Tag Archives: my writing

Chicago

Someone was asking for free short horror to read or share. So here’s a standalone episode from me, Chicago.  PDF or scroll-down text, take your pick. The.pdf link is here: chicago

Chicago

by John Linwood Grant

It’s a long way from New York to Seattle on foot.

Maybe I hadn’t appreciated quite how big America was. I’d never been across it before, only seen the coasts. Not that it mattered, because I wanted to be forgotten for a while. No record of where I’d been or where I was going, no trail of hire-cars receipts or plane tickets. All I wanted was the road, and an endless list of small, forgettable towns…

1975 was the year. It was also about the number of miles I had yet to cover. West, always heading west. I only dipped into cities when I had to. In Cleveland I followed my usual fall-back routine. It’s pretty simple. You go somewhere bad, the worst part of town you can find, and you wait around at night until the food looks you up itself. Muggers, rapists, strung-out junkies who can hardly hold the knife steady. Any will do.

I struck lucky on the first night with a couple of low-lives who were ready to cut me up first and check my wallet later.

“You’re dead, man.” said the short one, a moustache like a crayon line across his upper lip. He was sweating badly, and stank, but I didn’t usually care about the wrapping. I smiled.

“Funny you should say that.”

His companion stared at me for a moment, then backed away slowly. “I gotta bad feelin’, Huey.”

Huey was too far gone to listen. He skittered in close, a stolen scalpel in his left hand. I could see the track-marks down his arms, some of the sites already going bad. If I’d fed more recently, I would have walked away myself, and I amended my earlier observation. He was going to taste as bad as he smelled.

One move, and moustache-boy was on his knees, scalpel forgotten. The streetlight showed that I was still smiling, and the other guy ran for it. I let him. One was enough. I would have been doing Cleveland a favour by draining him, going right to the bottom of the bottle, but I’d avoided that path for a long time. I slammed him unconscious instead, and placed my hand on his forehead.

I could smell the hepatitis and septicaemia in him, along with heroin, barbiturates and a few prescription drugs. None of them would affect me, so I concentrated, and called him to me. The essence was there, underneath the crap, and it would keep me going for a week or two at least.

I left him weak but alive. God, or Fate, or whatever would take over once I’d gone. Maybe his mate would come back and ring 999. Sorry, 911. Or maybe he’d finish the job off. It wasn’t my problem.

Cleveland saw me through Fremont and Defiance, even through a town called Hicksville, which amused me. The folk seemed nice enough, though. I had a few beers and let them be. I didn’t interfere again until I reached Chicago, where I met my first genuine Stars-and-Stripes revenant for a long time.

Ella was one of the lost ones. If you can have any sympathy at all for our kind, edimmu, whatever you call us, then she deserved it.

I found her shivering and desperate on a back-street, waiting for a clean, all-American husband to come driving slowly past and wave a handful of dollars at her. I’d seen it too many times.

“Hey, little kitten.” they would call. “Daddy needs some lovin’.”

Daddy, of course, had a decent woman at home, two kids and a cheerful scamp of a dog in the yard. He raised funds for the party and went to church nice and scrubbed up every Sunday…

At least I knew what I was.

I took her arm before the next car rolled past, and pulled her into the shadows. It was instinctive – she emanated loneliness, a hopeless kind of longing. There was no doubt that she was one of those who have no clue as to what to do, where else to go. Most of them fade away over the years, becoming shadows of sorrow, the saddest things.

Even as she struggled against me, I cursed myself, knowing that I should have walked on and left her alone. She fought, but not well or with any enthusiasm.

“I don’t have what you’re after, believe me.” I murmured.

Her little eyes widened. She must have been about sixteen when she was unborn, brought back into the world looking as wretched as she obviously felt. This close I caught the scent of her hunger properly. She needed what the clean men gave her. Desire, disgust, even their self-loathing, if they had any. Those base feelings that set their loins pumping in filthy alleys. She didn’t want those things, but she had to have them.

She vomited, spattering my boots. She must have tried to eat normal food earlier that day.

“Why? Why me?” It was a desperate cry.

I’d had a long time to find the answer to that question. Every one of us who could still form a coherent sentence had a different theory. Some said it was God’s roll of the dice, a second chance. But it wasn’t. I’d been back too long, even then, and I knew the score. We were talking retribution, rejection, or a plan so far beyond our understanding that it made no sense.

