THE SUPERNATURAL IN WINTER: AUNT HETTY

‘Tis the season, and so today, for your consideration during idle moments,  we offer the full text of one of JLG’s tales of the strange and supernatural in winter, ‘Aunt Hetty’, to read here online or download as a pdf. First published in last year’s Flame Tree’s Christmas Gothic Short Stories, the tale concerns an old woman who attends a family’s Christmas gathering in 1919…

If you would simply like a free download to read later on some dark and infernal device, click below:

Aunt Hetty – John Linwood GrantScreen


AUNT HETTY

by John Linwood Grant

I did not recognise the old woman in the corner of our hall.

Whilst other guests clustered around the great hearth, mindful of winter’s grip on the estate, she remained quiet, silent, seated almost in the corridor to the kitchen. A shadow lay across half her face, placing her even further from the murmurs and laughter of the gathered revellers.

Who’s that over there, by the passage?” I asked my wife, tipping my head slightly in the direction of the stranger.

Muriel turned from one of our neighbours – a Buckley or Bentley – and frowned. “Some elderly dowager from your side of the family, I assumed.”

Not that I know of.”

Then go ask her, Philip.” And she swivelled on sharp heels to continue her former conversation.

I thought for a moment of employing one of the children to enquire if the old woman needed anything, and hopefully discover her name – but Muriel approved only of the most practical and direct route to any solution. So I went over myself.

Stepping closer, I could make out drooping eyelids and a broad face; her skin was weather-lined, painted only with such blemishes as come to us all with age, her hair a tight grey coif. Her clothes were… I had no eye for fashion, but half a century might have passed since such a heavy clutter of black bombazine was in vogue.

Quite a gathering!” I said with feigned cheer. “Would you like me to draw your chair closer to the fire? There is frost on the lawn already.”

Her gaze lifted slowly, like a sleeper roused.

Thank you, but the cold does not bother me.”

Hardly an opening for conversation. I tried again.

Good to have the family under one roof – yet so many I barely know. Forgive me, madam. I’m Philip Carlen, your host – and you would be…?”

A Brulier. Henrietta Brulier.”

I stopped myself from remarking that I thought that line extinct. My grandfather’s cousins, as best I could recall – French émigrés from long ago.

And yes, I am the last.”

I did not–”

People always ask.” That was softened by a dry smile. “Call me Hetty, if you will.”

More curious than before, I took two glasses of sherry from one of the circulating maids.

You’ve not visited Thwale House before? I fear I don’t remember you from previous Christmas gatherings, not even when Father was alive.”

She looked upwards, and I instinctively copied her. I had grown up with those blackened timbers high above, and as a child, my mother’s talk of their age had instilled in me a vague fear that one day they would crash down on me – something which my surveyor, Trevis, denied with vigour. ‘They’ve seen more than ever we will, Mr Cullen, and will stand as long again.’

Can you see the particular darkness up there, in places?” Henrietta Brulier pointed one gloved finger. “The scorching of the wood?”

I could not, and answered so, but I don’t think she was listening.

It is more than sixty years since I stood inside Thwale. Odd to be back, to say a sort of farewell, I suppose.”

You are ill, Aunt Hetty?” It seemed only polite to call her so.

No, no, I was built strong, and stay as much. Still, as we grow old, we shed much of the clutter we have gathered over the years – knick-knacks to favourites; ugly and solid furniture to the salesrooms, and so forth. My memories of Thwale are clutter, and no comfort to me. Nor were they ever.”

I glanced to where my wife and my sister-in-law were amusing neighbours, nephews and nieces by the roaring open fire; my brother was ‘deep in’ with Bob Carstairs, lately recovered after his time in the Flanders trenches.

I’m sorry to hear that. You had some difficult times here? The family and so forth?”

Cullens, Bruliers, a handful of Fullers – the clan had been larger in grandfather’s day, and I hardly knew their names except for jottings at the back of bibles and a bookplate or two.

I was here, when it happened. That Christmas when flames ran through this house.”

I knew that parts of the manor house had been rebuilt after a fire in grandfather’s day, in the middle of last century, but I had never enquired as to the details. Nor had I thought to ask Trevis, who would probably be able to say which sections were original and which the result of Victorian reconstruction.

That would be…”

Just after another war. The Crimean, which is so rarely remembered. In those days we had the cholera; now we have the influenza. War and disease, Mr Cullen, war and disease.”

Philip, please,” I said. “Was it… I mean, were you hurt in the fire? I imagine it was quite frightening.”

Bombazine rustled as she shifted in her seat; the logs in the massive hearth crackled, and it was if she was trying to press her chair further back into the wall and the shadows. The glass of sherry was untouched.

Frightening? Do you truly want to know?”

A quandary. It lacked an hour yet before dinner, and I was less than eager to throw myself into the fray by the hearth. My brother and I currently were at odds over politics, and my wife’s sister was far too friendly for my liking after more than one sip from the decanter.

