Twelve Tales Which Linger

Which stories stay with you, years after you first read them? That’s the greydogtales question for today. We return to our love of early strange and supernatural stories, in a way which might entertain and vex in equal measure. Whilst rummaging through piles of books for a particular ghost story (which still hasn’t turned up), we drifted into thinking about those tales which never quite go away. So we thought we’d share a handful of them here.

The stories picked had to be:

  • supernatural or unnatural to some certain degree (no pretend hauntings, let-downs or mundane explanations)
  • memorable for their themes, key elements or imagery
  • different from the usual fare in some way, either in style, approach or resolution
  • free of the standard vampires, werewolves, witches, zombies and cthulhoids for a change

Of course, each had to be a weird tale which remained in memory long after the book was closed.

We make no excuses for the fact that many of these stories are well-known. They are well-known for a reason, and we weren’t trying to find obscure oddities so we could sound clever. We could do that if we wanted, you know. Honestly we could.

The stories are given order of the author’s year of birth, for no particular reason. The rating system is badly-thought out, unreliable and of no real value whatsoever. We understand that lists do that sort of thing, and didn’t want it to look like we hadn’t tried.

1) Sredni Vashtar
H H Munro (1862-1916)

A masterpiece in its simplicity, as so often with Saki (H H Munro). A disturbing glimpse into a boy’s life and his frustrations, one of the most inventive ‘weird’ tales ever written. As to what Sredni Vashtar is, and what it does, we can say no more without spoiling the story.

Scary rating: 8/10
Style rating: 9/10

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2) The Malice of Inanimate Objects
M R James (1862-1936)

A very short story which stands out because it doesn’t follow the antiquarian Jamesian trope, having a more contemporary feel to it. It has some of his best understated prose towards the end, and the line about shaving in the penultimate paragraph is one of the finest descriptions of a rather nasty event ever written.

Scary rating: 4/10
Style rating: 9/10

3) Where Their Fire is not Quenched
May Sinclair (1863-1946)

A piece of horror concerning love and relationships which avoids every cliché. Truly chilling if you let yourself absorb its analysis of people and what they do to each other. To her credit Sinclair takes an entirely humanistic approach where a good old-fashioned ghost, witch or cursed object would have come as light relief for the reader.

Scary rating: 7/10
Style rating: 7/10

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4) The Yellow Sign
Robert W Chambers (1865-1933)

The quintessential introduction to the concept of the King in Yellow and the Yellow Sign, this story evokes things beyond the natural order, and a genuine sense of madness pressing on the human mind. “…but still we murmured to each other of the King and the Pallid Mask, and midnight sounded from the misty spires in the fog-wrapped city.” The concept is fascinating enough, but with the churchyard watchman Chambers also adds suggestions of more tangible horror to his questioning of sanity.

Scary rating: 9/10
Style rating: 8/10

King in Yellow

5) Lord Beden’s Motor
J B Harris-Burland (1870-1926)

Written in 1901, this story should already be of note because of its central use of the motor car. In fact, it’s a weird story anyway, with a wonderful sense of speed and danger as Lord Beden burns through the night in his 12 horsepower Napier, in pursuit of something far stranger and darker than his own automobile. Innovative and enjoyable.

Scary rating: 7/10
Style rating: 6/10

6) Bone to his Bone
E G Swain (1871-1938)

A marvellous Mr Batchel story. This is the epitome of Swain’s gentle humour and everyday approach, which opens up the natural presence of ghosts around us for various perfectly good reasons. It shows how a master can handle a haunting without cheap terror and trickery. Also notable for its unusual approach to bibliomancy, which is a delight.

Scary rating: 1/10
Style rating: 9/10

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7) The Whistling Room
William Hope Hodgson (1877-1918)

Not the best of Hodgson, but an introduction to two of his themes – scientific ghost hunting and the possibility of true abominations rather than merely scary spirits. His portrayal of a sense of danger and imminent, utter destruction stands out, as does the source of it. As has been said, quite unfilmable because of its unique imagery, but Hodgson carries it off on paper.