“You’ll never know.” I said, giving it to her straight. Maybe that was hard, but I didn’t have a good lie to hand. “Something bad happened, and now you’re what you are.”

A priest once told me that the Lord was patient. Watching the girl, I was inclined to feel that He was rather more vindictive than patient. What could she have done to end up like this at sixteen, seventeen years old, working the cold streets of Chicago?

I would never know that either. None of us remember what has made us this way, what sequence of lies, murders or betrayals has made us what we are.

“I’m Ella.” she said, when the heaving had stopped. “Are you… like me?”

That was a difficult one.

“Yes.” I said, to save a long conversation. “But I’m passing through.”

“Can I come with you? I could… you could, y’know, do me, if you want to. I could help you…”

It was an unappealing offer. I knew that it came from desperation, and I knew that whether we “did it” or not, I wouldn’t be able to help her. Some of us are stuck, and Ella was one of those. The feeling was unmistakable now.

“I doubt it.” I said.

“Please.”

She argued with me for half an hour. She so wanted out of what she’d become, where she was, and she thought that it would be too cruel of me to speak to her and then to walk away. She was wrong.

The real cruelty came at the end, when I gave in.

I told her I was heading west and she could tag along for a while. In the early hours of the morning we headed out of Chicago. I was aiming for a lot of little places with ville in their names, places which called themselves towns and cities but had only a few thousand people in them. Most edimmu would avoid such limited feeding grounds, and I’d decided that Ella was already one more than I wanted to meet.

Two hours out of Chicago, and it began. Ella kept turning, staring back at the city. She stumbled, used my arm to get herself up again. It was nine, ten in the morning.

“I feel… sorta sick.”

Traffic was sporadic, local trucks mainly. We were walking alongside a minor road, Illinois dust clinging to us. I thought that I might get some new boots in the next town. These ones were running out of heel.

“You will.”

Another mile went by. She was stumbling all the time now, and looking back as if something was following her.

“P’haps I need a drink…”

I paused, looked around at the open fields.

“It won’t help. You belong back there, where I found you.”

She had courage. Or she was stubborn. I don’t know. I stood and watched as she tried to carry on, a small, thin figure in sixties clothes struggling along a seventies road. Ten years too late for Ella. She wasn’t the first who’d tried to break out. It never worked. Somewhere near where I’d found her there would be a grave, the epicentre of that sad little earthquake that had brought Ella back. It might have marble over it, might be a scratch of dirt in a disused car park. It would still be her grave, and it intended to hold her close.

When she was crying dry tears and clawing at the badly metalled surface, I joined her, squatting down on the balls of my feet.

“Something happened in Chicago.” I said. “You died, Ella. It owns you, or you own it. Some of us can’t ever leave where it happened. We’re bound, trapped.”

“You’re not.” she said with a whimper.

“Cities and places don’t trap me. Doesn’t make it any better.”

“Seems better.” Now she was really sixteen again, full of injustice and resentment.

“It isn’t.” I straightened up. “If you head back to Chicago, it’ll get easier. I’m sorry.”

“I hate you!” she shrieked.

“You’re not alone.”

There wasn’t any point in waiting.

I headed west, and knew that Ella would go home, however reluctantly. Or maybe she would dig her nails into the road and stay there until she starved, lost any remaining sense of who or what she was. That might be a mercy.

But the odds were on her being back in Chicago by nightfall, her sandals scuffing the kerbside as the big, low cars went by, waiting for the one that slowed down.

Hey, little kitten…

c. John Linwood Grant 2015

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Sandra’s First Pony: A Fragment

I did think that I’d finished the October Frights blog-hop, but it seems not. After many requests from the general public (and certain ‘suggestions’ to my solicitor), I am able to release just a fragment from the scorched manuscript draft of my banned work Sandra’s First Pony. Fortunately this is not the version with the dripping skin…

my-little-pony-468916_1920

The evening sun slumped on the horizon, lighting the high moors with all the vigour of a badly-poached egg. It was going to rain as well, despite what the barometer at home had said.

That’s not going to help, thought Sandra. She knew that every delve and hillock of this God-forsaken landscape held one or more of her foul adversaries. Such long shadows were their comfort, their slippers, pipe and fireside…

She smoothed a faint crease from her jodphurs, and reloaded the pump-action shot-gun.

“Well, Mr Bubbles, this is jolly annoying. I’m out of cheese and ham sandwiches, the dog’s run off and we only have seventeen cartridges left. What are we going to do, boy?”