I dragged a plain chair over, and sat down; Henrietta Brulier regarded me with a solemn, purse-lipped expression, and began to speak…

*****

Henry Cullen, your grandfather, was a decent man, and when we were all asked to join him for Christmas – the winter of 1857, this was – we understood that he was trying to keep some sense of family and loyalty, at a time when the world was changing. So my parents brought me with them from Suffolk, along with another relative, a boy my age – my cousin Michael Brulier, whose own father was away on business.

Michael was clever. I don’t say that as a compliment. He had been in some trouble at his school – the school pavilion burned down, cause unknown, and Michael had been near, nothing proven, of course. He was known as a ruffler of feathers, full of his own plans and purposes. I believe my father was trying to steer him into the Cullen business, hoping your grandfather might employ him in industry, and thus tame him.

So there we were, almost two dozen of us. Your Great-Uncle Beresford Cullen – the Colonel – who lost three fingers to frostbite in the Crimean campaign; your grandmother, great-aunts and various of their dependents, with a large clutch of cousins.

Thwale was grander then, and darker – no electric lights, nor gas here, this far out into the countryside, but only candles, lanterns and rush-lights. The nearest gas lighting was in Selby; the nearest fine society in York. There was riding here, and shooting, a little fishing, but nothing else. This left Michael and I, who were of an age, and a girl of fourteen, Maria, with little to do.

To be of such an age is to hover, undecided and always watched, between the safe retreat of childhood and the cunning maze of adult life. I was not cunning, but Michael was. I soon say how he toyed with Maria, and threw sly glances in my direction at the same time; he teased me on my height – an inch more than his – but made as if he liked it really when Maria was near. I saw his game; she was taken in, and grew possessive of his time.

On our second evening at Thwale, the twentieth of December, entertainments played out in this very hall; harmless card tricks from the Colonel, and other diversions – a song from a young lady, a recitation from one of the men. The hall hearth was burning bright, an equally prodigious Yule log ready by it to be lit on Christmas Eve. Michael came forward into the centre of the hall, dark eyes intent.

Fire from Prometheus,” he announced to the family as they turned, curious.

He had not my height, but he had presence, I grant him that, when he wanted it so. His brown hair was tossed idly back, his youthful jacket was too tight, his trousers a little too short. A man erupting from a boy.

A trick?” asked Uncle Beresford, coarse grey whiskers around a face still scarred by Inkerman and Balaclava. “Be at it then, lad.”

Michael smiled and ask for a path to be cleared to the great fire. With mock theatrics, he strode to the hearth, and stretched one hand almost into the flames.

Careful now,” my mother muttered. As she had no affection for the boy, she was presumably thinking of what his father might say.

It is quite safe, Mrs Brulier,” he reassured her. “For those in the know.”

He passed his left hand swiftly over the bulk of fire, and leapt back to the centre of the room; some of the women present gasped, for at his fingertips bloomed smaller flames, as if his hand was five pale candles. I remember clearly that your grandfather reached for the soda syphon, a proud new possession of his, but Michael waved him back – and as we all stared, unsure, the tiny flames ran up his sleeve, across the collar, and down the other sleeve, to be extinguished in a heartbeat.

There was silence.

Chemicals,” declared Uncle Beresford. “Reminds me of the Turkish artillerymen, and their confounded powders.”

Michael bowed; the family applauded with various degrees of enthusiasm. I held back, watching his lean, proud face. Was it so simple as chemicals and powders?

Something told me that it was not.

*****

She sipped her sherry, lapsing into silence.

What else could it have been?” I asked at last, was drawn into her vision of over sixty years before. “A machination with lens or mirrors, or some other mechanical device? Mesmerism?”

All of those were possible,” she agreed. “For a young man with too much time to brood.”

You mentioned his father. What happened to his mother?”

She died of a fever, not long after his birth. Another reason why he had been so easily permitted to come up to Yorkshire with us – his father was not over-fond of him. If he had received more love, perhaps… we shall never know.”

The clock stood only at twenty one past six. Dinner not until seven, and so…

How did it end?”

Not with applause,” she said. “But listen…”

*****

On the morning of the twenty second, after a service of carols, Thwale bustled with preparations which excluded us. I strolled the gardens, and as I walked by the rear of the house, between yew hedges and a tired rose garden, I heard a soft laugh.

Forswearing the crunch of the gravel path for the quieter grass border, I crept forward, and beneath a twisted yew, saw Michael with Maria in grasp. Her struggles were more theatre than alarm, her smile unsoured. I could not hear what they were saying, but I had no doubt he knew I was in that vicinity. His tryst with Maria was once more a manoeuvre for effect.

I left swiftly, considering how best to deal with him.

Of more immediate concern was that Maria took a fever after dinner the same day. There being no resident doctor nearby, Uncle Beresford – with considerable experience of sickness overseas – examined her, and declared that her temperature was high, but she showed no signs of failure of the organs, only a certain hysterical distress when awake. Sleep, he prescribed, and observation.