Scary rating: 8/10
Style rating: 5/10

8) Hill Drums
Henry S Whitehead (1882-1932)

A new consul-general arrives on the island of St Thomas, and does not ‘fit in’. An unusual story which reflects on the nature of culture in the West Indies and relies on a remarkably simple theme to achieve its effect. It would be easy to choose one of Whitehead’s more directly frightening and equally well-handled stories, but this one has perhaps more in common with James – and Swain – than usual. “Him go back to Trebizond” is a refrain which somehow doesn’t go away. NOTE: This also includes Whitehead’s variable take on racial issues (he veered between sympathetic handling and stereotyping), but we include it for the unusual concept.

Scary rating: 1/10
Style rating: 8/10

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9) Branch Line to Benceston
Sir Andrew Caldecott (1884-1951)

Another unusual story, even for its author, which pursues possibilities of alternate or co-existing worlds – or does it? As with much of Caldecott’s work, the exact explanation is elusive, but the concept of a man seeing his life play out in Benceston even as it deteriorates in ‘reality’ is a striking one, with a worrying conclusion.

Scary rating: 5/10
Style rating: 7/10

10) The Crown Derby Plate
Marjorie Bowen (1885-1952)

A woman who deals in antiques has one plate missing from a Crown Derby service which she bought at auction thirty years before. So she tries to get hold of the missing plate. Possibly one of the most wonderfully simple and prosaic starts to a deceptive story which grows as it develops. Another one which definitely stays with you, enough so that you re-read it to check it really said what you thought. Clever and quietly scary.

Scary rating: 7/10
Style rating: 9/10

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11) The Outsider
H P Lovecraft (1890-1937)

Rather than pick a Mythos or Dream-Lands story, it seemed more appropriate for this list to go with one of Lovecraft’s most unsettling pieces, which seems modest enough until you get to the last lines, and reflect on what has gone before. All the better for having no strange gods or fancy names in it, employing instead a most Gothic feel. Also notable for the empathy which Lovecraft evokes, in a tale which at times seems almost autobiographical (if you prefer psychoanalysis to a good yarn).

Scary rating: 8/10
Style rating: 6/10

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12) The Colossus of Ylourgne
Clark Ashton Smith (1893-1961)

A late entry, but one that stuck with us. Shedding that florid, sometimes over-written fantasy style which falls between Lord Dunsany and Jack Vance, Smith returns to Averoigne, a place which is more haunting because of its closeness to reality than its divergence from it. Except for the central activities of an insane necromancer, and the graphic nature of those activities. Memorable for both the ghastly techniques involved in what the madman constructs, and the horrors which come after.

Scary rating: 7/10
Style rating: 6/10

 

At the end of this week – a major illustrated interview with the talented Andy Paciorek, artist and originator of the whole Folk Horror Revival movement. Harrumble!

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The Dark (Folk) Arts of Paul Watson

Meet the Badb Catha and her friends. Yes, out of the cold, sodden North we have managed to produce another of our weird art interviews. We had intended to ring the vet for more of Twiglet’s medicine, but then an artist called. Next time we’ll probably interview the vet and pump the artist full of anti-rheumatics syrup. That might be quite interesting.

We’re back in the UK today, and are delighted to introduce Paul Watson, a contemporary artist with a number of strings to his brooding bow. We met Paul through the Folk Horror Revival, and here he is in the e-flesh to talk to us.

(As usual, all work is copyright of the artist, and if you click on a piece of work, you should get a much better view.)

 

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greydog: Many thanks for joining us today, Paul. As you know, last year we became interested in the Folk Horror Revival because our idea of ‘weird’ includes both fictional strangenesses and deep-rooted myths or beliefs. Before we talk about your work, what drew you personally to the folk-horror scene?

paul: It’s a combination of things, I think. I’ve always been interested in myths, and folk horror frequently draws inspiration from myth and folklore. I also have a deep interest in what Robert Macfarlane called “The English Eerie” (robert macfarlane article link), what he called “the skull beneath the skin of the countryside”.

