All posts by greydogtales

John Linwood Grant writes occult detective and dark fantasy stories, in between running his beloved lurchers and baking far too many kinds of bread. Apart from that, he enjoys growing unusual fruit and reading rejection slips. He is six foot tall, ageing at an alarming rate, and has his own beard.

A SUPERNATURAL YULE: THE HERON IN WINTER

Today, for your consideration during idle moments, we offer the full text of another of JLG’s stories of the strange and supernatural at this time of year, ‘The Heron in Winter’, to read here online or download as a pdf. Set in 1907, this tale concerns the Edwardian intelligence officer Redvers Blake, who is ordered to solve a mystery concerning the canals which serve the great mills of the North…

If you would simply like a free download to read later on some dark and infernal device, click below:

heronscreen



THE HERON IN WINTER

by John Linwood Grant

 

supernatural yule

It had been an excellent dinner, the more so because none of the diners – indifferent cooks themselves – had been involved in its preparation. O’Hanrahan, the Irishman who acted as major domo to the household, had prepared and served the entire meal, and would accept no help with the clearing away of the remains.

“Will you join us for brandy, O’Hanrahan?”

“I’ve no head for brandy, nor for your sort of tales, Mr Dodgson.” The Irishman considered the half-empty soup tureen in his large hands. “And sure now, isn’t that a bottle of porter in the kitchen, calling out to me?”

Dodgson hid his smile. “I do believe so. Well, you know where we are.”

He led the others through into the small dimly-lit study. There were only three of them that night – Dodgson, his colleague Miss Jessop, and their occasional guest, Lieutenant Redvers Blake.

“A snort, Redvers?”

The young officer ran gloved hands along a bookshelf, his eyes drawn to titles which made little sense to him. These were books he would not care to touch, not with his bare fingers.

“I will, Henry. Be generous with the soda.”

Settled in leather armchairs, the diners entered that awkward comfort of those who have known each other for some time, but who cannot be sure of what any one of them might say. All three took slim cigarettes from the case which Dodgson handed round; matches scraped, and brief flares disturbed the darkened corners of the room.

Dodgson, a broad-shouldered man of almost O’Hanrahan’s proportions, was clearly the most relaxed; pale, slim Miss Jessop the least at ease. Her long fingers brushed the cameo at her throat, ignoring the glass of brandy by her side.

“You carry something with you, Blake,” she said.

“Only d-d-death, as usual.” The lieutenant spoke without any particular emphasis, without emotion. Winter rain beat on the window panes behind him, muffled by heavy drapes.

“Your work with Special Branch?” Dodgson looked interested.

“No. A matter of m-m-mills, and uniforms; of ordinary lives. This new B-b-balkans affair, however…”

But neither Dodgson nor Miss Jessop would be diverted.

“The story, in return for dinner.” Dodgson insisted. “You know that’s the arrangement here at Cheyne Walk, an arrangement set in stone. You can be what you must be outside these walls, but here, we follow the old ways.”

Blake smoothed his slim moustache with one finger; neither of the other two could see if he smiled or frowned beneath the gesture.

“Very well.”

And so between brandies and cigarettes, speaking crisply above the hiss of the gas-lights, he paid the toll for his meal…

*****

You know that there is a meanness and brutality to much of what I do (began Blake), and some tales I would never tell you. This one, however… you must judge for yourselves.

Early last week I received orders that I was to head up Manchester way, and from there to make directly for an establishment belonging to the Rochdale Canal Company, somewhere out in the wilds. The company had begged Whitehall’s assistance, and what Whitehall had chosen to send was, well, me.

I asked why, of course. Were we talking insurrection, agents of foreign powers, Bolsheviks – or perhaps even Fenians? No, came the curt response. Simply… difficulties. I was told to wear full uniform, and that a canal company man, Mr Charles Edgerton, would explain more when I got there. Orders were orders, so I packed a bag, and did as I was told.

The inclement weather down here at the moment is nothing compared to the winter that the North has been enduring. The train was lashed with sleet as it sped towards Manchester, and once in that city I had the devil of a job to make my way to my destination – an isolated spot near Todmorden. A motor-cab, skidding on two inches of packed snow, finally managed to get me there later that same afternoon.

I’m not a literary man like you, Dodgson, but let me see…

Picture a landscape of hillsides, almost bare of trees and bleak with snow; villages of grey native stone huddled in valley bottoms, the occasional rearing chimney of a mill or factory, like dead fingers pointing to the heavens. And a building, a badly-wrought brick building set on its own by the canal-side – a toll station and centre of operations for barge traffic. A friendless place which squatted by a basin crammed with idle, canvas-covered barges.

That was Lydgate Stop House, my temporary assignment, and where I was given into the care of said Mr Edgerton, a damp, nervous man in his fifties.

“Lieutenant Blake, from London,” I said, stamping the snow off my boots in his office, “As requested – but I d-d-don’t know why.”

At least the fire was built high. The room smelled of mould and scorched toast.

“They… they didn’t tell you?” Edgerton took a kettle from the stove, and scalded himself filling a large cracked teapot. “Oh dear me.”

The milk was almost off, but the tea was welcome enough. I sipped, and waited.

“We… er, we have a problem with Low Hawnsey Cut,” he managed at last.

“N-n-never heard of it.”

Ah, how I hate these tales within tales. Still, I’ll give you the gist.

The company had an antique ice-breaking barge, Heron, for when such icy circumstances gripped the network of navigations. Thus, when the hard frost set in, Heron was manned by company men and local workers, and sent to open up the seven mile cut to somewhere called Cochrane’s Mill.

The mill lay in a deep fold of the Pennines, and the waterway in question, Low Hawnsey Cut, was the main artery to the mill – but the cut was frozen solid.

“Our problem is the… ice-breaking crew, Lieutenant Blake,” he said. “They… what with the… body, you see?”

He was a man of many pauses; I was a man without a clue. I suggested that he be succinct, before I took myself back to my cramped but more congenial office at Whitehall.

“The Heron started from the basin, here…” said the company man, “And made good progress, until…”

“Until they found a b-b-body?” I suggested, hoping to speed him up. “A corpse in the canal?”

He paled, which was difficult with a man already so wan.

“The crew… saw a body in the water. This was yesterday. They had covered almost three miles, the horses were tired, and they… the tiller-man shouted that there was something… someone… in the water, by the patch they had broken moments before.

“Naturally, men rushed to see, and called to the lengthsmen who were on the banks… they have long rakes, you see, to haul sheets of ice and flotsam to the sides. ‘A woman!’ was the cry, and rakes dipped from Heron and the canal bank…”

“They hauled her out, presumably?”

“There was… nothing to haul. The rakes went through the… body, whatever it was. It drifted past the boat, they say, and then… was gone. Vanished. The men would go no further.” Edgerton swirled the dregs of tea in his cup. “Heron lay near a winding hole on the cut, where she could be turned, when the incident occurred, so they brought her back here to the Stop House, against their instructions. Since then, they talk of spectres, and hauntings, and all manner of unhealthy things… yet the mill…”

“What’s so important about this mill?” I pressed him.

Edgerton explained that Cochrane’s Mill was a leading supplier of serge, under contract to the War Office. The barges in the canal basin outside were jammed with raw materials for the mill, and given the thick ice, neither those materials nor the finished serge could go anywhere. Bargees were angry; tolls were being lost, and the factories which made up the uniforms in Manchester had their own complaints.

“I can’t… can’t seem to get them to take Heron out again, lieutenant.”

My presence now made sense. I was there to bluster, to order, to put steel into these people, to get things moving – and to deal with any talk of ‘sightings’. Send that Blake fellow, some idle official must have muttered. ‘He has a taste for oddities and nonsense.’

I nodded. “So – water-weed, old rags that the rakes could not catch; too many early b-b-beers, delusions brought on by this bitter cold. I suppose that I should speak to your men.”

“You don’t believe in… ghosts, lieutenant?”

“I d-d-don’t believe in anything, Mr Edgerton.”

Looking slightly puzzled, the man led me out and round to the rear of the building, where eight or nine men sheltered by some stables, oiling various implements, mending ropes, and drinking mugs of tea from a battered urn.

“Blackwood, this is Lieutenant Redvers Blake, of the –”

“North Surreys.” Which was all they needed to know.

“Ah, yes. He is here to consider our little… problem.”

A thin man with one shoulder higher than the other stood up. Whether his posture was from accident or from birth, I couldn’t tell, but it tilted his long head perpetually to one side. His eyes were sharp enough, though.

