was possible, then leave the station without even glancing at the trains. No idea how he managed that or what the point of it might have been, other than general mischief. What was his vice, I wondered. Lust? Greed? Spite? General malevolence? I hadn’t an inkling, but it mattered. Before this was over, it would matter a hell of a lot. “Know thy enemy”—an exorcist’s mantra.

Sasai’s wanderings had taken him around three wards, and seemed aimless, apparently unfocused and without any overall goal. Was he looking for something? If so, he was going about it in the most half-assed way imaginable. I wanted to get this over with—it was anything but fun watching this thing ramble around the city wearing someone else’s skin, on pins and needles wondering what it’d do next—but patience can’t be overemphasized…

‘Shadow’s Angle’ copyright ODQ/Brandon Barrows 2019

Let’s hear from the man himself…


BRANDON BARROWS

Interviewed by Duane Pesice

Duane: Where should a reader that is new to your work start?

Brandon: My novel This Rough Old World is a fusion of most of everything I love: noir, private eyes, and cosmic abominations. A writer I respect called it Raymond Chandler meets Lovecraft, which is about the highest praise as I can imagine for this book.

Duane: Is there a piece that you are particularly proud of?

Brandon: I am extraordinarily fond of a weird story called ‘Beyond the Faded Shrine Gates,’ about a childhood incident from the life of my occult quasi-detective character Azuma Kuromori, that will appear later this year in Occult Detective Quarterly #7.

I’m also very proud of the Marshal Ernie Farrar western mysteries I’ve written, published in Crimson Streets Magazine. Those can be found online here:

“A Hanging Matter” – http://www.crimsonstreets.com/2018/05/27/a-hanging-matter/

“Noose Hungry” – http://www.crimsonstreets.com/2019/02/17/noose-hungry/

Duane: Whose work do you read, yourself?

Brandon: I read a tremendous amount of noir, mostly from the golden age of paperback originals, the 1950s, and the great mystery writers of the 1930s, as well as writers who are influenced by them. My absolute favorite writers, in no particular order, are Gil Brewer, Charles Williams, Donald Westlake, Erle Stanley, Louis L’Amour, and Max Allan Collins.

Duane: What kind of beer goes with your pizza? And what’s on the pizza?

Brandon: There’s a local ale I love called Switchback, from a brewery of the same name. There’s also a quadruple-bock called Day of Doom by Mystic Brewery I enjoy a lot.

As for pizza, I love pineapple and ham. Usually, it’s just pepperoni, though, because it’s the one kind of pizza my wife and I can agree on.

Duane: Do you consider your work weird, or horror? Or do you leave that to the marketing department?

Brandon: I leave it up to the reader, or the marketing department. I consider my work to be dark, in general, but the actual genre I write in varies wildly. I’ve written everything from Lovecraftian weird fiction to traditional westerns. There’s very little I’ve written where I was consciously going for horror, though I suppose there are horrific elements in much of my work. I’m very much interested in the dynamics between people, especially the way each of us are broken but somehow still manage to function, and that comes out in a variety of ways. There’s really nothing scarier than human beings.

Duane: You’ve been convicted of crimes against the empire. What would be your last meal? Include something big to hide the explosives in.

Brandon: A big vat of spare ribs with a nice block of C4 hidden in the bottom sounds good. I can fill up before I break out.

Duane: Are you involved in any arts besides writing? Any odd hobbies we should know about?

Brandon: I was in various bands for a number of years, but nothing recently. I draw occasionally, but generally not for public consumption. My hobbies are all pretty much book-related. I am a collector of paperback originals, particularly Gold Medal, Lion, and Pyramid Books, and am willing to travel to find them. Nothing weird or odd about that, I hope.

Duane: Cats or dogs?

Brandon: I love both, but we only have cats right now.

Duane: Tell us about a work-in-progress.

Brandon: I’m currently working on a P.I. novel that may or may not have supernatural elements. I like to write with an outline, because I tend to get lost in the work without one, but this piece I’m feeling out. All I’ll say right now is there’s a woman who’s intrigued a lot of men who is very real to them, but may or may not actually exist…

Duane: Thanks for joining us today. Is there anything else you would like readers to know?

Brandon: I appreciate the chance to chat and I hope folks will reach out if they’ve read my work. Writers thrive on feedback and many of us don’t hear enough from readers. I can be found on Twitter @BrandonBarrows and my website is www.brandonbarrowscomics.com



This Rough Old World

and on Amazon US here

The Castle-Town Tragedy

on amazon us

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