I grew up in the 1970s and early 80s watching Children of the Stones, Sapphire and Steel, The Tomorrow People, and Tom Baker’s Doctor Who, all of which have varying degrees of what we now call folk-horror, so my childhood was steeped in it.

I like the weird, unsettling, atmosphere in folk-horror – it’s far more interesting to me than straight-out shock-and-gore horror.

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badb-catha, paul watson

greydog: Folk-horror does infiltrate and unsettle, an aspect we like as well. On to your own art. Perhaps you could tell us a little about the concept of the Lazarus Corporation, which you started in 1996.

paul: When I first put together a website for my artwork back in 1996 I decided to give it a name other than my own. Part of the thinking behind it was that Andy Warhol had “The Factory” (the name the artist gave to his New York studio), so I’d take that idea into the 1990s and have “The Corporation”.

The “Lazarus” element was a reference to both of the biblical characters of that name, and also to Dennis Potter’s TV drama “Cold Lazarus” which had been shown for the first time that same year, and an earlier comic strip by Warren Ellis called “Lazarus Churchyard”.

The very earliest version of the website was simply an online gallery for my own artwork, but over the years I added a few other artists and writers to it. Now I’m using it to sell artwork as well, and by the time you read this it will have also become a publishing company of sorts as my self-published book of my artwork will bear the “Lazarus Corporation” imprint.

Forest Figure Linoprint, by Paul Watson
forest figure linoprint, paul watson

greydog: You work in a number of media, including linocut printing, photography and charcoal or pencil drawing. Do you find any one of these more satisfying than the others, or do you use them to express different ideas?

paul: I find them all satisfying in different ways. Drawing is the most personal medium for me, perhaps because it doesn’t have the mechanical aspects of either printmaking or photography.

That said, I really enjoy the mechanical aspects of printmaking, especially the way you only see the image at the very end of the creative process, after you pull it out of the press and peel the paper off the linocut.

Photography is useful for making people look twice – we’re still used to trusting photographs, so if you see something strange in a photograph it grabs your attention.

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bark mask, paul watson

greydog: Whichever medium you employ, you seem to concentrate on the human form. Have you ever considered working in other areas, such as interpreting landscapes or structures?

paul: I’ve tried other subjects in the past, but I’m always drawn back to the human.

Copyright Paul Watson, 2014
blind seeress, paul watson

greydog: Your photography reflects many aspects of European mythology, particularly the dark, prophetic or even vengeful aspects of women. What led you to go down this route?

paul: The main reason for concentrating on female characters was a purely practical one: the only models available were women. I’m glad to say that’s changed now, and I started some artwork with a male model last week.

I recently had the idea of doing two versions of each character in my photography—one modelled by a man, one by a woman—and somehow blending them together, either by displaying the photographs them side by side or digitally manipulating the photographs so that both male and female were combined in the same image. I’m hoping to pursue this in the future, making the characters a flickering mix of both male and female.

The dark/vengeful aspect is simply because I find dark characters more interesting – there’s probably a lot of folk-horror influence in that! To some extent the characters are all manifestations of some aspect of nature-as-uncontrolled-wilderness, so they’re not vengeful as such, just indifferent to humans.

Forest Priestess (3)
bark mask, paul watson

greydog: We feel like that some days. You also used to produce complex collages – is this an approach that you’ve left behind?

paul: Yes, I made collages for many years, but towards the end the creative process started to feel a bit stale and formulaic – I wasn’t surprising myself any more or learning anything. Taking a lesson from David Bowie, I made a sudden and complete stylistic change (and change of medium), and moved into printmaking and photography.

untitled-figure
untitled figure, paul watson

greydog: Give us some idea of other artists who you admire. Do you look mostly to contemporaries, or do you feel influenced by what we might call ‘classical’ artists?

badb-catha
badb-catha, paul watson

paul: A whole mixture, really, from Caravaggio to Francis Bacon, via William Blake, Francisco Goya, Edvard Munch, and Joseph Cornell. Robert Rauschenberg was a definite influence when I was making collages.