“Ay up. They goin’ to shoot us, if we don’t work Heron, then?”

I walked closer. “W-w-would that help? I do have my revolver with me.” I spoke affably enough, and patted the side of greatcoat.

Several of the men gave out uncertain laughs; others scowled.

“Mr B-b-blackwood, I’m here to get the cut working again. If there’s a way to do so which involves neither guns nor p-p-priests, I’m open to it.”

Blackwood squinted at me. “We saw what we saw. Ned, Harry, Joseph and all the rest, even them as leads the hosses. There were a woman in the watter, and then there weren’t.”

“A woman? Did you recognise her?”

The fact that I didn’t immediately dismiss his words seemed to throw him.

“Recognise, sir? There were no… face, like, nobbut a blur. She had mebbe a dress, shawl, it were hard to tell. And summat white, like a flower, pinned to her.” He touched the lapel of his grubby jacket. “’Bout here.”

It was an odd detail. The others agreed, though not everyone had seen the flower or broach, whatever it was. These men had had time to confer, but there were none of those typical ‘rehearsed’ lines to be heard. Most said it had been a woman; almost all thought that the body had been drifting along in the same direction as the weak current, which was some product, beyond me, of lock gates, sluices and the reservoirs above Cochrane’s Mill.

“When would you take Heron out again, n-n-normally?”

Blackwood considered the grim, snow-speckled afternoon which gripped the toll house, the basin, and the low hills around it.

“Should mebbe be out now,” he admitted. “But the light’s goin’, and the hosses aren’t ready.”

I had no wish to remain up North any longer than needed. “Mr Edgerton, Mr Blackwood. We’ll sail – or whatever you canal p-p-people call it – first thing tomorrow. I’ll be on the boat.”

“But –”

That earned them what might be called an ‘army stare’. “And I hope you have a cot ready for me somewhere in this Stop House of yours.”

I was given a room cluttered with dusty ledgers and unidentifiable tools; Edgerton was sleeping in the toll-keeper’s bedroom, and the toll-keeper in the office downstairs.

Supper was a fatty chop and a slurry of heavily-boiled peas, peppered with attempts by Edgerton to tell me things I didn’t really need to know.

“We rely, you see, lieutenant, on the steady flow, yes, the steady flow of industry… each broken link costs everyone. Our investors, the bargees and the families, who have to eat; the mill-workers who must be on short hours until goods move in and out… you understand?”

Low Hawnsey Cut did have to be opened, it seemed.

*****

I slept badly; there were missing tiles on the Stop House roof, with the resultant whistle of icy blasts across my room throughout the night. At first light I abandoned my cot and shaved in a bowl of cold water. There was a hot brew waiting down below, accompanied by cheese and stale bread buns. ‘Baps’, the company man called them.

“They have Heron ready,” said an unshaven Edgerton. “Come, I’ll take you. I don’t… participate myself, of course.”

Of course.

We made our way over frozen ground, away from the basin and the double lock which led into the Rochdale Canal, heading north-west for the first stretch of Low Hawnsey Cut itself. It was an unromantic stretch of grey water, stone-lipped and bordered by no more than the occasional stunted hawthorn, their leafless forms bent over the tow-path as if they sought to reclaim it. I was surprised to see that a team of six horses stamped and blew clouds of steam by the water, already harnessed to… an odd boat indeed.

Heron was a wooden barge of forty foot or more, maybe eight wide, with a great iron rail running down the length of it, fixed with metal stanchions to stand about three foot above the planked deck.

“She has, you see…” panted Edgerton, clearly not a fit man, “Protective plates bolted to her sides. As the horses pull, the men grip the rail… and roll the barge, first one way then the other. This and the forward motion shatter the ice.”

Blackwood and four others had turned up to man the icebreaker, six less than her normal crew, I was told – and those few stalwarts hardly looked cheerful. Their faces fell further when a large heavily-wrapped woman came striding down towards us.

“Alma.” Blackwood reddened. “Get ‘ome.”

The woman glanced at Edgerton and myself, sniffed and turned to Blackwood.

“To hell wi’ thee, Layton Blackwood.” She strode across the gangplank, onto the barge, and took up a position at the rail. “If tha cannot get t’men to do it, someone must.”

“His wife.” Edgerton dabbed at his nose with a handkerchief. “A…. lively woman. Well, Blackwood will be on the tiller, and if you stand there with him, you’ll see the way we work.”

A mutter or two, and the rest of the crew was in place. Alma Blackwood was a head taller than the men, and as she rolled up her sleeves, I saw muscle enough to drop a donkey in those arms. Her husband clearly didn’t wish to discuss her presence, but called out for the ‘hosses’ to begin their steady plod up the tow-path.

The wind had dropped, leaving a chill mist clinging to everything, but we were mercifully free of yesterday’s snow or sleet. I braced myself at the stern, careful not to be in the way of the tiller-man, and Heron shuddered as the ropes went taut and she began to move.

“Old, solid oak, and iron plates,” said Blackwood. “She’ll break an inch, mebbe more.”

I could see fragments of ice still clinging to the banks of the cut, glinting whenever the weak morning sun broke through, but the way ahead showed only fragile skins reaching out from those fragments. Occasionally a jumble of dead leaves and detritus had frozen into a block by the tow-path. Stone markers on the bank showed each half mile; the horses hauled, silent in the mist except for the thump of their hooves. We were an island of quiet, no talk between those on the rail; most of them had pipes out, and were staring down at the water as they smoked.

“How much farther?” I found myself speaking in a hushed tone.

“Less’n a mile,” said Blackwood, hunched over the tiller. “Heron’s a heavy bugger, with all that iron, and the best hosses are on the Rochdale. We’ll get… there.”

There.

Where they had seen the apparition, if such it was; where they had stopped the barge, and baulked at going on.

Heron surged, slowed, surged, as the lads at the horses showed their jitters, not regulating the pull as well as they should.

“Steady, there!” I call over. “Nice and steady.”

Blackwood accepted a cigarette from me.

“The army must want them uniforms bad.”

“D-d-doubt the army cares that much. What it doesn’t want is canal companies and m-m-mill owners bothering it.”

Which earned me a thin smile.

“You a regular, then, lieutenant? Seen action.”

They always want to know, and what they want to know was: Have I killed anyone? The Fenians ask it, when cornered in dank cellars; the pacifists ask it at polite dinners. Children ask it, and old men always wonder…

“I’ve seen enough.” I said, and turned away.

We hit thin ice ten minutes later, but that meant nothing to Heron’s bows. Some twenty yards ahead I could now see the untouched sheet which blocked the cut. The men looked nervous. I slipped off one glove, and gripped the rail at the stern, reaching into the barge with my damnable, unwanted gift, listening…

Nothing. Scarred timbers, iron, years of duty, but Heron was what she seemed. I could sense no malice, no unnatural influence within her.

Blackwood’s eyes were fixed on the others.

“Ready, lads. You’ll want to hang on there, lieutenant.”

Edgerton’s explanation hadn’t prepared me for the moment of action. As the barge came close to unbroken ice, the tiller-man set up a call – a canal shanty, I suppose you’d call it.

“Hold, and…

Those at the long rail tensed themselves, boots scraping on the deck.

“Onside! Offside! Let her run, and… Onside! Offside!”

With the first word of command, the crew – without letting go of the main rail – threw their weight in the direction of the tow-path, and with the second, lurched towards the other side.

“Onside! Offside!”

Heron shifted with them, rolling in the water, and hit the thick ice like a slow, twisting bullet. A great grinding and cracking sound arose about us as the ice-sheet splintered; the timbers of the barge moaned, but held.

Fascinated, I watched as the frozen surface of the canal shattered, throwing up inch-thick plates of ice and a spray of ugly water. Men who had followed the tow-horses, willing to work as long as they didn’t have to be on the barge, unshouldered rakes with clawed tines and dragged the broken ice to the banks, hauling some slabs out of the water altogether.

It was practised, organised.

“Onside! Offside! And let her run, me bullies!”

I threw off my greatcoat, and went to the rail, next to Alma Blackwood.

“You object, madam?”

Dark eyes narrowed. “Hold t’rail tight, lad. I’m not fishing thee out.”

This was work. All had to time their movements perfectly, and to do so gripping a freezing iron rail, with wet planks beneath us. I thanked my heavy army boots for joining me, and I cursed my arms, which were aching after only ten minutes of lurching and wrenching.

“Onside! Offside! And… Lord, look!”