I asked if I might sit and read to her, to which her mother readily agreed. It soon became apparent that reading would be pointless; she turned and fretted, eyes closed, beneath the counterpane – so much so that I pulled it down. When my fingers brushed her bare arm, there was an unnatural heat in her, and I wished I had ice to hand. Which I did, I realised! I rushed down to the kitchen and begged a bowl, taking this into the courtyard and filling it with snow.

Back in her room, I smoothed her arms, upper chest and face with the snow, mopping it with a towel as it melted. A half hour, and she was more calm, opening her eyes.

You have caught a chill, Maria dear. It will soon pass.”

No… it was him. Your cousin from Suffolk – he pressed himself to me, and he burned. ‘Let proud Henrietta learn a lesson,’ he said to me…”

I frowned. “Burned?”

Oh, he was so hot! I liked it at first – they say in books that love burns, do they not? It became uncomfortable, and I pulled from him, at which he scowled and walked back with me, unspeaking.”

I mopped her brow, read a few passages from my facile romance, and when she was asleep, I left to find Michael.

He was outside, by the woodsheds.

It will pass by morning,” he said, before I opened my mouth. “It always does. The silly girl. What I could do for you, though…”

Raising his left hand as he had in the house, he clicked his fingers, and a flame greater than most candles flickered into existence above his thumb. “These stacked logs would burn nicely, a signal to be seen for miles. A token for you, if you like?”

His tone was light, but his expression was one I had seen before. It was one not of affection, but of desire.

Michael wanted me.

*****

Her sudden directness surprised me; I spluttered my mouthful of sherry, turning it into a cough.

Smoky in here,” I said, but the old woman knew better. As we looked at each other, I could see it now – large blue eyes beneath those lids, a hint of raven in the grey hair, and those broad cheekbones… she must have been quite striking. Perhaps she still was. She wore black silk gloves, but her hands seemed straight, not clawed or wizened, and I realised that she must have been tall once.

It should not have been a surprise that someone had wanted Henrietta Brulier.

That flame could have been a trick with a lucifer,” I offered, rather weakly.

It could.” Her reply left neither of us in doubt that more than a simple match had been in play.

What did you do?”

I sought counsel…”

*****

Maria recovered fully by the next morning, leaving the family puzzled. I, however, had my fears, and sought an older head.

Uncle Beresford was at ease in your grandfather’s study, a cheroot to his lips. When I knocked and entered, he smiled.

Edwin’s daughter. I remember you. I showed you and your friends a dried snake once – they squealed; you asked me if I had taken it myself, where, and how was it despatched.”

I told him all I had seen, every doubt I had about Michael, keeping my head high. He listened and paced, without speaking. I still remember the sound of his heavy boots on the floorboards, the musty tobacco smell of him. A veteran of more than one war, listening to a girl with a fantastical tale.

When he stood still, his eyes were not on me. “So either you bring me a report that we have a potential – and unpredictable – incendiary among us – or a suspicion that stranger times have befallen Thwale.”

Stranger times, sir?”

The gifts of Allah and those of a shaitan can be hard to separate. But we are not Mussulmans, are we?”

I did not entirely understand, but agreed we were not.

My brother is not a fanciful man. This would make little sense to him. Will you take a duty from me, Hetty, as if you were one of my troops?”

Yes, sir. But… does this mean you believe me?”

I believe that you have concerns, that you bring to me a concise report of your observations so far. It is what I expect of a scout. Keep your eyes on that young man, Hetty, and tell me if aught else amiss comes to your attention.”

Glad that I had unburdened myself, I agreed that I would do his bidding.

There was a grand civic ball in York the night before Christmas Eve. Your grandfather was indifferent to it, but your grandmother and others insisted that they should take carriages and attend; with a dearth of males, even Uncle Beresford was pressed to accompany them.

Untutored in higher society, Maria, Michael and I were left in the care of the servants, and instructed to do as we were told, to amuse ourselves in harmless pursuits and then take ourselves to our bedrooms until the party returned. Should the two or three youngest members of the family become troublesome, we were to read to them, settle them, and be obedient to the housekeeper, Mrs Fentley.

Maria volunteered – with haste – to play with the little ones until their bedtime, and insisted she needed no assistance. Thus Michael and I were left to our own devices.

I could not avoid him – or what I now saw as his influence. The hearths blazed high, needing more than usual replenishment, and the candles throughout Thwale seemed brighter, more urgent that they should be. One of the maids had a sweat upon her brow and remarked that it felt ‘unseasonable warm’ inside, yet outside lay ice, and the drive was freezing mud.

Have you fully realised what I possess by now? And what I can offer?” Michael asked as we sat apart in the drawing room.

I put down my book, a harmless romance with clueless girls and unscrupulous uncles.

Your arrogance? Your tricks and fancies? Yes, I have realised those things, Michael Brulier.”

His lips curled unpleasantly, and I knew that I truly did not want anything of him. He was a man in waiting, but the man to come did not appeal. An achiever, possibly, but one who would do so at others’ expense, preening in his own abilities.

He leaped from the settee, cheeks red. “Tricks, eh? Must I still prove myself to you?”