The pony stared at her. His mane still shone, despite the incompetent light, and the ribbons from his big red rosette flapped in the growing wind. Second Place in the Ripon and District Pony Show. Second Place! Primordial evil wasn’t going to take that away from him.

He turned his head and saw the first glistening figures began to crawl from their hiding places. There was only one possible response. He scraped one front hoof against another, checking that there was still an edge on them.

“Kill.” said Mr Bubbles. “Kill them all!”

I think we’ve all been there, haven’t we, listeners?

The Deck of Seasons

So, it’s day ninety three of the October Frights blog-hop, we’re five months into the William Hope Hodgson celebration, and I have at least fifteen longdogs needing a walk. No, something’s wrong there. Never mind. A bit of fiction and a bit of art in today’s short post.

The fiction is from me. I thought I’d share a little dark fantasy/folk horror piece of mine for fun. My hard disk is getting very heavy, and I need to take some files off it before it goes through the floor.

But you, my best beloved, come first, and so here’s the latest from  Hermida Editores of Madrid, who publish Spanish editions of William Hope Hodgson.  Alejandro of Hermida Editores contacted me with mention of their new illustrated edition of The House on the Borderland, and I thought it would look nice here. I’m wondering if the illustrations are by Sebastian Cabrol, who we mentioned in the last post, as I know he’s done at least one Borderland illo before (if I’m wrong, someone will tell me, I’m sure). Might see if we can get a copy of the interior art to share as well.

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And on to a bit of free fiction for the October Frights blog-hop. For some time I’ve been drafting a piece which nowadays might be called either dark fantasy or folk horror, concerning the Cunning Folk. I also like the Italian term benandanti, or ‘good walkers’. Christian or non-Christian, they stood mostly on the side of their villages and villagers against darker practices, and were healers, hex-averters, midwives and the like. The book isn’t finished, because I write too many short stories at the moment, but here is the standalone piece which introduces one of the sections, for amusement.

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The old woman stiffened in her chair.

She knew that something was coming, could hear the wrongness in the corners of the room. The sign that one of them was near. She reached to turn the television down, but the remote control evaded her, slid from arthritic fingers. It fell to the floor.

“…With a chance of heavy rain in the Southeast. Moving on to the rest of the November forecast, we expect to see…”

The set went dead.

“An end to the game.” said a voice to one side of her.

She turned her neck, wincing at the pain. She saw what she’d expected, so she turned back to the blank screen. There was a cobweb between the television and the plant stand, a dusty strand connecting the two. The home help had missed that, the lazy beggar. Not that it mattered now.

“I don’t have it. I sent it somewhere safe. Safer.” she said, clutching at her pinafore.

A sigh. She could hear the silence now. The refrigerator had stopped its low gurgle, the kettle had stopped mid-boil. All those tiny humming noises that you got used to had gone. A dead house.

“Unfortunate.”

It moved softly, slipping round the high-backed chair and standing in the middle of the room. It was a male. She didn’t want to say ‘he’. Wrong to use a normal word like that.

“Who, and where?” It didn’t raise its voice, or threaten, because it didn’t need to.

She had always wanted to die with dignity. No tubes, she’d told her family. None of those machines, pumping things in and out of me, beeping and hissing. I’ll face it myself, as God made me, however it comes…

And here she was, on the edge of wetting herself and begging to be spared. She was ashamed. A couple of years ago, there wouldn’t have been a cobweb, either. She’d have seen to that straight away. The spark of other days flared up inside her, and she felt a flush of real anger.

“It was never yours to use.” she said, her lips dry. Hard to get the spittle up these days. “It was a trust, and you broke that trust a long time ago. So the burden passed to us.”

“We will have it again. And use it.” Cold eyes stared at her, but she managed to meet them.

“You can do what want, but you’ll get no help from me. I’ve dusting to get on with. If you don’t mind.”

She pressed both hands to the arms of the chair, pushing herself up…

It was next to her, over her, moving in that way they had, that way where limbs did things they should not. Its narrow, almost triangular face was painted with hatred.

“Who and where?” it repeated.

She knew then that it would look into her, its eyes so sharp that they would slice her memory open. And they might still see what she had done, even if it was only a hint. She did not have the strength any more.

“I have something, maybe…”

Its head moved, tilted.

“What?”

The old woman reached into the pocket of her pinafore, the same frayed, flowery pinafore that her mother had worn until she died. It had poppies and corn-cockles on it, but the bright reds and blues had faded. All colour in her life had faded. She drew out the Card, the only one she had kept. The one which would never fail her.