It wasn’t difficult to spot what should not have been there – a shadow, emerging from under the ice ahead. Not a woman this time, but possibly a child.

The body was floating a few inches below the surface to our larboard. Offside, as Blackwood would have put it. I let go the rail, and went forward, picking up one of the long rakes on the deck.

This child – a boy, I thought, maybe eleven or twelve years old – drifted face-up in the cut, but the face was wrong. The eyes, the mouth, were smudges, the whole head indistinct; likewise, the drab clothes were vague, as if seen through muslin.

I dipped the rake, but already knew what would happen – the curved tines passed through the apparition without resistance.

Worse for the mood of Heron’s crew, I was not the only one who could see that there were more such dark blurs, slipping out from under the ice before us…

“Steady!” I snapped, hearing alarmed mutterings and curses behind me. “There’s n-n-no harm in them.”

The horses had been stopped; Heron was barely moving. The mist had thinned, but I could see dark, heavy clouds gathering. More snow. For a brief moment every living eye was on me – the army man, stiff, expressionless in his wet uniform. These are the times I hate, the times I use. Depressing, how men will follow a uniform into peril, however stupid or venal the wearer.

“Double wages.” I stared round at the worried faces. “We b-b-break another hundred yards or so, to see whatever has been laid out for us to see. D-d-double wages for today.”

I had no authority for this, but could not see the pale, worried Edgerton denying me.

“I’ll be on the rail with you,” I reminded them. “B-b-but they’ll not give me a brass farthing more for it. Pity the poor bloody soldier.”

Alma Blackwood responded with a snort of amusement, which broke the mood. “Hunnert yards, aye. I’m game.”

“Alma –” Her husband fingered the tiller, hesitant. She was shaming them, as she had done when she boarded the barge.

I clapped my gloved hands together. “Settled, then. Whatever these are – lost souls or echoes – they can’t hurt us.”

Which may have been wishful thinking, but suited the moment.

“Echoes?” said the big woman. “Echoes of what?”

“People who’ve d-d-drowned here over the years?” I had no idea, in truth. “Memories?”

The next man along shivered, and I decided it was best not to explore the matter further at that time.

“Mr Blackwood?”

“Aye – I s’ppose.”

He called out to those who were leading the horses, cursed the lengthsmen for slacking in their task of dragging broken ice to the sides, and the barge began to move forward again. Onside, offside, and into the next slab with a crunch, and a crack like a rifle being fired. Fault-lines shot across the surface, and Heron made another few yards, sheet-ice breaking into manageable chunks for the rakes.

“Cut’s nobbut two year old,” said Mrs Blackwood as we lurched to starboard with the rest. “Meks no sense there’d be s’many drowned, like.”

“We’ll see.”

It was not a sight that inspired enthusiasm in me, I admit. As the ice shattered, those dim forms floated towards us with a painful slowness, and no one could be immune to their presence. They did at first seem like rags and water-weeds from a distance, but as we closed, they could only be visions of people. Boys, perhaps also girls, women in long skirts and shawls, a man in working clothes – but the hands and faces indistinct, blurred. I knew there was no point in using the rake again, or seeking any physical contact – and what sensitivity has been forced on me is useless without touch.

“D-d-do any of you,” I said, in a loud clear voice, “Know these people? Can you tell me anything about who they might be?”

The crew peered into the water with reluctance.

“Them’s the dead.” A thin, red-haired man on the other side of the rail crossed himself with his free hand. “The dead, come t’warn us of oor sins.”

“Bloody funny way o’ doin’ it,” said Mrs Blackwood. I was warming to her. She had a broad face, a broad accent and a bluntness which I could appreciate.

My gaze was on the water; as the apparitions passed Heron, I saw that they grew more tenuous, as if dissolving, until nothing could be seen of them.

Snow had begun to fall, and given the mood of those around me, I could see little point in continuing. I understood that Cochrane’s Mill was only three miles off, where the cut curved around a spur of scree-marred hill.

Might as well have been fifty miles.

“Have the team unhitched, Blackwood, there’s a g-g-good chap. I think we’re done for today.”

There was no way to turn Heron around at this spot, so she was tied up. Men and horses made their way back, the men moody and quiet, the horses content enough that they would soon be stabled, and at their feed.

When we reached Lydgate Stop House, Edgerton came out, and saw plain enough how people were going into huddles, making occasional gestures towards me.

“It happened… again?” He brushed snow from his cheek.

“Worse this t-t-time.” I followed him into the office and set myself to steam by the fire. It was easy enough to give him a summary of the day’s progress.

“Will they go out tomorrow?”

“With me, p-p-possibly. But I’ve something to do, first. I need a riding horse, and a local guide. Where does Alma B-b-blackwood work, normally?”

“She oversees some of the looms at Cochrane’s Mill. Her husband knows the area, though…”

“Better that it’s her.”

He huffed and sighed, but made arrangements.

By four in the afternoon, with constant light snow, I was back on the tow-path, a skittish mare under me and Alma Blackwood striding alongside. She didn’t ride, laughed at the idea.

“Ah walk God’s earth, like it were meant. They call this God’s Own Country, did tha know, Lieutenant Blake? Meant for hard women, frit of nowt.”

“My name’s Redvers. You m-m-might as well use it.”

“Alma.”

“So what are the men saying?” I edged the mare around an icicle-tipped hawthorn.

“Nowt and summat. ‘Bad fortune for all’, and ‘Needs t’vicar and his book-larnin’,’ that sort o’ talk. They’re not sure, but seein’ tha work t’boat fair took them. None o’ the bosses would ha’ done that.”

We came to the section where Heron was moored, lonely by the bank. Faint ripples on the open water; a cold gleam to the ice. None of the earlier phantoms remained, but there was yet another dark figure in the water, drifting slowly as before. I dismounted.

“Are you game to look, Alma?”

She spat out chewing tobacco, and followed me to the edge, which put us no more than five feet from the ‘apparition’. It was clearly female – and the face was more distinct this time. A high forehead, thick eyebrows… I fancied the eyes were closed, but that was harder to discern. Alma sucked in a breath.

“Hettie Cowton, ah’d swear. See, she’s gotten that red shawl on.”

“When d-d-did she die?”

“She nivver did. Ah saw her this morn, fit as anything, afore I came down. On her way to t’mill. Works t’looms, she does. Sithee, cut’s froze over solid to Cochrane’s, so how’d she get down ‘ere? Meks no sense.”

It did not.

“A red shawl, a white flower. Your husband saw the f-f-first…”

“A white rose, he were thinking, as he said to me. Tha knows, like t’flower o’Yorkshire.” She turned from the water. “Lieutenant… Redvers, then. Queer sort o’ name. It dunt seem like tha’s ower fussed by this. Tha’s seen ghosts and t’like afore?”

We regarded each other, whilst soft flakes gathered on our shoulders. Two different worlds, tight-wrapped in the cold – the mill woman, and the man who fed the hangman.

“I’ve seen worse. It’s what they p-p-pay me for.”

She nodded.

“Our Uncle Alf ‘ad a stammer, when ‘e went down the mines.”

“Did he get over it?”

“Not before t’shaft collapsed and took ‘is ‘ead off. Us didn’t notice it s’much after that.” She laughed, and trudged on towards the mill.

I wondered if she’d ever considered joining the army. We could have used men like her.

*****

Water made industry. Alma explained it as we rounded the scree and came in sight of Cochrane’s Mill. Two small reservoirs fed the mill, which thrived on steam from its own boilers, and the flow, polluted with washings from the textile sheds, went into a basin directly by the mill. The basin, now iced-up, then fed the cut which ran to the Rochdale Canal.

There isn’t much to tell you about the mill. A massive four storey building, facing the water as I said, and an engine house to the back and centre, like the servants’ wing of a mansion, with a two hundred and fifty foot chimney rearing above all. Pale brick, with the occasional terracotta moulding, set against gloomy hillsides which harboured rows of small cottages. It was a dour land, making dour folk.

“Come wi’ me.”

Alma took me through broad, open gates to one side, and into the behemoth. I followed her up flights of steep stone steps to the second floor, where mechanical looms clacked across the length of the floor, making the most abominable noise. Ropes, pulleys and beams; the smell of sweat and chemicals.

“There!” she said, pointing to a loom-worker with a distinctive crimson shawl around her shoulders. “That’s Hettie Cowton.”

The woman at the loom turned her head for a moment, and yes, the likeness was unmistakable, the clothes identical. We had seen the semblance of a living woman drifting as if dead in the icy waters of the cut, where she could not be.