I’ve also always liked Expressionist artwork from the first half of the 20th Century: artists such as Käthe Kollwitz, Emil Nolde, and Oskar Kokoschka. I think they’re one influence on my lino prints. I also like some of the surrealist painters, particularly Leonora Carrington and Max Ernst.

As to contemporary artists I admire, there are two photographers whose artwork I really like: Ellen Rogers (ellen rogers link) is absolutely brilliant and I’ve bought prints of several of her photographs, and both of her books, and Caryn Drexl (caryn drexl link) is also very good indeed, and I’ve got a large print by her as well.

kollwitz
kollwitz

greydog: We’ve always been into Munch, and we know some of the Expressionist print-work, but not in any depth. Kollwitz is striking but very bleak (actually some of it is so bleak it’s hard to look at). We do like Kokoschka‘s bold prints.

sleeping girl
sleeping girl, kokoschka

Now, we ought to ask, as greydogtales covers a lot of weird tales, do you find any of your inspiration in fiction?

paul: Yes, I think a lot of my inspiration comes from fiction. I tend to read quite a bit of science/speculative fiction: Mary Gentle, Catherynne Valente, Gene Wolfe, David Mitchell, Ursula LeGuin, Lauren Beukes, Jeff VanderMeer, Paolo Bacigalupi, Karen Joy Fowler, M. John Harrison, Ann Leckie, Robert Holdstock, Hannu Rajaniemi, Jo Walton, Nicola Griffith, Steph Swainston, China Miéville…

badb-catha-drawing-01
badb-catha, paul watson

greydog: That’s one high-powered list. We had a critique group of writing friends which included Nicola Griffith many years ago – very talented woman. Finally, give us a hint as to what we might see from you in 2016.

paul: I’m currently working on a new series of artwork based around a corn mask that I made, provisionally titled “Come unto the corn” – that should appear towards the end of January if all goes well. And at the same time my book of artwork “Myth and Masks” should be published.

I’d like to do more printmaking in 2016, but I can never really predict what direction my artwork will take. I’d like to try out some different things in 2016, but I don’t know whether it’ll be a new medium or a new style. Or both.

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medea, paul watson

greydog: We look forward to following your work this year, and many thanks again for coming on greydogtales, Paul Watson.

all-that-you-think-you-know
paul watson

For others interested in Paul’s art, you can find a range of his pieces on display at the Lazarus Corporation website, linked below. Note that the site includes occasional elements which are NSFW:

lazarus corporation

Another day, another fake dollar. We shall close, gentle listener, and plan more stuff intriguing delights for next time…

 

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The Rural and the Mystic Weird

Welcome, dear souls. For your delight – rural horror, a mythic film and an M R James card game. You find us in the middle of interviewing the Great and Good across the land. Between planning searing exposés, and hauling longdogs through endless mud, we’re feeling our age. And there’s writing to do, of course. So this is one of our traditional mid-week medleys – traditional except when we forget and do them on a weekend.

Longdog news is thin on the ground this afternoon, apart from the fact that Django has taken to rushing out into the garden at two in the morning and barking madly for no apparent reason. As he is normally a no-bark zone, this has us puzzled. Either the garden is filled with a malign presence which threatens our very reality, or the local cats are trying it on. If we become hollow shells filled only with the desire to corrupt and defile, we will know the answer. We will have become cats ourselves.