One hand swept behind him, and the previously-unlit drawing room hearth began to stir, sudden flickers in the coals; his other arm lifted high, and the candles in the antique chandelier above us flared in swift response, small suns against a plaster firmament. Worse, those candles on the sideboard lit as well, catching the frayed edge of a tapestry on the wall. Old and dry, it caught in seconds.

Michael only laughed.

I have never shrieked, never fainted, in my life. I rose and struck him, hard, on the cheekbone; staggering, he fell back against the curtains, which erupted into flame at his touch. Smoke wreathed the room, and a cry of alarm came from not far away – one of the servants.

End it!” I yelled at him, backing towards the main hall. “Quench or quieten what you have started.”

Some men are not meant to be quenched! But as you ask…”

His gesture was confident; his expression, when the fire showed no signs of abating, less so.

It’s a matter of will,” he muttered, but his gaze grew wilder.

Full half of the room was burning.

Come away, you idiot!” I cried. “You cannot control this!”

I grabbed at him, burning myself, but he stood there still, trapped in anger and determination, as if that would bring the fires around him back under his control. Choking on fumes, I staggered for the French doors which led onto the carriageway.

He remained.

Half-collapsed on the gravel drive as I was, I saw your grandfather’s valet, trying to enter the drawing room from the hall, driven back by heat and smoke, and two gardeners ran past outside, not noticing me.

Is there anyone inside?” cried Mrs Fentley, who tried to pull me further back.

Michael was,” I gasped.

For I had seen him clearly enough, a pillar of fire within the flames; seen the way he seemed to bathe in the conflagration, still seeking to master it — even when the joists above gave way and part of the first floor fell, finally obscuring my view.

The carriages arrived back not long after. Your grandfather and most of the other men organised the chain of buckets and the foot-pumps which saved the bulk of the house. Uncle Beresford alone came to me. He placed a blanket around me, and sat me by the carriage house.

Where is he?”

I pointed to the collapsing west face of the house. “In there, sir.”

His face grew grim. “I suppose we must dig, when the wreckage is cooler.”

You will find nothing but ashes.”

He squinted at me. “That was the way of it, eh? And you saw it all?”

I nodded. He wrapped the blanket tighter around me, squeezing my shoulder. “Did you know, Henrietta, that your family name was once not Brulier, but de Brûlure. It changed with the centuries. You know the word?”

I had reasonable French from my lessons. “A scorch or burn.”

The de Brûlures were long associated with the oriflamme, the pennon of the French kings. The golden flame. When it flew in battle, no quarter was to be given. No survivors.”

And together we turned to stare at the still-burning wreckage…

*****

A child shrieked at a joke; my sister-in-law’s alcohol-fuelled laughter cut across the hall. My thoughts lay between two Thwales, six decades apart.

There will be no more Bruliers, to my knowledge,” Aunt Hetty said softly. “And so whether the line truly held any abnormal gift … it does not matter. What Michael was does not matter. But you have begun to wonder – is this tale why I keep my distance from open fires, and Thwale’s hearths in particular.”

Because you fear them? After your… experience here?”

From a face that had survived so manyyears, the clear blue eyes of a fifteen year old girl regarded me, steady.

Since that night,” she said, “I have never felt the cold. If I were naked in the fields outside, I would not suffer the slightest chill.”

I had not a single reason to believe her fantastical tale – nor any cause to doubt it. Not once had she pressured me to accept her word, and throughout, her voice had been as reasonable and calm as someone reciting a list of groceries.

The old woman peeled off one glove – and reached over to me with a fingers which were scarred, as if they had been in a conflagration. As she touched the back of my own hand, for a heartbeat only, I felt the heat of her flesh.

I keep away from fires, Philip” she said, “Because I might be tempted. I might reach forward, idly, to caress the flames – and find it good…”

*****

Henrietta Brulier died on the second of January, nineteen twenty six. Seven years had passed since she spoke to me at Thwale. She left no will, and it turned out – after months of enquiry by solicitors – that I was her nearest living relative. After many sleepless nights, I instructed that she be buried, not be cremated.

Let her lie in the cool earth, and be at peace.

 

(copyright John Linwood Grant, 2022)


ANOTHER ‘SUPERNATURAL IN WINTER’ STORY IN A DAY OR SO…

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ULRIC DAUBENY: SUMACH FOR THE WEEKEND

There was once a time when many well-known authors—be they primarily romance, detective, historical adventure, or ‘literary’ writers—dabbled in supernatural fiction. A sideline, a quick sale, a whim — even yarns for the amusement of a small circle of friends. From Arthur Conan Doyle to Agatha Christie, to name a couple of scribblers who most will know, these folk produced a scattering of weird or ghostly tales, but such pieces often remained unimportant (even to them) in comparison to their bread-and-butter zones.

daubeny
red tree, by mondrian

Robert W Chambers [1865-1933], for example, wrote a huge number of now-forgotten non-supernatural novels, very few of which are worth the effort — and yet his handful of ‘King in Yellow’ stories had a major impact on subsequent weird fiction. Jerome K Jerome, far better known for his essays and humorous works, produced a handful of supernatural stories, but also left behind him one of the greatest deconstructions of the period ghost story in his slim collection Told After Supper.