“How do, Alma.” A man in a worn, over-tight suit sauntered over. “Thought you were down at Lydgate Stop House.”

“Ah’m to help this gentleman, the maisters say.”

“Lieutenant Blake, N-n-north Surreys,” I said. “Whitehall send me about the hold-ups with the serge.”

He shook my hand. “Bert Gault, foreman for Cochrane’s. Aye, it’s a rum do. Hear some lass or summat drowned in the cut, spooked the canal men.”

“Something like that.” I imagined that this afternoon’s news would spread like wildfire once the men around the Stop House went back to their homes.

“How’s it going with the cut, sir?” asked Gault.

“Can’t say, as yet. Three miles still frozen. It’ll be p-p-pack mules between here and clear water, at this rate.”

He took this idea more seriously than I’d expected.

“Might be done, with carts and suchlike. I’ll tell the bosses, if needs must. But you’re here, so must want summat.”

“I n-n-need the feel of the place.”

He frowned. “Alma can show you round, as good as any, I suppose.”

“Much appreciated.”

In truth, I didn’t want a tour as such. I wanted to find a girl with a white rose, or a white silk flower, that sort of thing, pinned to her blouse or jacket. Was it possible that all the drowned were from this mill?

Alma knew everyone, be it for the time of day, for a word about ‘snap’ as they called the food they took at breaks, or for news of Low Hawnsey Cut. She said little about the latter. We walked the weaving and finishing floors, watched carders at their work on the raw wool; we edged away as boys ran past, carrying huge bobbins. The place was an ants’ nest built of Northern brick.

“Hang on.” We were back by the looms, and through the dusty air I saw a flash of white. I almost ran, skidding up to a young woman at a loom, much to her dismay. I would have put her at seventeen or eighteen years of age, and she wore a grubby white silk rose pinned to her lapel.

“Mister, I’ve dun nowt –”

“And there’s nowt to worry on,” said Alma, huffing up behind me. “Meggy, this ‘ere’s a gentleman wi’ t’canals.”

“I don’t mean what I says,” the girl whimpered. “I’m not reet, Alma. You know that.”

My guide caught Gault’s attention, mimed taking this girl from her place; the foreman looked to me, and nodded.

We walked to the stairwell, the three of us, and I knew there was something wrong. Meggy Whoever-she-was was frightened. Alma leaned close to me.

“She’s allus been slow, mebbe a bit touched. There’s no ‘arm in ‘er, though.” In a louder voice, she said: “Tha must tell Mr Blake ‘ere whatever is botherin’ thee.”

Soft brown eyes shifted in my direction, then to the older woman.

“I been hearing it, Alma, these last couple of days. It’s so loud, like God’s shouting at me. Like thunder, it is, in me head. I tells them ‘Summat bad’s coming,’ but they laughs at me. ‘Meggy Gaines, daft as our dog.’ They won’t listen…”

She was weeping; I hauled out a handkerchief and gave it to her.

“Like thunder?”

Meggy nodded, pulling on a length of thin blonde hair. I took her gently by one hand.

“This feeling you have – when d-d-did it start?”

“Three, four days ago, sir. But it’s me – I’m touched, like they say. Allus getting ‘feelings’, I am. Me mam hits me for it.”

I tried to smile in what I hoped was a considerate manner. “Maybe I’ll have a word with your mother about that, Meggy.”

“Go on, lass, back to tha place,” said Alma. “Not so long ‘til knockin’ off time.”

Thunder.

What was thunder? A storm coming? I am not, thank some pitiless God, a psychic, but I felt uncomfortable, ill at ease.

“Is it n-n-nonsense, what the girl says? About ‘feelings’?”

The tall woman paused, frowned. “Meggy were reet about Young Alf losin’ a leg in t’ropes, last summer, like. She said as he’d not be walkin’ again, and that were t’day afore it ‘appened. But she says all sorts…”

I was painfully aware that most so-called ‘sensitives’ relied on keen observation, co-incidence, and clever half-truths. And yet…

“Has anything changed in the last few days, Alma? Here at the mill, I mean. Or did anything happen, three or four days ago, before Heron first went out?”

She thought hard, then called Bert Gault over and asked him the same question. He had to work it over as well, chewing on an unlit pipe.

“Nowt much, sir. We’ve had a bit of trouble, like, with the looms and the carding machines – first they run too fast, then too slow. I telled the bosses as we should have engineers out, in case the boiler, or the piston fittings–”

“Take me there. Now.”

Too surprised at my tone to argue, they led me down again, and into the engine house attached to the main mill. The noise was worse than elsewhere, the hiss and clatter of great pistons; sharp bursts of steam and men yelling at each other.

“It’s a triple-expansion engine, you see –” Gault began, but I pushed him aside. Pulling the leather glove from my left hand. I pressed my bare palm to the nearest wall, and listened.

The inanimate can be sullen, unwilling to share its slow existence, but I waited, seeking some connection. My fingertips stroked the coarse surface of the bricks; Gault and Alma Blackwood watched me, perhaps just as they watched Meggy Gaines when she had ‘feelings’, and then I found it. Cochrane’s Mill spoke to me.

You understand that objects, places, have no voice, not as such. What I hear is what they have heard, felt, seen – and this building spoke of rushed construction and poor foundations, which it might have withstood. Worse, it spoke of a flaw in its beating heart, deep in the engine house. A flaw that was worsening, a fatal wound.

The building itself expected thunder, and destruction, soon…

“Clear the mill!” I yelled at Gault and Alma.

The foreman stared at me as if I were mad. “I can’t –”

My revolver slid easily from its holster, used to the work. I didn’t aim at anyone, but I showed it plainly for any who were watching the scene.

“For God’s sake, clear the mill! Get them all out!” I locked my gaze on Alma Blackwood, and she did not disappoint me.

“The whistles, Bert,” she said, urgent. “The fire whistles.”

He gaped, but then ran to the wall, where a heavy iron handle protruded from a cabinet. He pulled down hard, and somewhere outside a steam whistle shrieked, loud enough to be heard over the engine noise. Others sounded off within seconds, and I caught the thin shrill of something akin to policemen’s whistles on the floors above.

A system – at least they had a system.

My left hand was still pressed against the wall, and I could hear it coming, pain which lanced through brick and mortar, pain which would twist an iron beam like a child’s liquorice stick.

I made for the nearest way out, shouting at anyone I met to get as far away as possible.

A panicked, puzzled crowd of workers jostled down the stairwells, out into the main yard, and I urged them further away, helped by Alma.

“What is it?” she grunted, pushing confused boys aside and out of the gates. “What’s ‘appenin’?”

“You’ll know soon enough.” I saw stragglers still coming out the mill, and wondered if I could be wrong – but then I heard the thunder.

The first roll of it was apparently the sound of the boiler exploding; it felt as if the hills shook, but that was probably an echo of the blast. We ran, all of us – I grabbed a dazed girl by her waist and carried her bodily away from the mill yard; children shrieked and had to be made to hurry…

The ground definitely moved only a moment after that, for whatever carnage there had been in the engine room, it must have torn at the roots of the great chimney.

Two hundred and fifty foot of brick, cast iron and terracotta, the chimney trembled, swayed – and fell. Not lengthways, but down, the entire mass collapsing in stages into the mill’s main body, shearing through the upper floors. A cloud of dust and debris filled the air for a moment, obscuring our view…

“Dear Jesus!” gasped a man behind me.

Slowly, ever so slowly, the entire south face of the mill broke away, sliding into the frozen basin. I saw a boy scrabble at a wooden beam, screaming – and saw him fall, still screaming, into waters which churned with masonry and ice…

*****

In the quiet study, Blake lit a cigarette.

“There were two hundred and n-n-ninety three survivors,” he said, “And seventeen people crushed, killed instantly – or missing, presumed d-d-dead. Two men, eleven women, and four children.”

“Dear God,” said Dodgson.

“Meggy Gaines was amongst the dead; I found her b-b-body myself, under a shattered loom frame.”

“A damned bad business. So… the figures in the water…”

“Matched the seventeen who died, as far as I could establish afterwards. We searched the rubble as best we could, but the main building was at that time too dangerous to venture in far. Most of those killed had fallen into the basin with the collapse of the mill’s upper floors – they’re still hauling d-d-debris from the water.

“I stayed at Lydgate Stop House two more days, and took Heron out again; we opened the cut all the way, so that emergency supplies could be run directly to the communities around what was left of Cochrane’s.”