The intruder hissed as it saw the green and gold of the Card’s back, its stick-thin fingers clutching at the air in anticipation.

“Give.” it said. “It is ours.”

“It is mine.” she replied, and drew on her old heart for one last effort. She felt vessels burst, valves flutter and tear from one final surge of blood, but she turned the Card to face her enemy…

The room around them was flooded with the scent of honeysuckle, of blackberry ripeness and summer still high and fine. Soft feathers brushed her skin, easing her pain, and she smiled.

“Remember me.” she whispered, knowing now that her people would sense this too, and share her life, not her death. Each holder of the Deck of Seasons would know that a Card had been used, and why.

The creature before her shrieked as it sought the corners and angles of its escape, but it was too late. A more terrible presence silenced it, and her last sight was of the Summer Rook, his gentle black eye on her as he tore the intruder apart in a scream of stabbing obsidian beak and claws.

The authorities could never explain, even months later, why the dead woman’s house smelled so sweetly of honeysuckle and wild roses…

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Countdown now to the next large part of our WHH blog-fest. Part Two: The Voice of Horror is coming in a few days, and will feature audio horror and its implications for our earholes. Tune in, or… well, just tune in, eh?

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The Writer on the Borderland 1.5: Carnacki and More

The talented ones, the believers and the dreamers are gone. John Silence, insane until the end. Aylmer Vance, a gentler soul – we buried what little we found. Thomas Carnacki, never seen again after that night at Roulston Scar. They risked their lives on a battery and a gun, or wielded half-truths and psychology against the dark. They lost, and their time is over.

Yet I am still here. I squat by a burning oil-drum in the wastelands of the estuary, and I look at the shadows as they play across John Canoe’s smooth black skin, at the gris-gris in his hands. He smiles, because he knows me, and what I am.

I am Henry Dodgson, the Last Edwardian.

john linwood grant

We continue our William Hope Hodgson festival with our last chunk focussing on his character Carnacki the Ghostfinder. WHH did write a lot of other good stuff, after all!

I mentioned in our last post that there were nine Carnacki stories in total. Only six stories were actually published in his lifetime. A seventh was submitted by his wife and published in 1929, eleven years after his death, while the eight and ninth were published by August Derleth in 1947. Four of the stories (1, 2, 3 and 5 below) were later combined by WHH to form a single tale which was to be issued as a pamphlet with an accompanying poem. This abbreviated version can be found in Sam Moskowitz’s collection The Haunted Pampero (1991).

Descriptions have been kept to a minimum. As you know, some of the stories have a less than supernatural explanation, but I’m not saying which…

1) The Gateway of the Monster (1910) The Idler
Carnacki is asked to look into a presence troubling an old house, where the Grey Room is subject to violent disturbances, with slamming doors and bedsheets torn away in the dark of night.

2) The House Among the Laurels (1910) The Idler
The derelict Gannington Manor in Ireland is reputed to be haunted, with two men found dead in there. Carnacki gathers locals and police to support his investigation of what is happening.

3) The Whistling Room (1910) The Idler
A personal favourite because of the rather nice imagery. A disturbing whistling sound troubles an Irish castle. Is this a real psychic presence or the work of disgruntled locals? Also my introduction to the word ‘hooning’, which I love.

4) The Searcher of the End House (1910) The Idler
Carnacki recalls an investigation from his past, when he looked into late night knocking, door slamming and stagnant smells at his mother’s house, a place which had a peculiar history of its own.

5) The Horse of the Invisible (1910) The Idler
The Hisgins family of Lancashire have a legend that any first-born daughter will be attacked by a ghostly horse if she begins courting. When the only first-born daughter in seven generations finds her fiancee assaulted, they fear that worse is to come and ask for Carnacki’s help.

6) The Thing Invisible (1912) The New Magazine
When the chapel attached to an old mansion in Kent appears to be haunted by a murderous dagger, the owner’s son calls Carnacki in to solve the mystery.

7) The Haunted Jarvee (1929) The Premier Magazine
Carnacki’s friend Captain Thompson invites him to sail on his ship, but there are rumours that the Jarvee is not a normal vessel. Mysterious shadows seem to converge on the ship, and there are fears that both ship and crew may be lost.

8) The Find (1947) Carnacki the Ghost Finder
The slightest of the nine stories. A book forgery which seems impossible has to be investigated.