And then there are those we hardly know at all, because they veered for one moment from whatever other work interested or employed them, releasing a single collection and no more. Bessie Kyffin-Taylor (d.1922), is a good example here, with her collection From Out of the Silence (1920) — which contains a few stories well worth reading. Details here:

http://greydogtales.com/blog/out-of-the-silence-with-bessie-kyffin-taylor/

Today’s Author of Interest, Ulric Daubeny [1888-1922] falls into this latter group. Little is known about his brief life, and he is usually remembered, if he is at all, for his writings on more antiquarian subjects such as Cotswold churches and the history of orchestral wind instruments. Like Kyffin-Taylor, he released just one collection, The Elemental, in 1919. If supernaturalists do know of him, it is probably because a lone story of his, ‘The Sumach’, occasionally cropped in later anthologies, due to its vampiric elements.

The Elemental has occasionally been available in the past, but mostly if you hunted it down, as we tend to do, and has been largely forgotten until recently.And now Solar Press have produced a nice looking, affordable edition, and our guest review Victoria Day, herself a writer of supernatural fiction, gives us her view…


The Elemental. Tales of the Supernormal and the Inexplicable by Ulric Daubeny

Published by Solar Books, 2023

Review by Victoria Day

A new and most welcome reprint by Solar Press of the previously sadly neglected collection of supernatural short stories by Ulric Daubeny [1888-1922] is reviewed here, but first a caveat! I absolutely love Victorian and Edwardian supernatural tales in all their glorious incarnations. I am aware that some don’t and so perhaps this short volume of stories may not be for them. If, however, you enjoy the interaction of the British upper middle classes and upper classes of that period with various ghosts, spirits and of course elementals, then you simply must invest in this volume. That is not to say that any tale here is dull or tedious. Many a delicious hour by your fireside awaits. Certainly, we who regularly indulge in the reading of supernatural writings of the late Victorian to Edwardian periods and through to the Georgian [the volume was initially published in 1919] will no doubt savour Daubeny’s exquisite use of the English language which, despite its very correct usage, is never dry.

daubeny

He has moments of humour, as seen in The Serpent which despite its chill subject still manages a bit of witty joshing between two young students. The Saki-like tale H.F tells of a writer of slushy love stories who is convinced of the brilliance of his work, despite them never being published. His comical lack of self-awareness is not displaced even after an unknown supernatural force steps in to vastly improve his work. The dictates of propriety, however, force him to lapse back into his Mr Pooter-like mediocrity; mundanity rejects the brilliant and unsettling.

Although there are moments of such light wit, which can both leaven the unpleasantness of the supernatural and highlight it by contrast, Daubeny does provide some genuinely horrid episodes. This is best seen in the longest story The Elemental and in the only one I have previously encountered, The Sumach. The first could be seen as rather Lovecraftian in its use of horror of the physical kind wrought by an unknown and unasked for supernatural force. However, the horror here is handled with Daubeny’s quiet use of language and never becomes too much, even in its bloodier moments. The nastiness is both of the physical senses, especially smell and touch, and also of the psychological; the misery caused by human loneliness and nervousness. I found this particularly well handled and effective.

This is further explored in the story The Hand of Glory, where the weather, as in many of Daubeny’s stories, adds to the feeling of sadness and depression in its characters. The cold and wild weather in quite a few of these tales is the summoner of the supernatural, which is also chaotic and unsettling. In The Elemental, storms and floods bring a possessing spirit of beastliness that subsumes the civilised and socially acceptable with an urge for cruelty. In The Garden That Was Desolate a storm adds to the violent climax of the story with an unleashing of rage and hatred. Sometimes Nature itself can be subverted as well as being an agent of horror. This happens in The Sumach with a tree which is out of tune with the seasons. Nature can become unnatural.

The strictures of the era’s societal rules run though Daubeny’s tales. There is in many of the stories the presence of a rather self-satisfied and comfortable upper middle-class existence into which the supernatural steps, usually without being invited or wiping its feet. I sense a delight in Daubeny’s handling of these moments, especially when a pompous and foolish character like Lord Berrington, a collector of object d’art, acts with more than a touch of racism in his modern Western condescension. Ignore or insult the traditions of cultures you don’t understand at your peril! However, even the innocent, like the much-loved grandmother in Winds of Memory, can experience things of a tragic and horrible nature.

Another theme in his stories is that of the fear of the loss of a loved person, which usually adds another layer of horror to a supernatural tale. As with the grandmother just mentioned in Winds of Change, in The Sumach an innocent person can quite easily be in danger, this time of their lives. Whether those who want to protect a person will succeed in doing so drives these stories along and involves the reader in the anxiety for the characters’ safety. Sometimes there is a happy ending, sometimes not, and Daubeny usually dangles us in pleasant suspense.