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the true face of evil

Weird news, on the other hand, is plentiful. Our first mention goes to the endless saga that is our attempt to write about scary tales author, H R Wakefield. Never has an article divided our brain cells so dramatically. However, we did find something very interesting from old HRW which touches nicely on folk-horror and the supernatural in rural settings:

‘And don’t despise the rustic intelligence,’ exclaimed Palliser. ‘Its apparent sluggishness is often a sly pose. Those who divide the peasant often get a rude awakening, for there is a virtue and a mystery in his fields and streams unknown to the Nathans of Throgmorton Street. Frankly, the country often puts the wind up me, the Townee’s uneasy sense of intrusion. There is always something highly charged and formidable about the primitive. As we drove down today, we passed a wide meadow running up to the margin of a wood. There was a scarecrow in the middle of it—I never quite like scarecrows. If some mocking fellow who knew his runes dressed one and whispered in his ear as he set him up, he might scare more than birds. I wondered if that drôle in the field there was such a one. If so,’ he went on excitedly, ‘I’m not sure I’d like to walk out to him on a not quite dark night, fancying, perhaps, he had beckoned, so that you felt you had to pay him a visit. And when you reached him, gingerly tilting up his battered billycock, and—well, what might you find underneath, and how would you address such a one?’

H R Wakefield, The Alley (1940)

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And we will be having folk-horror features on and off over the next few weeks.

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The 77 Pages

Our second delight is from someone who is rapidly becoming the greydogtales Argentinian editor, Diego Arandojo of Lafarium. His film Las 77 Paginas, made in collaboration with Mauro Savarino, is now available for the first time with English subtitles. This 40 minute film is a fascinating mixture of myth, mysticism and fantasy which is hard to describe. It is at times surreal, at times quite moving.

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Adapted from the official site:

“The Earth is in a dangerous geologic process: all the continents are moving back to the original Pangaea position, the first continent that arose more than 200 billion years ago. This will end in the extinction of the human race… A group called The Necessary Council presents itself before the UN, claiming to have the key for the salvation of the Humanity: a strange book of indeterminate age, which possesses on its pages the great secrets of the History and Science.”

Made primarily in Spanish, Las 77 Paginas nevertheless includes Hebrew, Mandarin, Latin and other languages, and has a weird vibe all of its own. We feel it proper to say that Las 77 Paginas is available to purchase as a DVD, so if you’re feeling virtuous, you should have a hunt around at:

gh records

There is a lot of weird and fascinating stuff there. Gradual Hate Records was founded in order to provide a breeding ground for Darkwave, Neo-Classical, Medieval, Dark Folk, Dark Ambient and Industrial music and related genres in Spain and the World.

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Naturally, if you want to see what you might be getting, we have the English subtitle version right here, but don’t forget to support the creators if you find yourself into the scene.

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Third out of the hat: A card game based on M R James, Monsters and Miscreants. Hmm, that’s different.

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Basically you play an out-of-shape antiquarian on a bicycling holiday. One afternoon in Suffolk, you find an old manuscript inside a curious whistle on the beach. The runes on the manuscript, written by an 18th century Danish scholar, lead you to a cathedral full of hirsute spiders wearing unpleasant-smelling binoculars… no, we’re lying, as usual.

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We have no idea how it works. We don’t even know why it works or what it’s like as a game. But we like the illustrations on the cards. That’s how simple we are.

You can find more at their facebook page here:

m r james: monsters and miscreants

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Fourth and last today, a nod to another UK blog/website we discovered recently – Horrorblog, by Carrie Buchanan. Carrie is an audio artist who provides reviews and commentary on the world of horror. She also has dogs, which is a good start. We should warn you that one or two of the illustrations are a tad gruesome, but if you fancy a look at her reviews and so on, click below:

horrorblog

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At the end of this week, a jolly interesting interview with folk-horror artist Paul Watson and lots of weird illustrations. Do call in, and remember – if you subscribe to greydogtales or follow me on facebook, it makes me no money whatsoever. But it does tell you what we post when we post it. So there’s that…

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Lurchers for Beginners 5: It’s Just Not Fur!