The study fell silent, apart from the rattle of rain against the window; Dodgson rose and went to lean on a bookcase, his half-empty glass in his hand.

“You’re an odd fellow, Blake.”

“Am I?”

“For heaven’s sake, had you not been there, it would have been a tragedy of terrible proportions. Your actions probably saved over two hundred people.”

Blake shrugged. “M-m-makes up for some of those I’ve killed, I suppose. You might as well give the credit to Mrs B-b-blackwood, who took it all in her stride, and made sure the alarm was sounded.”

Miss Jessop shifted in her chair. “You mentioned a red shawl on one of the figures in the water. I presume Hettie Cowton was among those who were lost.”

“She was.”

“A procession of the dead, before their deaths,” she murmured. “Ghosts of the living, headed by Meggy Gaines herself with her white rose, the first apparition they met. I wonder, did poor Meggy somehow create those images without knowing what she was doing — or did she intend to provide a warning of the disaster to come?”

“D-d-did her no good, either way” said Blake with a sour look. “P-p-perhaps it was simply what had to be.”

Thunder sounded outside, and Redvers Blake stared at the curtains, without seeing them.

“Henry, I’ll t-take a dash more of that b-b-brandy, I think,” he said. “But forget the soda, this time, old chap.”

 

(copyright John Linwood Grant, 2020, 2023)



2024 will see the publication of John Linwood Grant’s fourth and fifth collections of dark tales, as well as two anthologies he is editing –  Alone on the Borderland: The Edwardian Weird and A Darker Continent: Strange tales of Europe at War. His most recent publication is the 80 page novella ‘A Promise of Blades’, which can be found in Sherlock Holmes and The Arcana of Madness (Crystal Lake, 2023):

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ANOTHER SUPERNATURAL WINTER STORY IN A DAY OR SO…

 

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THE SUPERNATURAL IN WINTER: AUNT HETTY

‘Tis the season, and so today, for your consideration during idle moments,  we offer the full text of one of JLG’s tales of the strange and supernatural in winter, ‘Aunt Hetty’, to read here online or download as a pdf. First published in last year’s Flame Tree’s Christmas Gothic Short Stories, the tale concerns an old woman who attends a family’s Christmas gathering in 1919…

If you would simply like a free download to read later on some dark and infernal device, click below:

Aunt Hetty – John Linwood GrantScreen


AUNT HETTY

by John Linwood Grant

I did not recognise the old woman in the corner of our hall.

Whilst other guests clustered around the great hearth, mindful of winter’s grip on the estate, she remained quiet, silent, seated almost in the corridor to the kitchen. A shadow lay across half her face, placing her even further from the murmurs and laughter of the gathered revellers.

Who’s that over there, by the passage?” I asked my wife, tipping my head slightly in the direction of the stranger.

Muriel turned from one of our neighbours – a Buckley or Bentley – and frowned. “Some elderly dowager from your side of the family, I assumed.”

Not that I know of.”

Then go ask her, Philip.” And she swivelled on sharp heels to continue her former conversation.

I thought for a moment of employing one of the children to enquire if the old woman needed anything, and hopefully discover her name – but Muriel approved only of the most practical and direct route to any solution. So I went over myself.

Stepping closer, I could make out drooping eyelids and a broad face; her skin was weather-lined, painted only with such blemishes as come to us all with age, her hair a tight grey coif. Her clothes were… I had no eye for fashion, but half a century might have passed since such a heavy clutter of black bombazine was in vogue.

Quite a gathering!” I said with feigned cheer. “Would you like me to draw your chair closer to the fire? There is frost on the lawn already.”

Her gaze lifted slowly, like a sleeper roused.

Thank you, but the cold does not bother me.”

Hardly an opening for conversation. I tried again.

Good to have the family under one roof – yet so many I barely know. Forgive me, madam. I’m Philip Carlen, your host – and you would be…?”

A Brulier. Henrietta Brulier.”

I stopped myself from remarking that I thought that line extinct. My grandfather’s cousins, as best I could recall – French émigrés from long ago.

And yes, I am the last.”

I did not–”

People always ask.” That was softened by a dry smile. “Call me Hetty, if you will.”

More curious than before, I took two glasses of sherry from one of the circulating maids.

You’ve not visited Thwale House before? I fear I don’t remember you from previous Christmas gatherings, not even when Father was alive.”

She looked upwards, and I instinctively copied her. I had grown up with those blackened timbers high above, and as a child, my mother’s talk of their age had instilled in me a vague fear that one day they would crash down on me – something which my surveyor, Trevis, denied with vigour. ‘They’ve seen more than ever we will, Mr Cullen, and will stand as long again.’

Can you see the particular darkness up there, in places?” Henrietta Brulier pointed one gloved finger. “The scorching of the wood?”

I could not, and answered so, but I don’t think she was listening.

It is more than sixty years since I stood inside Thwale. Odd to be back, to say a sort of farewell, I suppose.”

You are ill, Aunt Hetty?” It seemed only polite to call her so.

No, no, I was built strong, and stay as much. Still, as we grow old, we shed much of the clutter we have gathered over the years – knick-knacks to favourites; ugly and solid furniture to the salesrooms, and so forth. My memories of Thwale are clutter, and no comfort to me. Nor were they ever.”

I glanced to where my wife and my sister-in-law were amusing neighbours, nephews and nieces by the roaring open fire; my brother was ‘deep in’ with Bob Carstairs, lately recovered after his time in the Flanders trenches.

I’m sorry to hear that. You had some difficult times here? The family and so forth?”

Cullens, Bruliers, a handful of Fullers – the clan had been larger in grandfather’s day, and I hardly knew their names except for jottings at the back of bibles and a bookplate or two.

I was here, when it happened. That Christmas when flames ran through this house.”

I knew that parts of the manor house had been rebuilt after a fire in grandfather’s day, in the middle of last century, but I had never enquired as to the details. Nor had I thought to ask Trevis, who would probably be able to say which sections were original and which the result of Victorian reconstruction.

That would be…”

Just after another war. The Crimean, which is so rarely remembered. In those days we had the cholera; now we have the influenza. War and disease, Mr Cullen, war and disease.”

Philip, please,” I said. “Was it… I mean, were you hurt in the fire? I imagine it was quite frightening.”

Bombazine rustled as she shifted in her seat; the logs in the massive hearth crackled, and it was if she was trying to press her chair further back into the wall and the shadows. The glass of sherry was untouched.

Frightening? Do you truly want to know?”

A quandary. It lacked an hour yet before dinner, and I was less than eager to throw myself into the fray by the hearth. My brother and I currently were at odds over politics, and my wife’s sister was far too friendly for my liking after more than one sip from the decanter.

I dragged a plain chair over, and sat down; Henrietta Brulier regarded me with a solemn, purse-lipped expression, and began to speak…

*****

Henry Cullen, your grandfather, was a decent man, and when we were all asked to join him for Christmas – the winter of 1857, this was – we understood that he was trying to keep some sense of family and loyalty, at a time when the world was changing. So my parents brought me with them from Suffolk, along with another relative, a boy my age – my cousin Michael Brulier, whose own father was away on business.

Michael was clever. I don’t say that as a compliment. He had been in some trouble at his school – the school pavilion burned down, cause unknown, and Michael had been near, nothing proven, of course. He was known as a ruffler of feathers, full of his own plans and purposes. I believe my father was trying to steer him into the Cullen business, hoping your grandfather might employ him in industry, and thus tame him.

So there we were, almost two dozen of us. Your Great-Uncle Beresford Cullen – the Colonel – who lost three fingers to frostbite in the Crimean campaign; your grandmother, great-aunts and various of their dependents, with a large clutch of cousins.

Thwale was grander then, and darker – no electric lights, nor gas here, this far out into the countryside, but only candles, lanterns and rush-lights. The nearest gas lighting was in Selby; the nearest fine society in York. There was riding here, and shooting, a little fishing, but nothing else. This left Michael and I, who were of an age, and a girl of fourteen, Maria, with little to do.

To be of such an age is to hover, undecided and always watched, between the safe retreat of childhood and the cunning maze of adult life. I was not cunning, but Michael was. I soon say how he toyed with Maria, and threw sly glances in my direction at the same time; he teased me on my height – an inch more than his – but made as if he liked it really when Maria was near. I saw his game; she was taken in, and grew possessive of his time.

On our second evening at Thwale, the twentieth of December, entertainments played out in this very hall; harmless card tricks from the Colonel, and other diversions – a song from a young lady, a recitation from one of the men. The hall hearth was burning bright, an equally prodigious Yule log ready by it to be lit on Christmas Eve. Michael came forward into the centre of the hall, dark eyes intent.