Daubeny’s story structure is often of the time-honoured kind for supernatural tales, which is how one would expect them to be in this era. That is not to say that they are always predictable, rather they are pleasingly laid out, in my view anyway. I particularly enjoyed how, in some stories he brings in the weirdness of a situation with a phrase which in isolation would be quite innocent, but in the context of the story is not so. In The Garden Which Was Desolate the householder shows a “…noticeable hesitation…” before answering a perfectly innocuous question. We later find out why. Sometimes these phrases actually start a story so we can be straight into it with little padding. Also, most of the stories, with the exception of The Elemental itself, are ten pages or under. I must admit to approving of this brevity. Those who are fans of the era will perhaps agree that some tales can go on rather longer than they ought! Not so here, of course, and Daubeny serves up some which get right to the oddness straight away; sometimes in the first sentence, as in The Bronze Devil, where the unusualness of an unexpected caller leads immediately into both the plot and the sense of the uncanny.

Daubeny makes use of a few traditional tropes throughout the collection. There are out of body experiences, time shifts, possession, witches and the weak getting their revenge via the supernatural. Dreams and sleep as windows into the subconscious and as agents of unease and foreboding I particularly liked. There are also haunted rooms, the delight of characters seeing things which are odd, but which others cannot see as they lack the requisite supernatural insight. There are images of the dead, cursed objects, and traditional hauntings. This is in no way meant to be a criticism. It would be rank hypocrisy of me to say so as my own tales have made use of such ideas, as have those of better writers than I! Rather, I found the stories in this collection to be a very well written and readable collection of traditional supernatural tales. Those who may prefer more outré ideas or structures to their weird fiction may not enjoy this collection- however, I certainly did.

This edition is available from the Solar Press website in paperback format, with a brief biog of Daubeny and some quotations:

https://solarpressbooks.com/collections/all

And if you like audio versions, you can listen to ‘The Sumach’ here:

https://www.youtube.com/watch?v=3ecA2ywht5A

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The Horror, the Horror

So, the monstrous Editing Helm has been clamped to my head again, and as the rusted spikes dig in, here are three separate projects which are looking for submissions of weird and horror fiction: occult investigators, Edwardian weird, and strange tales of Europe during the Second World War. More about those in a moment.

horror

This last twelve months has been a bit of a pain, literally, with more than one bout of COVID, then a long stretch of gastroenteritis, bronchitis, serious dental trouble — and a heart attack. Yet despite becoming a medical dictionary, I seem to be stumbling on. After all, I have Biscuit, our young and demanding Staffie-cross to think of, and a lot of vegetables to sow.

a Biscuit!

Meanwhile, in the odd world of writing and lag-time, I do have quite a lot of new fiction which I hope will be out this year, including:

  • THE BEASTS OF KEMBERDALE — Folk horror, another tale of Justin Margrave, my long-suffering gay art critic from the 1970s.
  • THE CITIES WE ONCE KNEWWeirdness in the late 1920s, when a struggling explorer goes deep into the Brazilian Amazon in search of Percy Fawcett, who disappeared whilst seeking the legendary lost city of ‘Z’.
  • DECEMBER’S CHILDREN — More weirdness in a story of that peculiar, isolated hotel on the North Sea cliffs, the Langton.
  • THE SMOKE MARKET — Margrave again, this time amongst the Amazigh (Berber) women of Morocco, and a strange encounter in seventies Marrakesh.
  • A PROMISE OF BLADES — Catherine Weatherhead/Madame Rostov, from my novel The Assassin’s Coin, comes into reluctant contact with Mr Sherlock Holmes, as a dead artist and a Tarot pack are linked to a series of murders.
  • AT THE HOUR OF OUR DEATH — A Lovecraft-adjacent murder mystery set in 1930s Cambridge, with two very unusual investigators, deception and tragedy.
  • THE FOUR DETECTIVES — The sequel to a classic Father Brown story, involving, well – four detectives, in the end. And a wanderer from his usual Baker Street haunt may be one of them…

I’m pleased to say that the first of the above, ‘The Beasts of Kemberdale’ is in the forthcoming Lonely Hollows folk-horror anthology from Pavane Press, edited by Cliff Biggers and Charles R Rutledge — which is available for Kindle pre-order right now, and will also be in PB. And that cool cover may <cough> be related to my story.

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lonely hollows pre-order uk

lonely hollows pre-order us

A whole MARGRAVE collection is also in the works from another publisher, with additional unpublished stories being finalised right now. A blend of folk horror, weird fiction and supernatural horror themes, as the debonair, wine-loving ‘much put-upon old queen’ (his words) gets drawn into the most peculiar situations.


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OPEN FOR BUSINESS

Now, a reminder of those open calls for submissions. I’m not exactly sure that I’m a horror writer myself; I like the mysterious and the inexplicable, tales which make you question some things — or doubt everything. When editing, I don’t tend to look for classic monster tropes. Werewolves are often so yesterday, vampires are rather overdone, and zombies dull or mishandled (but I can be surprised, of course). Mythic monstrosities from folklore and early cultures are a bit more appealing — better Hammurabi and ruined Babylon than Hammer Horror.