9) The Hog (1947) Weird Tales
Perhaps the most disturbing Carnacki story. The Ghost Finder is faced with a client who has terrible nightmares and is seemingly being assailed by a powerful psychic force. New methods must be employed to deal with this terror.

There were no further Carnacki stories from Hodgson, but we will have more on those writers who have resurrected the Ghost Finder (in various forms) later in the month.

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Our brief visual interlude is due to two recent greydogtales discoveries. The first is an artist with whom I’ve been in contact recently, one Sebastian Cabrol. Some of you will have noticed that the initial WHH covers gallery is now up and running (if you haven’t, it’s a drop-down under October Horror on the top menu). Sebastian has recently completed a cover and interior illustrations for a Spanish WHH reprint, and also produced the cover for a Spanish edition of The Night Land, published by Hermida Editores.

Hermida Editores; artist Cabrol
Hermida Editores; artist Cabrol

I loved the artwork (cover reproduced above), and also found much to admire on Sebastian’s website, which can be checked out here:

Cabrol Art

The second is La Brigade Chimerique, a French graphic series from 2009. I am forced to confess that when browsing past the title previously, I had made the stupid assumption that it was a translated version of The League of Extraordinary Gentlemen. It’s not. Written by Serge Lehman and Fabrice Colin, drawn by Gess and colored by Céline Bessonneau, it’s set in 1939 (I think) and includes characters from both history and fiction. Including one Thomas Carnacki.

chimerique

I’m hoping to find out more before the end of the WHH blog-fest.

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Now, back to Carnacki the Ghost Finder, and a note on why Tales of the Last Edwardian came into being.

I don’t generally write stories about Carnacki myself. There are others who have taken this path, and have done, or are still doing, a fine job of it (William Hope Hodgson: The Inheritors will cover this aspect). And I would rather sit back and read those than try my own hand at it. I have done the odd pastiche, but mostly for pleasure. My interest is slightly different.

Some twenty or more years ago, I was re-reading Carnacki, and for some reason (probably pale ale as usual) I found myself focussing not on the man himself but on those who turned up to listen to him – Dodgson, Taylor, Arkright and Jessop. I saw Cheyne Walk, and the flat where they dined, where they sat down to hear his latest case, and I wondered what the heck was going on.

Who were these four men who put up with brusque summons and a host who laid out rules for his dinner evenings? Why did they turn up, and what did they do when they weren’t waiting for a card from the occult detective? They must have had lives of their own, jobs, even, God forbid, emotional attachments. Was there a Mrs Taylor somewhere who gave Taylor’s dinner to the cat after being informed, without notice, that it was a ‘Carnacki night’?

I began to flesh out the four of them in my mind, trying to find even the vaguest clues in the stories. Having strolled around examining the older cemeteries of Keighley a few days before, I conceived a folly. What were Dodgson, Taylor, Arkright and Jessop without Carnacki? If he died on a case or disappeared in mysterious circumstances, what would happen? Keighley settled me on death. Carnacki was dead, and there would be a funeral.

Although the roots of some stories go back to the Second Boer War, Tales of the Last Edwardian truly begins with the funeral of Thomas Merton Carnacki in a small graveyard in West Yorkshire. None of his four friends understands why they have had to come north, or who else they will meet when they arrive. In fact, it turns out that they knew a lot less about him than they thought…

I left Carnacki in his canon, out of respect for old WHH. Nothing I write alters his recorded cases or turns him into a transvestite werewolf, a re-incarnation of John Dee or anything interesting like that. I merely read between the lines, and move on from there. With added women, emotions and other real-life things.

And so there are twelve Tales of the Last Edwardian stories in existence at the moment, either in completed or draft form, some out in the wide world, some under one of the lurchers, probably. They cover a period from 1899 to now, and are bound together by their connection, tenuous or direct, to one man.

Henry Dodgson, narrator, is not dead. I know why, and it’s not what you think. Really, it’s not. Far too aware of the psychic and occult world, Dodgson continues, however reluctantly, to face those threats from the Outer Monstrosities, manifestations, astral vibrations and other sources which imperil the human soul. He survived the gas clouds across Europe, the atrocities of the Spanish Civil War and more. He is tired, yet he carries on…

He is the Last Edwardian

Please join us next time for The Voice of Horror, a feature on audio horror, with all sorts of snippets and goodies, including some I hadn’t heard myself until we started this condemned rollercoaster of William Hope Hodgson fun.

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