Fire from Prometheus,” he announced to the family as they turned, curious.

He had not my height, but he had presence, I grant him that, when he wanted it so. His brown hair was tossed idly back, his youthful jacket was too tight, his trousers a little too short. A man erupting from a boy.

A trick?” asked Uncle Beresford, coarse grey whiskers around a face still scarred by Inkerman and Balaclava. “Be at it then, lad.”

Michael smiled and ask for a path to be cleared to the great fire. With mock theatrics, he strode to the hearth, and stretched one hand almost into the flames.

Careful now,” my mother muttered. As she had no affection for the boy, she was presumably thinking of what his father might say.

It is quite safe, Mrs Brulier,” he reassured her. “For those in the know.”

He passed his left hand swiftly over the bulk of fire, and leapt back to the centre of the room; some of the women present gasped, for at his fingertips bloomed smaller flames, as if his hand was five pale candles. I remember clearly that your grandfather reached for the soda syphon, a proud new possession of his, but Michael waved him back – and as we all stared, unsure, the tiny flames ran up his sleeve, across the collar, and down the other sleeve, to be extinguished in a heartbeat.

There was silence.

Chemicals,” declared Uncle Beresford. “Reminds me of the Turkish artillerymen, and their confounded powders.”

Michael bowed; the family applauded with various degrees of enthusiasm. I held back, watching his lean, proud face. Was it so simple as chemicals and powders?

Something told me that it was not.

*****

She sipped her sherry, lapsing into silence.

What else could it have been?” I asked at last, was drawn into her vision of over sixty years before. “A machination with lens or mirrors, or some other mechanical device? Mesmerism?”

All of those were possible,” she agreed. “For a young man with too much time to brood.”

You mentioned his father. What happened to his mother?”

She died of a fever, not long after his birth. Another reason why he had been so easily permitted to come up to Yorkshire with us – his father was not over-fond of him. If he had received more love, perhaps… we shall never know.”

The clock stood only at twenty one past six. Dinner not until seven, and so…

How did it end?”

Not with applause,” she said. “But listen…”

*****

On the morning of the twenty second, after a service of carols, Thwale bustled with preparations which excluded us. I strolled the gardens, and as I walked by the rear of the house, between yew hedges and a tired rose garden, I heard a soft laugh.

Forswearing the crunch of the gravel path for the quieter grass border, I crept forward, and beneath a twisted yew, saw Michael with Maria in grasp. Her struggles were more theatre than alarm, her smile unsoured. I could not hear what they were saying, but I had no doubt he knew I was in that vicinity. His tryst with Maria was once more a manoeuvre for effect.

I left swiftly, considering how best to deal with him.

Of more immediate concern was that Maria took a fever after dinner the same day. There being no resident doctor nearby, Uncle Beresford – with considerable experience of sickness overseas – examined her, and declared that her temperature was high, but she showed no signs of failure of the organs, only a certain hysterical distress when awake. Sleep, he prescribed, and observation.

I asked if I might sit and read to her, to which her mother readily agreed. It soon became apparent that reading would be pointless; she turned and fretted, eyes closed, beneath the counterpane – so much so that I pulled it down. When my fingers brushed her bare arm, there was an unnatural heat in her, and I wished I had ice to hand. Which I did, I realised! I rushed down to the kitchen and begged a bowl, taking this into the courtyard and filling it with snow.

Back in her room, I smoothed her arms, upper chest and face with the snow, mopping it with a towel as it melted. A half hour, and she was more calm, opening her eyes.

You have caught a chill, Maria dear. It will soon pass.”

No… it was him. Your cousin from Suffolk – he pressed himself to me, and he burned. ‘Let proud Henrietta learn a lesson,’ he said to me…”

I frowned. “Burned?”

Oh, he was so hot! I liked it at first – they say in books that love burns, do they not? It became uncomfortable, and I pulled from him, at which he scowled and walked back with me, unspeaking.”

I mopped her brow, read a few passages from my facile romance, and when she was asleep, I left to find Michael.

He was outside, by the woodsheds.

It will pass by morning,” he said, before I opened my mouth. “It always does. The silly girl. What I could do for you, though…”

Raising his left hand as he had in the house, he clicked his fingers, and a flame greater than most candles flickered into existence above his thumb. “These stacked logs would burn nicely, a signal to be seen for miles. A token for you, if you like?”

His tone was light, but his expression was one I had seen before. It was one not of affection, but of desire.

Michael wanted me.

*****

Her sudden directness surprised me; I spluttered my mouthful of sherry, turning it into a cough.

Smoky in here,” I said, but the old woman knew better. As we looked at each other, I could see it now – large blue eyes beneath those lids, a hint of raven in the grey hair, and those broad cheekbones… she must have been quite striking. Perhaps she still was. She wore black silk gloves, but her hands seemed straight, not clawed or wizened, and I realised that she must have been tall once.

It should not have been a surprise that someone had wanted Henrietta Brulier.

That flame could have been a trick with a lucifer,” I offered, rather weakly.

It could.” Her reply left neither of us in doubt that more than a simple match had been in play.

What did you do?”

I sought counsel…”

*****

Maria recovered fully by the next morning, leaving the family puzzled. I, however, had my fears, and sought an older head.

Uncle Beresford was at ease in your grandfather’s study, a cheroot to his lips. When I knocked and entered, he smiled.

Edwin’s daughter. I remember you. I showed you and your friends a dried snake once – they squealed; you asked me if I had taken it myself, where, and how was it despatched.”

I told him all I had seen, every doubt I had about Michael, keeping my head high. He listened and paced, without speaking. I still remember the sound of his heavy boots on the floorboards, the musty tobacco smell of him. A veteran of more than one war, listening to a girl with a fantastical tale.

When he stood still, his eyes were not on me. “So either you bring me a report that we have a potential – and unpredictable – incendiary among us – or a suspicion that stranger times have befallen Thwale.”

Stranger times, sir?”

The gifts of Allah and those of a shaitan can be hard to separate. But we are not Mussulmans, are we?”

I did not entirely understand, but agreed we were not.

My brother is not a fanciful man. This would make little sense to him. Will you take a duty from me, Hetty, as if you were one of my troops?”

Yes, sir. But… does this mean you believe me?”

I believe that you have concerns, that you bring to me a concise report of your observations so far. It is what I expect of a scout. Keep your eyes on that young man, Hetty, and tell me if aught else amiss comes to your attention.”

Glad that I had unburdened myself, I agreed that I would do his bidding.

There was a grand civic ball in York the night before Christmas Eve. Your grandfather was indifferent to it, but your grandmother and others insisted that they should take carriages and attend; with a dearth of males, even Uncle Beresford was pressed to accompany them.

Untutored in higher society, Maria, Michael and I were left in the care of the servants, and instructed to do as we were told, to amuse ourselves in harmless pursuits and then take ourselves to our bedrooms until the party returned. Should the two or three youngest members of the family become troublesome, we were to read to them, settle them, and be obedient to the housekeeper, Mrs Fentley.

Maria volunteered – with haste – to play with the little ones until their bedtime, and insisted she needed no assistance. Thus Michael and I were left to our own devices.

I could not avoid him – or what I now saw as his influence. The hearths blazed high, needing more than usual replenishment, and the candles throughout Thwale seemed brighter, more urgent that they should be. One of the maids had a sweat upon her brow and remarked that it felt ‘unseasonable warm’ inside, yet outside lay ice, and the drive was freezing mud.

Have you fully realised what I possess by now? And what I can offer?” Michael asked as we sat apart in the drawing room.

I put down my book, a harmless romance with clueless girls and unscrupulous uncles.

Your arrogance? Your tricks and fancies? Yes, I have realised those things, Michael Brulier.”

His lips curled unpleasantly, and I knew that I truly did not want anything of him. He was a man in waiting, but the man to come did not appeal. An achiever, possibly, but one who would do so at others’ expense, preening in his own abilities.

He leaped from the settee, cheeks red. “Tricks, eh? Must I still prove myself to you?”

One hand swept behind him, and the previously-unlit drawing room hearth began to stir, sudden flickers in the coals; his other arm lifted high, and the candles in the antique chandelier above us flared in swift response, small suns against a plaster firmament. Worse, those candles on the sideboard lit as well, catching the frayed edge of a tapestry on the wall. Old and dry, it caught in seconds.

Michael only laughed.