I’m not generally interested in there being lots of blood and hacking people up, unless there’s a more interesting thought behind it all. I can enjoy Mythos-adjacent works, but prefer subtlety, not caring overmuch for cthulhus lumbering around the house and tentacles cluttering the place up. I have enough vacuuming to do already. Kaiju leave me… kold.

What does excite me? Strange stories which get under your skin, literally or figuratively — characters with depth, settings with hints of menace, and ‘monsters’ (if used at all) which make you think and challenge existing approaches. The Normal subverted, or intruded upon; the Ab-Natural scratching at the back of your mind. The terms weird fiction, magical realism and folk horror all apply.

And I’m currently seeking cool stories for all three of the following…

1) ALONE ON THE BORDERLAND: Tales of Edwardian Dread is open until 30 JUNE 2023. An anthology of new weird fiction set between 1901 and 1919 – from the death of Queen Victoria to the immediate aftermath of the Great War and the Spanish Influenza epidemic. For Belanger Books.

2) A DARKER CONTINENT: Strange Tales of Europe at War is open until 31 AUGUST 2023. An anthology of weird and peculiar fiction set anywhere in Europe from 1938-1946, considering the impact and experiences of war on the people — soldiers or not — who had to deal with those dark times. For Belanger Books.

In both of these cases, preference is for weird fiction rather than straight horror — for disquiet, unease, and a questioning of the world we thought we knew (or the people we thought we were). Full guidelines for both are available here: http://greydogtales.com/blog/new-anthologies-of-the-weird/

3) OCCULT DETECTIVE MAGAZINE is open again, until 1ST AUGUST 2023. As usual, I and Dave Brzeski (the publisher) are seeking intriguing tales of those who investigate or explore the strange and unusual, be the circumstances paranormal, supernatural, occult horror, or just simply very odd. For this one, any and every period is open to be plundered — we’ve already published stories set in Roman, pre-Columbian and future times. For Cathaven Press.

Full guidelines for this one are available here: http://greydogtales.com/blog/occult-detective-magazine/



Oh, and my last collection, Where All is Night, and Starless, ended up as a Shirley Jackson Award nominee, which was nice.

You can get that here, should you wish:

AVAILABLE NOW THROUGH AMAZON UK & US, AND THROUGH THE PUBLISHER, JOURNALSTONE

Amazon US: Where All is Night, and Starless

Amazon UK: Where All is Night, and Starless

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NOT EXACTLY HEROES: THREE NEW FICTIONS REVIEWED

Armoured Siberian trains, Portuguese madmen, and depressed American academics — today we review three new books to hit a range of audiences — two novels and a novella by Rhys Hughes, John Guy Collick, and Polly Schattel respectively.

As Banjo and Alexandra bicker, Perceval gets borne along by the tides, and Hetta grows resentful, we find intriguing protagonists, but, well, perhaps not exactly heroes. Not always, anyway…

The Star Tsar

First of all, here’s a novel which may surprise you. The Star Tsar appears, at first, to be offering an ‘alternate history’ tale involving the defeat of the White Russians in the far east of Russia, 1923, intermingled with the sort of folk-horror found around such figures as Baba Yaga and Koschei the Deathless. Monstrous factories, looming woods, freezing terrain, brutality and gigantic trains-of-war on endless rails; Banjo, a British soldier abandoned by the retreating forces, and two Red Russian women, Alexandra and Ekaterina, on the hunt for an unfaithful lover — one out of duty, one with both malice and romance in mind.

However, weaving in and out of the story are references to the only book the British chap has with him — Edgar Rice Burroughs ‘Princess of Mars’ — which is his sole comfort. And this battered volume proves to be both a clue and a wry nod to the larger plot of John Guy Collick’s novel. It’s a little hard to review the work without spoilers, but the planet Mars does eventually play a part in what turns out to be a helter skelter struggle to survive for Banjo and the two Russians. Ekaterina is a drug-addicted singer and a touch lunatic; Alexandra is an earnest politico-scientist who believes in the Red cause:

“Once we educate the people in the liberating ideals of Soviet science they’ll break the chains of ignorance by themselves,” she said.

The fractious, adversarial relationship between the cynical, plebeian Banjo and the idealistic Katerina forms the core of the narrative, as they face weary treks, monstrosities, betrayal, horrendous conditions beneath and inside forbidding mountains, and science beyond anything either of them could have dreamed of:

The glass-sided cabinet stood on three rubber tired wheels with thin steel spokes. Articulated arms like parts of a dentist’s drill stuck out at random intervals from the lower half of the case, which looked as if it was moulded out of Bakelite reinforced with copper strips. Alexandra read the number 339 in faded script on the plastic. Oily liquid filled the inside of the iron-framed tank, staining the corpse a greasy yellow. The corpse was bald and thankfully her eyes were closed, turning her into the grotesque echo of a sleeping baby. Her forearms ended in metal and canvas sheaths curving into the bottom of the artefact. More tubes snaked from the side of her skull, neck and from underneath her breasts. Shreds of skin, peeled loose by time, decay or mishandling, floated in the preservative.