Lurchers for Beginners has always been fearless in its expose of the truth about lurchers, and so this time we face up to that stuff they have all over them – fox poo. No, we mean hair, but fox poo will come into it. What is dog hair, why should you care and what might you find in it?

The Hair Itself…

Many lurchers have a single layer of hair, and thus technically have hair coats rather than fur coats. A fur coat on a dog means two layers, the soft linty undercoat and the stiffer topcoat of ‘guard’ hairs. Or an owner with too much money and no respect for those passing mink.

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a typical “smoothie”, dogs trust

This single layer is typical of greyhound/whippet ancestry. Such dogs have a short coat with limited shedding which needs little maintenance. Whilst anyone can be allergic to any dog, short-haired lurchers can be a good choice for the slightly sensitive amongst you. They are not, however, hypoallergenic like those fancy expensive animals produced by pointing a over-sexed poodle at another dog and letting go.

Short-haired lurchers are especially good for those people with inefficient vacuum cleaners. Most vacuum manufacturers have apparently never had more than one small hairless dog, despite the claims in the brochure. We’ve already lost two Dysons in the struggle, though we admit that they lasted longer than most. A wounded Dyson is a dangerous beast to confront…

Of course, as you can produce a lurcher simply by putting a sighthound and any other dog of the opposite sex in a motel with romantic lighting and free sausages, you could have ended up with a lurcher who has a full fur coat.

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a typical “roughie”

Greyhounds bred with terriers or collies may produce all sorts of tangly rug effects, whilst the presence of deerhound often provides a sort of ‘wiry’ look to the coat. We once had a Bedlington, greyhound and godknowswhat cross who managed to shed both long grey hairs and soft white ones absolutely everywhere. This produces small lurcher clones in every corner of the house (more of which another time). Grooming is even more important in such cases.

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“greyhound brindle coat”, scott robinson

Even short-haired lurchers benefit from a regular brushing down. This keeps the coat clean and remove some of the hairs which would later be shed – before they clog the vacuum filter. With the longer haired lurcher, grooming also allows you to find missing lego, bubblegum, sticking plasters, houseplants and other detritus – maybe even that remote control for the DVD.

The downside is that with no real undercoat and thin skin, lurchers can need extra wrapping in winter (and on those family trips to the Arctic Circle to work out where all the penguins went*). It is now extremely easy to purchase a second ‘coat’, which has many benefits. Your expensive designer dog jacket will:

  • absorb mud and stinky water much better than your dog, and cost more to clean;
  • amuse passing pedestrians, who seem to have far more opinions about your dogs than they should have;
  • come halfway undone and trail along after your dog, gathering additional mud;
  • give your male dog hours of fun pulling it off because he doesn’t like the strap near his bits.

Also remember that lurchers are a Funny Shape, as someone put it. Standard dog coats will not fit, being either too tight over that deep chest or too loose around that narrow tummy. And lurchers who do zoomies require well-fastened coats, or you will find the two parting company in seconds.

It may sometimes be better to shove your lurcher into an old pullover and abandon dreams of style. Please remember that early experimental techniques such as spraying dogs with a layer of teflon, or covering them entirely in saddle-wax for three months of the year, are no longer recommended.

We did once consider using squirrel-fur coats for winter protection, in order to produce a lurcher which chased itself 24 hours a day, but we relented at the last minute.

*they’re at the Antarctic, silly.

Variations in hair/fur colouration deserve an illustrated essay in their own right, so we’ll ignore them for the moment. Unless you’re obsessed with adding highlights and blue-rinses, we consider whatever nature provides in the way of dog hair colour to be quite adequate. Brindled, merled, saddled, spotted and unicolour make no difference to the quality of the hair coat and what you find stuck in it (although we do love a brindle).

Important note for new lurcher owners: If you have a lurcher with saddleback markings, and he or she is gaining a lot of weight, do make sure that you haven’t been sold a porker. 