I have never shrieked, never fainted, in my life. I rose and struck him, hard, on the cheekbone; staggering, he fell back against the curtains, which erupted into flame at his touch. Smoke wreathed the room, and a cry of alarm came from not far away – one of the servants.

End it!” I yelled at him, backing towards the main hall. “Quench or quieten what you have started.”

Some men are not meant to be quenched! But as you ask…”

His gesture was confident; his expression, when the fire showed no signs of abating, less so.

It’s a matter of will,” he muttered, but his gaze grew wilder.

Full half of the room was burning.

Come away, you idiot!” I cried. “You cannot control this!”

I grabbed at him, burning myself, but he stood there still, trapped in anger and determination, as if that would bring the fires around him back under his control. Choking on fumes, I staggered for the French doors which led onto the carriageway.

He remained.

Half-collapsed on the gravel drive as I was, I saw your grandfather’s valet, trying to enter the drawing room from the hall, driven back by heat and smoke, and two gardeners ran past outside, not noticing me.

Is there anyone inside?” cried Mrs Fentley, who tried to pull me further back.

Michael was,” I gasped.

For I had seen him clearly enough, a pillar of fire within the flames; seen the way he seemed to bathe in the conflagration, still seeking to master it — even when the joists above gave way and part of the first floor fell, finally obscuring my view.

The carriages arrived back not long after. Your grandfather and most of the other men organised the chain of buckets and the foot-pumps which saved the bulk of the house. Uncle Beresford alone came to me. He placed a blanket around me, and sat me by the carriage house.

Where is he?”

I pointed to the collapsing west face of the house. “In there, sir.”

His face grew grim. “I suppose we must dig, when the wreckage is cooler.”

You will find nothing but ashes.”

He squinted at me. “That was the way of it, eh? And you saw it all?”

I nodded. He wrapped the blanket tighter around me, squeezing my shoulder. “Did you know, Henrietta, that your family name was once not Brulier, but de Brûlure. It changed with the centuries. You know the word?”

I had reasonable French from my lessons. “A scorch or burn.”

The de Brûlures were long associated with the oriflamme, the pennon of the French kings. The golden flame. When it flew in battle, no quarter was to be given. No survivors.”

And together we turned to stare at the still-burning wreckage…

*****

A child shrieked at a joke; my sister-in-law’s alcohol-fuelled laughter cut across the hall. My thoughts lay between two Thwales, six decades apart.

There will be no more Bruliers, to my knowledge,” Aunt Hetty said softly. “And so whether the line truly held any abnormal gift … it does not matter. What Michael was does not matter. But you have begun to wonder – is this tale why I keep my distance from open fires, and Thwale’s hearths in particular.”

Because you fear them? After your… experience here?”

From a face that had survived so manyyears, the clear blue eyes of a fifteen year old girl regarded me, steady.

Since that night,” she said, “I have never felt the cold. If I were naked in the fields outside, I would not suffer the slightest chill.”

I had not a single reason to believe her fantastical tale – nor any cause to doubt it. Not once had she pressured me to accept her word, and throughout, her voice had been as reasonable and calm as someone reciting a list of groceries.

The old woman peeled off one glove – and reached over to me with a fingers which were scarred, as if they had been in a conflagration. As she touched the back of my own hand, for a heartbeat only, I felt the heat of her flesh.

I keep away from fires, Philip” she said, “Because I might be tempted. I might reach forward, idly, to caress the flames – and find it good…”

*****

Henrietta Brulier died on the second of January, nineteen twenty six. Seven years had passed since she spoke to me at Thwale. She left no will, and it turned out – after months of enquiry by solicitors – that I was her nearest living relative. After many sleepless nights, I instructed that she be buried, not be cremated.

Let her lie in the cool earth, and be at peace.

 

(copyright John Linwood Grant, 2022)


ANOTHER ‘SUPERNATURAL IN WINTER’ STORY IN A DAY OR SO…

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ULRIC DAUBENY: SUMACH FOR THE WEEKEND

There was once a time when many well-known authors—be they primarily romance, detective, historical adventure, or ‘literary’ writers—dabbled in supernatural fiction. A sideline, a quick sale, a whim — even yarns for the amusement of a small circle of friends. From Arthur Conan Doyle to Agatha Christie, to name a couple of scribblers who most will know, these folk produced a scattering of weird or ghostly tales, but such pieces often remained unimportant (even to them) in comparison to their bread-and-butter zones.

daubeny
red tree, by mondrian

Robert W Chambers [1865-1933], for example, wrote a huge number of now-forgotten non-supernatural novels, very few of which are worth the effort — and yet his handful of ‘King in Yellow’ stories had a major impact on subsequent weird fiction. Jerome K Jerome, far better known for his essays and humorous works, produced a handful of supernatural stories, but also left behind him one of the greatest deconstructions of the period ghost story in his slim collection Told After Supper.

And then there are those we hardly know at all, because they veered for one moment from whatever other work interested or employed them, releasing a single collection and no more. Bessie Kyffin-Taylor (d.1922), is a good example here, with her collection From Out of the Silence (1920) — which contains a few stories well worth reading. Details here:

http://greydogtales.com/blog/out-of-the-silence-with-bessie-kyffin-taylor/

Today’s Author of Interest, Ulric Daubeny [1888-1922] falls into this latter group. Little is known about his brief life, and he is usually remembered, if he is at all, for his writings on more antiquarian subjects such as Cotswold churches and the history of orchestral wind instruments. Like Kyffin-Taylor, he released just one collection, The Elemental, in 1919. If supernaturalists do know of him, it is probably because a lone story of his, ‘The Sumach’, occasionally cropped in later anthologies, due to its vampiric elements.

The Elemental has occasionally been available in the past, but mostly if you hunted it down, as we tend to do, and has been largely forgotten until recently.And now Solar Press have produced a nice looking, affordable edition, and our guest review Victoria Day, herself a writer of supernatural fiction, gives us her view…


The Elemental. Tales of the Supernormal and the Inexplicable by Ulric Daubeny

Published by Solar Books, 2023

Review by Victoria Day

A new and most welcome reprint by Solar Press of the previously sadly neglected collection of supernatural short stories by Ulric Daubeny [1888-1922] is reviewed here, but first a caveat! I absolutely love Victorian and Edwardian supernatural tales in all their glorious incarnations. I am aware that some don’t and so perhaps this short volume of stories may not be for them. If, however, you enjoy the interaction of the British upper middle classes and upper classes of that period with various ghosts, spirits and of course elementals, then you simply must invest in this volume. That is not to say that any tale here is dull or tedious. Many a delicious hour by your fireside awaits. Certainly, we who regularly indulge in the reading of supernatural writings of the late Victorian to Edwardian periods and through to the Georgian [the volume was initially published in 1919] will no doubt savour Daubeny’s exquisite use of the English language which, despite its very correct usage, is never dry.

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He has moments of humour, as seen in The Serpent which despite its chill subject still manages a bit of witty joshing between two young students. The Saki-like tale H.F tells of a writer of slushy love stories who is convinced of the brilliance of his work, despite them never being published. His comical lack of self-awareness is not displaced even after an unknown supernatural force steps in to vastly improve his work. The dictates of propriety, however, force him to lapse back into his Mr Pooter-like mediocrity; mundanity rejects the brilliant and unsettling.

Although there are moments of such light wit, which can both leaven the unpleasantness of the supernatural and highlight it by contrast, Daubeny does provide some genuinely horrid episodes. This is best seen in the longest story The Elemental and in the only one I have previously encountered, The Sumach. The first could be seen as rather Lovecraftian in its use of horror of the physical kind wrought by an unknown and unasked for supernatural force. However, the horror here is handled with Daubeny’s quiet use of language and never becomes too much, even in its bloodier moments. The nastiness is both of the physical senses, especially smell and touch, and also of the psychological; the misery caused by human loneliness and nervousness. I found this particularly well handled and effective.

This is further explored in the story The Hand of Glory, where the weather, as in many of Daubeny’s stories, adds to the feeling of sadness and depression in its characters. The cold and wild weather in quite a few of these tales is the summoner of the supernatural, which is also chaotic and unsettling. In The Elemental, storms and floods bring a possessing spirit of beastliness that subsumes the civilised and socially acceptable with an urge for cruelty. In The Garden That Was Desolate a storm adds to the violent climax of the story with an unleashing of rage and hatred. Sometimes Nature itself can be subverted as well as being an agent of horror. This happens in The Sumach with a tree which is out of tune with the seasons. Nature can become unnatural.