As Banjo struggles simply to survive and Alexandra has many of her ideals stripped away, we are teased with the vaster implications of what they encounter. Collick’s descriptive powers, his attention to historical detail, and his interweaving of bizarre and diverse elements all stand the reader in good stead. An intelligent speculative romp with an unusual setting, this is Book One of a planned series. We look forward to Book Two…

We interviewed the author a while back, here:

http://greydogtales.com/blog/a-colossus-of-mars-john-guy-collick/

The Star Tsar is available for pre-order and will be released in Kindle format on 31st March:

amazon uk

amazon us


The Wistful Wanderings of Perceval Pitthelm

Rhys Hughes is a curious beast. Hugely inventive, he straddles lines of magical realism, classicism, parody, and whimsy, and we confess we’re not always sure what to make of his work. The Wistful Wanderings of Perceval Pitthelm is a fine example of his non-genre explorations — a book-length meditation on the nature of saudade (Portuguese: “an emotional state of melancholic or profoundly nostalgic longing for a beloved yet absent something or someone”), a satisfactorily bizarre adventure novel, and a complex construct of unlikelihoods, which also weaves a few true histories into its web.

Perceval Pitthelm, its ‘hero’, is an English adventure novelist who moves to Portugal to provide the tranquillity he needs for his work — and there encounters a rather peculiar house. Everything pretty much springs from that, and involves continent-hopping (literally) and various ‘Arabian Nights’ sub-tales, all of which have bearing on Pitthelm’s progress. In Portugal he meets the house’s owner, Old Rogerio, who tells him of certain incidents in colonial Eastern Africa…

It goes without saying (remarked Old Rogerio) that our situation had an adverse psychological effect on the inhabitants of Kionga. People began to argue, to fall in love inappropriately, to cheat at cards, to wear clothes made from dried cod or fruit skins, to part their hair differently, to shave under their arms, to mix white and red wines, to learn foreign languages.”

The protagonist’s name may itself be a complex joke. Wagner chose a discredited origin for the name Parsifal (the title of his 1882 opera) as being from Persian for ‘pure fool’; in the Twelfth Century, Chrétien de Troyes had Perceval (‘Vale-piercer?’) as a hero of the Arthurian search for the Holy Grail, a hero who has to prove his worthiness. And ‘Pitthelm’ immediately brings to mind the pith helmet of classic ‘Empire’ adventure stories.

The book is also in the grand tradition of the absurd. Hughes’s style is part of the book’s charm — both wise and naive. You feel that if horse-drawn carriages carrying the notebooks of Rabelais, Cervantes, Jerome K Jerome, Borges, and Flann O’Brien were to have collided in some crowded market town, the resultant flutter of papers might have inspired this piece. With a touch of the unreliable travel writing of Sir John Mandeville and a few others. And the absurdity of the main story is reflected in a ‘review’ of the other books of Perceval Pitthelm at the end of the book, a review which seems laced with Hughes’ own autobiographical murmurings on life, writing, reviews and critics. To make matters worse, we kept being reminded of Sterne’s The Life and Opinions of Tristram Shandy, Gentleman.

With a beautiful Fado singer who has artificial organs, a vengeful Muslim inventor, cheek trees, and a rogue Brazilian submarine along the lines of the Nautilus, The Wistful Wanderings of Perceval Pitthelm is an at times wise, at times ludicrous, book, which is basically… immensely readable, and enjoyable. We have no idea where it would be shelved in a bookshop though. None at all.

The Wistful Wanderings of Perceval Pitthelm is available for pre-order and will be released in Kindle format on 23rd March:

amazon uk

amazon us


8:59:29

Finally, quick mention of a new novella by Polly Schattel, author of the novel The Occultists and Shadowdays. 8:59:29 is an entirely different piece of work from those, a contemporary horror story set in a small college, where a struggling adjunct professor in Film Studies decides to seek an unexpected way out of her problems. Hetta, the academic in question, is not without her flaws, and not even always a totally sympathetic character, though she is very human; rather than do something constructive about her tenuous career, she decides to focus her various resentments on her superior.

And so, when a disaffected ex-student, Tanner, comes up with a novel way to create a short video which could make a difference, she takes it on board with the confused enthusiasm of a woman who can’t think of what the heck else to do. Of course, after going through many options, they decide to make a horror movie…

Becoming absorbed in their film project, which is either utterly pointless or highly dangerous, Hetta eventually finds that — as with all classic deals — you rarely get what you wish for in the way you wanted it. Especially if you rely on obscure rituals from the Internet. A quick, crisply-written read for the horror enthusiasts, with some intriguing film-making lore along the way.

8:59:29 is available now in Kindle format and paperback:

amazon uk

amazon us



All today’s reviews were written by an unreliable old man and his dog, so can be taken either as wise gospel or the ramblings of mad folk. The old man’s latest collection (with very little dog in it) is here:

AVAILABLE NOW THROUGH AMAZON UK & US, AND THROUGH THE PUBLISHER, JOURNALSTONE

Amazon US: Where All is Night, and Starless

Amazon UK: Where All is Night, and Starless

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Literature, lurchers and life