Pig of the Year champion a Berkshire, Barlings Stonebow from S.H Ashcroft, Lincoln.
this is not a lurcher (champion from s h ashcroft)

Which is where we come to the second half of today’s entry…

… And Things You Find In It

1) Fox Poo

It’s hardly fair to blame lurchers for this one, but they do have a magnetic attraction to the stuff. The classic sign is the ‘shoulder rub and slide’ on a piece of grass, which means that your dog is happily smearing odiferous fox droppings into its coat. If you’re fortunate, the fox will have been constipated. You will see the fox walking in an awkward manner and searching back-gardens for discarded packets of Ex-Lax. The poo will be firm and of limited interest. If not, as happens with so many urban foxes who eat random bin contents, the poo will be messy or slimy, and ideal for spreading.

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a fox hunting for the toilet paper

One added advantage of the ‘shoulder rub and slide’ is that the poo also gets on the underneath of the collar, but you miss that bit. You wash the dog itself, but then spend days wondering where the stink is coming from.

Rather obviously, pet shampoo is a must. Fox poo really does linger. Despite suggestions that tomato ketchup works wonders, a lurcher (and house) smeared with tomato ketchup is still a major cleaning job, so you might as well just deal with the fox poo directly.

2) Half the garden

‘Half the garden’ can be broken down into three easy sections:

2.1) Mud

The lurcher is God’s way of moving your flowerbed into your living room without divine intervention. Due to constant charges into the night and excited zoomies, lurchers are particularly efficient at churning up a mud path and then bringing it in to show you.

  • Mud from your garden is normally just mud. Wash it off, rub it off with a towel or let it fall off. We rub it off because washing towels is easier than washing three dogs.
  • Mud from the world outside your garden may not be just mud, and is therefore best washed/rubbed off straight after walkies. You don’t know what’s in it.

See also Lurchers for Beginners 3we were gardeners

2.2) Seeds That Are Harmless

Our dogs are constantly coming home covered in goosegrass (cleavers etc) seeds and other burr-like things which are quietly using the lurchers as a transport system to get away from their parents and breed somewhere else. Even goosegrass doesn’t want to stay with its mum all its life. Apart from invading your garden or sticking to your cardigans, most of these are Harmless.

2.3) Seeds That Can Be Horrid

LOS ANGELES, CA., AUGUST 16, 2011-- It is the bane of the dog owner?s existence: the foxtail, the cluster of weed seeds that anchor themselves inpets? skin and paws. A look at the foxtail and other noxious weeds that post the biggest threats to dogs. Weill need to shoot details of three weedy things that get caught in dogs furs -- foxtails and little barbed obs that some weeds drop, posing a threat to dogs paws and skin this time of year. ( Kirk McKoy/Los Angeles Times)
kirk mckoy/los angeles times

On a more serious note, do watch out for certain grass seeds, such as those of foxtail and similar grasses. Some of the hairy pointy ones can get caught in sensitive areas and burrow under the skin, hurting and eventually doing serious damage. Three key areas to check are:

  1. Between the pads of the paws. The seed can tangle with soft fur and go through the thinner skin there, causing pain and inflammation.
  2. The ears. If a grass seeds reaches the ear canal, it will do the same thing – working its way in towards the ear drum, again with nasty consequences if it gets embedded.
  3. The nose. They can get stuck up there after your dog has been snuffling in long grass.

Don’t panic, though. At the earliest stage, where you can see most of it on the surface, gently pull the seed out and clean the affected area. Best to get professional help if you think a seed may have got stuck somewhere sensitive and is really getting in there. Don’t leave it too late, because grass seeds don’t show up on X-rays and it’s hard to work out where they’re going.

Other things found in hair are relevant to most dog types, but we feel obliged to mention the common ones below.

3) Paint

Some lurchers, lacking an undercoat, try to make their own using Dulux. Our dogs have the unerring ability to find any bit of wall or skirting board we have recently painted and rub against it. Warm water, patience and occasionally a pair of scissors are the answer.