The strictures of the era’s societal rules run though Daubeny’s tales. There is in many of the stories the presence of a rather self-satisfied and comfortable upper middle-class existence into which the supernatural steps, usually without being invited or wiping its feet. I sense a delight in Daubeny’s handling of these moments, especially when a pompous and foolish character like Lord Berrington, a collector of object d’art, acts with more than a touch of racism in his modern Western condescension. Ignore or insult the traditions of cultures you don’t understand at your peril! However, even the innocent, like the much-loved grandmother in Winds of Memory, can experience things of a tragic and horrible nature.

Another theme in his stories is that of the fear of the loss of a loved person, which usually adds another layer of horror to a supernatural tale. As with the grandmother just mentioned in Winds of Change, in The Sumach an innocent person can quite easily be in danger, this time of their lives. Whether those who want to protect a person will succeed in doing so drives these stories along and involves the reader in the anxiety for the characters’ safety. Sometimes there is a happy ending, sometimes not, and Daubeny usually dangles us in pleasant suspense.

Daubeny’s story structure is often of the time-honoured kind for supernatural tales, which is how one would expect them to be in this era. That is not to say that they are always predictable, rather they are pleasingly laid out, in my view anyway. I particularly enjoyed how, in some stories he brings in the weirdness of a situation with a phrase which in isolation would be quite innocent, but in the context of the story is not so. In The Garden Which Was Desolate the householder shows a “…noticeable hesitation…” before answering a perfectly innocuous question. We later find out why. Sometimes these phrases actually start a story so we can be straight into it with little padding. Also, most of the stories, with the exception of The Elemental itself, are ten pages or under. I must admit to approving of this brevity. Those who are fans of the era will perhaps agree that some tales can go on rather longer than they ought! Not so here, of course, and Daubeny serves up some which get right to the oddness straight away; sometimes in the first sentence, as in The Bronze Devil, where the unusualness of an unexpected caller leads immediately into both the plot and the sense of the uncanny.

Daubeny makes use of a few traditional tropes throughout the collection. There are out of body experiences, time shifts, possession, witches and the weak getting their revenge via the supernatural. Dreams and sleep as windows into the subconscious and as agents of unease and foreboding I particularly liked. There are also haunted rooms, the delight of characters seeing things which are odd, but which others cannot see as they lack the requisite supernatural insight. There are images of the dead, cursed objects, and traditional hauntings. This is in no way meant to be a criticism. It would be rank hypocrisy of me to say so as my own tales have made use of such ideas, as have those of better writers than I! Rather, I found the stories in this collection to be a very well written and readable collection of traditional supernatural tales. Those who may prefer more outré ideas or structures to their weird fiction may not enjoy this collection- however, I certainly did.

This edition is available from the Solar Press website in paperback format, with a brief biog of Daubeny and some quotations:

https://solarpressbooks.com/collections/all

And if you like audio versions, you can listen to ‘The Sumach’ here:

https://www.youtube.com/watch?v=3ecA2ywht5A

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The Horror, the Horror

So, the monstrous Editing Helm has been clamped to my head again, and as the rusted spikes dig in, here are three separate projects which are looking for submissions of weird and horror fiction: occult investigators, Edwardian weird, and strange tales of Europe during the Second World War. More about those in a moment.

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This last twelve months has been a bit of a pain, literally, with more than one bout of COVID, then a long stretch of gastroenteritis, bronchitis, serious dental trouble — and a heart attack. Yet despite becoming a medical dictionary, I seem to be stumbling on. After all, I have Biscuit, our young and demanding Staffie-cross to think of, and a lot of vegetables to sow.

a Biscuit!

Meanwhile, in the odd world of writing and lag-time, I do have quite a lot of new fiction which I hope will be out this year, including:

  • THE BEASTS OF KEMBERDALE — Folk horror, another tale of Justin Margrave, my long-suffering gay art critic from the 1970s.
  • THE CITIES WE ONCE KNEWWeirdness in the late 1920s, when a struggling explorer goes deep into the Brazilian Amazon in search of Percy Fawcett, who disappeared whilst seeking the legendary lost city of ‘Z’.
  • DECEMBER’S CHILDREN — More weirdness in a story of that peculiar, isolated hotel on the North Sea cliffs, the Langton.
  • THE SMOKE MARKET — Margrave again, this time amongst the Amazigh (Berber) women of Morocco, and a strange encounter in seventies Marrakesh.
  • A PROMISE OF BLADES — Catherine Weatherhead/Madame Rostov, from my novel The Assassin’s Coin, comes into reluctant contact with Mr Sherlock Holmes, as a dead artist and a Tarot pack are linked to a series of murders.
  • AT THE HOUR OF OUR DEATH — A Lovecraft-adjacent murder mystery set in 1930s Cambridge, with two very unusual investigators, deception and tragedy.
  • THE FOUR DETECTIVES — The sequel to a classic Father Brown story, involving, well – four detectives, in the end. And a wanderer from his usual Baker Street haunt may be one of them…

I’m pleased to say that the first of the above, ‘The Beasts of Kemberdale’ is in the forthcoming Lonely Hollows folk-horror anthology from Pavane Press, edited by Cliff Biggers and Charles R Rutledge — which is available for Kindle pre-order right now, and will also be in PB. And that cool cover may <cough> be related to my story.

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lonely hollows pre-order uk

lonely hollows pre-order us

A whole MARGRAVE collection is also in the works from another publisher, with additional unpublished stories being finalised right now. A blend of folk horror, weird fiction and supernatural horror themes, as the debonair, wine-loving ‘much put-upon old queen’ (his words) gets drawn into the most peculiar situations.


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OPEN FOR BUSINESS

Now, a reminder of those open calls for submissions. I’m not exactly sure that I’m a horror writer myself; I like the mysterious and the inexplicable, tales which make you question some things — or doubt everything. When editing, I don’t tend to look for classic monster tropes. Werewolves are often so yesterday, vampires are rather overdone, and zombies dull or mishandled (but I can be surprised, of course). Mythic monstrosities from folklore and early cultures are a bit more appealing — better Hammurabi and ruined Babylon than Hammer Horror.

I’m not generally interested in there being lots of blood and hacking people up, unless there’s a more interesting thought behind it all. I can enjoy Mythos-adjacent works, but prefer subtlety, not caring overmuch for cthulhus lumbering around the house and tentacles cluttering the place up. I have enough vacuuming to do already. Kaiju leave me… kold.

What does excite me? Strange stories which get under your skin, literally or figuratively — characters with depth, settings with hints of menace, and ‘monsters’ (if used at all) which make you think and challenge existing approaches. The Normal subverted, or intruded upon; the Ab-Natural scratching at the back of your mind. The terms weird fiction, magical realism and folk horror all apply.

And I’m currently seeking cool stories for all three of the following…

1) ALONE ON THE BORDERLAND: Tales of Edwardian Dread is open until 30 JUNE 2023. An anthology of new weird fiction set between 1901 and 1919 – from the death of Queen Victoria to the immediate aftermath of the Great War and the Spanish Influenza epidemic. For Belanger Books.

2) A DARKER CONTINENT: Strange Tales of Europe at War is open until 31 AUGUST 2023. An anthology of weird and peculiar fiction set anywhere in Europe from 1938-1946, considering the impact and experiences of war on the people — soldiers or not — who had to deal with those dark times. For Belanger Books.

In both of these cases, preference is for weird fiction rather than straight horror — for disquiet, unease, and a questioning of the world we thought we knew (or the people we thought we were). Full guidelines for both are available here: http://greydogtales.com/blog/new-anthologies-of-the-weird/

3) OCCULT DETECTIVE MAGAZINE is open again, until 1ST AUGUST 2023. As usual, I and Dave Brzeski (the publisher) are seeking intriguing tales of those who investigate or explore the strange and unusual, be the circumstances paranormal, supernatural, occult horror, or just simply very odd. For this one, any and every period is open to be plundered — we’ve already published stories set in Roman, pre-Columbian and future times. For Cathaven Press.

Full guidelines for this one are available here: http://greydogtales.com/blog/occult-detective-magazine/



Oh, and my last collection, Where All is Night, and Starless, ended up as a Shirley Jackson Award nominee, which was nice.

You can get that here, should you wish:

AVAILABLE NOW THROUGH AMAZON UK & US, AND THROUGH THE PUBLISHER, JOURNALSTONE

Amazon US: Where All is Night, and Starless

Amazon UK: Where All is Night, and Starless

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