4) Flakes of Dandruff

There are two main brands of dandruff.

Stationary dandruff, seborrhea, usually means dry skin, but we’re not vets. If your lurcher gets a lot of it, ask a professional. Human anti-dandruff shampoos are too harsh, but you can get doggie ones. And brushing can help move natural oils around and encourage oil production.

Cheyletiella-yasguri
a mite photo of no real use – but if you find a mite this actual size, do ring the police immediately

Moving dandruff is much more exciting, and means that your lurcher has mites. Known as Cheyletiella, these mites amble about on the surface layer of the dog, raising flakes of skin. Very contagious, though not often serious. We’ve never had them, but they can be treated with various commercial preparations. They do need treating because they will spread to all the other animals, and can even hang around for a while on people.

5) Fleas

Fleas are great fun and can easily be trained to ride miniature bicycles and work long hours in flea circuses before getting unionised and demanding health care…

FleaCircus-Prof-W-Heckler

No, wait a moment, that’s in stories. Real fleas are a damned nuisance who make the dog itch, you itch and lay their eggs all over the place. They can spread tapeworms, and they start itchy patches which can later become sore and infected.

Dealing with the dog is relatively easy, with a range of specific products available. Dealing with the rest of house, dog bedding and other items can be achieved by pouring petrol over everything and living in a caravan in the garden for the rest of your life. If you have an allergy to petrol, try the more boring approach of washing the bedding, vacuuming madly and using safe flea treatments – dusting powders, topical applications and repellents.

Due to quantum physics and the speed of light at sea-level, or perhaps something else, flea infestations hang around for a while. There will be flea eggs, elite Special Forces fleas who can hide for longer in dense carpet undergrowth and so on. Keep on top of it, or you’ll be scratching again.

Do we need to say that we don’t mean the petrol bit? This is, of course, extremely unsafe, especially if your lurcher knows where the matches are kept…

6) Ticks

We don’t like ticks. Sheep-ticks and other varieties (such as deer ticks) are found on moorland, in long grass, bracken and some woodlands and gardens. As lurchers run around actively, often where you don’t want them to, ticks are worth a mention. The last one we found was on a tortoise, which was surprising as we didn’t realise that he knew any sheep, or that he went fell-walking. His circle of friends was clearly wider than we thought.

Ticks embed their mouthparts in your dog’s skin (or yours) and feed on the blood. When they’re full they drop off. Charming. They can be harmless, but some carry nasty bugs like Lyme Disease.

Never squeeze or put pressure on the main body of the tick, as they have a habit of throwing up. The blood and digestive juices which result can carry infection into the dog’s bloodstream (or even yours). Ticks are a pain. Despite various folk-lore suggestions, the best thing to do is to use a tick-removal tool or a pair of narrow-nosed pliers, grasping the tick around the forebody right behind the head.

esccap
esccap photo

Check out somewhere like this site for actual advice:

lyme disease and tick removal

Hmm – that last bit wasn’t very funny, was it, listeners? We considered adding jokes about how many sheep-ticks it takes to change a light-bulb and so on, but they didn’t quite work. So It’s Just Not Fur! has its limitations. We don’t get paid for writing this, you know. As always, don’t take our word for anything. Double-check it or find a friendly vet.

beginners5

If you do have further questions about lurchers or longdogs, feel free to send them in. We’ll decide what to do next:

  • If they’re interesting questions, we’ll answer them on here in our usual inadequate way. We may also be sarcastic or drift off topic, so you have been warned.
  • If they’re serious medical questions, we’ll have no clue what to say and tell you that you’re on the wrong web-site. Most of our dogs reach old age by being stubborn, not because of our genius-level knowledge.

Next time: Weird odds & sods that didn’t fit into the articles. Sorry, what we meant to say was: A magical miscellany for your entertainment…

 

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Literature, lurchers and life